- Airy’s Success
- Michelson-Morley Experiment
- Sagnac Experiment
- Pier Luigi Ighina’s Machine
1, 2, and 3:
Bonus, The Aether DOES exist:
1, 2, and 3:
Bonus, The Aether DOES exist:
There is no such thing as gravity, dielectric acceleration IS (so called) magnetic attraction and IS (so called) gravity. It is one and the same thing, the only difference is coherency.
A magnet is a coherent and polarized object, any spatial extrapolation is polarization necessitatively. What drives a magnet is point non-specific and no different from any other holographic fractal in that respect. It is field incommensurability. A magnet does not have poles it has the inverse of counter-space. Space is the absence of inertia, it has no properties. Space acts on nothing, time acts on nothing. A field in and of itself has no quantity, no physicality, it is not phenomena. Space is a posterior attribute of a field, therefore it does nothing and acts on nothing. Space and Time are not autonomous forces, this is absurd. Modern science has never adequately defined polarity, or quantified a field for that matter.
“A magnet has 2 poles” is a description not an explanation. The loss of inertia necessitates polarity. The rest point in the centre is a result of pressure meditation. It is concentrated there because it is the inverse of space (force and motion) it is counter-space (inertia and acceleration). What we call a magnetic field is a reciprocating precessional hyperboloid resultant of a coherent dielectric object. Electricity is a byproduct OF Phi (magnetism) and Psi (dielectricity).
The 800 pound gorilla that shits on the head of modern physics and QM and that is going to turn the world upside down with countless new inventions MUST be and WILL be in dielectrics, not electricity. Classical magnetism does not account for the difference between centripetal convergence and centrifugal divergence and how they interact to cause dielectric voidance or counter-voidance (magnetic vectorization). Which is often incorrectly labelled as magnetic attraction/repulsion.
There is no need for a unified field theory; all fields are already unified. What is not unified is human comprehension of the nature of field modalities in relationship to one another. Mother Nature does not do math and complex calculations with virtual particles. The conjugate forces of reality are simplex and have been understood since ancient times, albeit foolishly dismissed by the arrogance of modern society.
Gravity is left entirely undefined and lacks a scientific denotation in principle, ergo the term is nothing other than a pseudoforce and you may as well say unicorn farts or pixie dust interchangeably. It makes no difference. DESCRIPTIONS ARE NOT EXPLANATIONS!
To summarize, gravity is incoherent dielectric centripetal acceleration towards a null-point of counter-spatial inertia. Essentially a hybrid field modality and byproduct of electromagnetism to put it in layman’s terms. Nothing more.
Proof masses do not accelerate towards each other:
Magnetism never attracted anything, it only displaces. When two magnets collide they do not attract towards each other directly but to a a void or counter-spatial null point of inertia between them.
In regards to atomist relativity theory;
There are no discrete particles in the universe and certainly none that mediate charges, discharges, magnetism, electromagnetism, gravity, and radiation, only fields, all modalities of the Ether. The so-called ‘electrons’ are not particles, not objects or subjects but are the dynamic principle of discharge, and are certainly not charge-carriers, fields are not particles, are not “electrons”, nor assuredly are there energy discharges in the vacuum of space involving ‘electrons’; the ‘electron’ is a fiction of fallacious observation and an even more faulty mental acuity, spawned naturally from the minds of materialists, or an Atomist.
Electricity is Ether in a state of dynamic polarization; magnetism is Ether in a state of dynamic circular polarization upon itself, is the radiative termination of electrical discharge; dielectricity is the Ether under stress or strain. The motions and strains of the Ether give rise to electrification. Phi times Psi gives Q; ‘electrons’ do not mediate these electrical and magnetic forces or likewise the Ether fields.
There is a widespread belief that individual Lorentz – Einstein transformation equations have a physical significance of their own and can be used independently of each other. Thus, for example, some authors believe that for transforming the electric field of a parallel-plate capacitor or of a line charge from one reference frame to another it is sufficient to use only the charge-density transformation equation. Similarly, some authors believe that the same seemingly correct results can be obtained by using just the electric and magnetic field transformation equations. An analysis of field expressions obtained by means of such transformation methods shows, however, that these expressions are incorrect. In order to obtain correct expressions for electric and magnetic fields by means of Lorentz – Einstein transformation equations, the equations must be used collectively, so that all transformable quantities in the system under consideration are properly transformed.
These and similar errors in the understanding of relativistic concepts and equations frequently result in incorrect representations of physical phenomena and in various relativistic “paradoxes” that have caused some scientists to criticize and even to reject relativity theory as such.
The answer is simple: As a physical phenomenon the relativistic (kinematic) Lorentz contraction does not exist. And the fact that several revisions of this concept had no ill effect on relativistic electrodynamics or on any other branch of physics is an excellent indication that the concept does not represent a physical phenomenon in the conventional sense.
What is this madness…
This surge of furious and indignant investigation,
Why are so many increasingly daring to question that which is supposed to be unquestionable…
To challenge the core consensus of that which our modern, advanced society claims to know.
Are they simply going slowly insane?
Or maybe just fools?
Are they the tragic victims of a sadly innadequate education?
Or, is it maybe, something else…
Have they instead perhaps stumbled upon a most unexpected, yet liberating, realization, the realization that our most fundamental of human faculties, have in fact not been rendered obsolete, by this cumulation of so-called “higher knowledge”,
and the staggeringly simple conclusion, that our own senses and observations, can indeed be trusted.
For it is truly this question of trust itself which propels so much of this controversy, so much of this zetetic madness,
because we live in a day and age whereby we are taught from birth to put our blind faith in the sum total of humanity’s accomplishments, and to trust whole-heartedly in the assumption, that collectively mankind’s inevitable progression is always in the direction of truth and understanding…
Yet in this period of history, exists a growing minority of those of us who have been forced to concede that this is certainly not always the case,
to wake up and recognize that this idolatry of our own selves is in fact very fertile soil, for mixing science with fallacy, and confusing knowledge with presumption…
And so, this rediscovered Zetetic ethic, this ethos, is simply about refusing to live life whereby certain things are deemed exempt from continued examination, from questioning. It is the rejection of this unspoken cultural code which implies that the pursuits of scientific observation and experimentation are no longer the purview of the ordinary individual, and that all relevant scientific inquiry has now been relegated to the realms of government institutions , peer-reviewed academia and corporate interests.
We must insist on never overlooking the inherent danger of making the misguided assumption, that none of these public or private establishments could ever be abused, whether by simple error, or malicious intention, and so we seize back for ourselves, this simple right to question, to test, to inquire, to verify.
What’s more, we insist on never again surrendering the value and validity of our own personal obversations, direct experiences, and our inherent cognitive abilities, and degrading them once more to being sources of insight that are considered inferior to the theoretical speculations and mathematical abstractions being pushed from every angle by this monolithic system.
We believe that the simple freedom to question and test everything is the most effective antidote against the ceaseless agenda of indoctrination.
And this, I believe, is what lies at the heart of this Zetetic philosophy. It is something which touches so much more than just the matter of the shape of the Earth, the nature of the Cosmos, or all questions of a scientific nature. It encompasses, practically, everything, which holds meaning and importance in the course of human experience.
We are by nature, questioners. And when this freedom to question is removed, whether by overt action, or more often by sway of social conformity, this is what paves the way for true science to degrade into Scientism, for authentic democracy to erode into mob rule.
We question, because we recognize that at the end of the day, we really have nothing of consequence to lose by doing so, but on the other hand, we have potentially an unimaginable amount to lose, if we do not…
THE KEY OF SOLOMON FORBIDDEN DISCOVERY…
… SOMETHING PROVING ALL HUMANITY… EQUAL?
|First fact… Remove Sun and moon as an experiment to see what is left (because scientists have learned all about both sun and Moon), and all you have left in the sky are stars. Note the Freemason references in green font to ‘seven STARS’ and the Blazing STAR. ref
Second fact… The view is watching the eastern horizon.
Third fact… The orientation of both seven stars and Blazing star fits the orientation of the Pleiades and sun-like star over the eastern horizon in Washington DC on 25th December.
Fourth fact… The ladder represents the 33 steps or degrees in Freemasonry which coincidently is the same degree measurement by astronomers from the rising sacred cross of Orion’s belt, which is coincidently also the same measure in the Testament of Solomon text of 33 units of cosmic measure to an important star.
Fifth fact… The circumpunct Ra symbol in the document at the bottom of the ladder is found as a RA SYMBOL MARKING ON THE GROUND, which can only be referring to the title of the Blazing star.
Sixth fact… The pillar on the ground representing the star above in the tradition “As above so below” is a pillar… or obelisk… like in Egypt… like the very same Washington Monument which coincidently also has the same circumpunct RA SYMBOL MARKING ON THE GROUND like the historical Freemason tracing board! ref
New Findings exposed on this Website…
This website explores the work of my book The Hidden Records, and my controversial research into lost knowledge that I believe has always been hidden. Once the history came to light over the last century it seems scholars have intentionally published interpretations that are completety erroneous. Thus the secret, one that would unite all humanity as one sacred bloodline has always been hidden by the elite through the ages who did not see it firstly acceptable that all humanity are the chosen race and secondly do not see it profitable for all society to be at peace.
Before reading further if you feel this story is a little complex, consider the video of the real historical connection between the Solomon Key and all of the above mentioned material – click the 4min YouTube video of Solomon Key/Vatican/Freemason/Washington finding at the top of the page (or the link here).
|Ancient Egyptian sacred feminine origin
Dan Brown in DaVinci Code showed he had a passion for the symbolism of the sacred feminine.
But not once did he expose its origin or its connection to the ‘circumpunct’ symbol of Ra. The Papyrus below is one of the oldest papyrus texts on display in the Cairo Museum and it has the Goddess Nut of the heavens above stretching from horizon to horizon. Nut is the sacred feminine of the heavens in ancient Egypt.
I have extracted the sacred feminine of the heavens in the insert shown above the traditional monument marking positions of stars on the ground, fitting the Hermes tradition of “As above … so below”. I have traced out all 50 pyramids of Lower Egypt as a grand star map which is explored on this website. The importance of this Papyrus however is as follows:
The sacred feminine is touching with her toes on the ground with the leg of the bull constellation of seven stars… the Pleiades. Her cosmic address shown more in detail in the Hebrew interpretation below as in the Solomon Key pictogram. The Pleiades symbol is next to the Sphinx, where Ra landed in his celestial ship. The full papyrus analysis . of the Pleiades and the celestial ship landing on the Sphinx.
|The Ultimate monument of Ra in Egypt and in DC
Most people think the Sphinx or the Great Pyramid is Egypt’s ultimate monument. That is completely incorrect. The Ra Obelisk was once the only monument to be capped in gold.
I offer this final piece of the hidden records of history fitting the same mystery of the lost meaning of the pyramids with their star connection. All 50 of the pyramids of lower Egypt map out a string of constellations and the proverbial “x” that marks the spot is the grand obelisk of RA and it is placed dead centre… in the pyramid field! Click the image to go to the complete Egyptian star map and return here later.
|The Hebrew Key of Solomon pictogram cipher puzzle
The most important discovery repeating the ancient star secret explored in my book is without doubt the Hebrew Solomon Key pictogram cipher seen above (copy). Here is a traced copy of the two pictograms digitally rendered with its detail on parchment as it would have been before becoming an updated historical component (on paper) of the Clavicula Salominis codex in the British library. The full story follows on it below with all its references. One ‘talismam’ pictogram is Solomon’s ‘key’… a unique symbol associated with the lost teachings of the Christ that is the ‘key’ that will unlock the secret of the star spangled puzzle next to it.
I am seen here holding a copy of the parchment I have been fortunate to decipher. Copies of this on a parchment similar medium are available for sale to the public to raise funds for research. ref
|I guess one could say I am an ancient ‘symbol and pictogram researcher’ not having the knowledge of any ancient language. This evolved over the last 20 years, long before I became an author challenging human origins with the substantial symbol and pattern breakthroughs I published in my book ‘The Hidden Records’.
My most important ancient lost symbol discoveries are listed here.
Ref – Key of Solomon parchment source: It is sourced from the Hebrew ‘Mafteah Shelomoh’ records listed as Or/14759/fol/35a – referenced on line from the collection of manuscripts titled Clavicula Salomonis – ‘Key of Solomon’ in the British Library.
The image above is the clearest image to date presented to me by a mysterious friend who asures me its free for me to use. I blended the image edges to fit the photo frame here. I see others like wikipedia are now using this new reference image I made online as well. I am not bothered to query others usage of it since it is still probably not the original from the manuscript.
Here are the most recent press releases since uploading the findings online at this website and publishing it in two periodicals in 2007/2008:
In South Africa:
This was secured and registered for copyright purposes securing documented dates (like the Youtube video at the top of the page) and public release.
Before we get into decoding the solomon Key cipher we need to cover a little more ground first. The new material being released on this website will confirm that ‘evil’ grimoires, ‘demons’ and witchcraft are more than likely highly dramatised alterations of ancient myths created by the Elite either to hide or to encode sacred knowledge within secret manuscripts. Encoded hidden records that would create new laws to protect secret knowledge that only they were privy to.
Here is the reasoning: The Elite, thousands of years ago seem to have hidden valuable enlightening records that threatened their war hungry profiteering ways by ‘demonically’ encoded texts so that action could be taken on their general public found delving into such works. I believe this protocol is still active today, although it has taken a whole new direction. ‘Angels’ appear to be real flesh and blood visitors to our world and the texts encode important stars associated with these visitors as ‘demons’. This will be ellaborated on further down the page. Historically speaking, this article identifies a symbol that has lost its meaning until now. The lost symbol is not only Solomon’s ‘Key’. It is also the same ‘Key’ of the Masonic legend of Hiram Abiff and the same ‘Key’ secret of St. Peter, as seen with his statue at the Vatican. The statue of St. Peter points down the causeway in the direction of the secret of the star fortress.
There is something previously hidden that is about to launch.
Once the ‘sacred cross’ symbol is deciphered!
|Is it just a coincidence that the Pope makes an appearance on Christmas eve and views the heavens where it mirrors the ground? The three Kings of Orion ‘follow’ from the east heavenward to find a star associated with the ‘birth’ of the Messiah. Many believe that the 25th of December was the birthday of the SON of God. Is it just coincidence too that up until The Christ was accepted by the masses, that this day was celebrated for the birth of the SUN rising in the East?
The new findings on the Masonic Blazing star, the Bethlehem star, the Star of King David and the lost symbol of The Christ will challenge human origins and the very foundation of all religions.
The Sacred Cross Chi-Rho ‘XP’ symbol for The Christ and the ‘real’ cross holds the ‘ultimate’ secret. Read on and see how this symbol unlocks a shocking truth. Yes it actually involves the layout design behind Washington DC, the Vatican city layout design and the detail found on the Key of Solomon and more. Undeniably, this is real measurable material, real matching patterns beyond coincidence and actual history that has all its references here on this site. For example, as seen below, how the stars of Orion was chosen as a sacred symbol. It was Constantines “double cross” symbol used with Christian churches – which appears to be the “Key” of Solomon and The Christ symbol chosen for the British flag.
|The Sacred Cross symbol you are about to view is the Solomon Key parchment’s most prominent clue. This ancient symbol ties in with many ancient civilisations that appear to have obsessed in many religions based on star ‘god’ visitation making contact with their kings. It evolved into a ‘demonic’ encoded secret only for the Elite during the time of King Solomon, and later interpreted as ‘angelic’ visitation, before becoming ridiculed today as a completely new topic: The paranormal – Sightings and contact made with beings in flying discs. Hidden records of contact made with those of the human lineage and the small grey complexion ‘childlike’ beings called Cherubim. This is an absolute shocker no doubt hidden from the public by the Elite since it will prove that all humanity is sacred and equal. Not only that, it seems they have prevented teachings that reveal how our Elite are globaly profiteering from humanity while hiding a new system that would end their destructive profiteering, prevent billions from suffering while ending poverty… a system that is uplifting and universally pure.
The historical Solomon Key parchment is the earliest Hebrew talisman on record, most likely King Solomon’s original encoded parchment. The layout of Washington DC and Vatican City, with their strange Egyptian obelisks, convincingly seem to be linked to the lost symbol on the parchment. The secret layout plan appears to be designed to celebrate the only day in the year on which the Sun rises together with the lost symbol of the Christ. The very same pattern is encoded onto the Hebrew Solomon Key parchment.
The 4th of July is the only day in the year when the centre of the lost symbol of Solomon and Constantine, a Sacred Cross of the sky rises due East, absolutely in sync with the rising (rebirth) of our Sun, when viewed from the Washington DC National Mall Grand ‘Causeway’.
What could this mean? What is the Sacred Cross of Constantine and Solomon? What does this have to do with a star secret? All of this is revealed on this web page.
It is my conclusion the controversial and very ancient Hebrew Key of Solomon talisman is a well thought out puzzle. The interpretation of its star inscriptions matches the theme of the King Solomon Testament codex identifying ‘demons’ encoded not just as real stars, but measurable constellations as will be explored on this website. It seems to be a star map showing the way to one single very important ‘Blazing’ star of the heavenly deities, the star of David. The hypothesis is supported with a previously unrecognised worldwide ancient collection of the same star pattern obsession, identifying the same proverbial ‘x’ star that marks the spot. A clear spiritual uplifting message also associates with it. The Solomon Key encryptions and the matching global collection of a recurrent ancient star map, statistically speaking, are now indisputable pieces of data. Without a doubt, they will soon be put to the test by historians and astronomers, even it if frustrates them to consider the obvious: That we have never been alone in this universe.
Ever wonder what the word ‘KEY’ has to do with King Solomon? The ancients used this icon in Elite society signifying that they were keepers of a grand secret… literally holding a ‘key’ in unlocking forbidden knowledge. Dan Brown’s Angels & Demons book (also a movie release – May 2009) justifies part of the importance of the Egyptian obelisks and the Star Fortress that the statue of St. Peter with his Key points to, down the Vatican Causeway. A star-shaped fortress with an archive of ancient knowledge? Knowledge perhaps protected by the Elite and not deemed fit for common man. The Vatican uses the key emblem. They depict two keys, one key of gold and one silver… one perhaps unlocking the secret of spirituality and the other on human beginnings. See …Vatican Star secret. The other ‘Key’ secret on the human spirit lies on a mosaic floor from an earlier Pope as seen at Oneism.org. There is more… The Freemason foundation secret… The Key of Hiram star map. ref A star chart with what appear to be three “Suns”… Sun-like stars in the heavens and a ladder with the key leading up to the most important “Sun” (ref – Pre Christian Solar Trinity). All of this will be explored and linked to other cases of the secret discovered in the foundations of all ancient civilisations.
This website provides more sunstantial evidence in support of my controversial ancient star map hypothesis based on findings all over the world in the beginnings of almost all ancient civilisations.
The Key of Solomon parchment source: The Hebrew ‘Mafteah Shelomoh’ records listed as Or/14759/fol/35a – referenced on line from the collection of manuscripts titled Clavicula Salomonis – ‘Key of Solomon’ in the British Library. In this online library archive link, scholars have presented only this primary Hebrew talisman with its counterpart ‘KEY’. The identification of the ‘Key’ is the lost symbol itself and will be revealed next.
At the Clavicula Salomonis webpage, scroll down to the bottom of the page to view a copy of the original Hebrew parchment. (Click the image above and look for the same detail seen in this image). It seems to be intentionally hidden amongst worthless doodles or perhaps even fake inscriptions of absolutely no importance. It is listed as the one and only Hebrew sourced Key of Solomon. As the outer rim puzzle on the Key of Solomon talisman is pieced together, and once the meaning of the sacred cross is deciphered in its carefully placed outer rim position, all will become clear. Here is the Key of Solomon parchment in clear detail. The ‘lost symbol’ of the ‘Key’ is on top… the encoded star talisman of Solomon below…
In essence… my findings are a little more than just theory when a whole string of linked mysteries across the globe all venerate the same star template of the lost symbol, all obsess with a single star near the sacred stars, and all revere “Angelic” heavenly visitors who appear to be our ancestors from this ‘mystery star’. You are about to see that the Key of Solomon is the same Key of St. Peter, and it is the same Key of Hiram and Key of Enoch. Not only that. The secret seems to explain conclusively the Bethlehem star of Christ … the star of Hiram Abif… the Blazing star of the Freemasons… the star of David… and more importantly also the star of “Wain”… the name King Solomon’s people called this star.
In the link below to word search these critical words simply open a word search window on the page by pressing these keys on your keyboard… Ctrl F … then copy and paste each word or phrase into the search window.
In the Testament of Solomon line 24:
An angelic character speaks to King Solomon (encoded as the ‘demon’ Asmodeus)…
“I was born of an Angel’s seed by a daughter of man,
“…soon we shall again have free range over mankind,
Scholars who read my research claims in their emails express anger and frustration. They respond asking how is it possible for someone who is not an archaeologist to come out of the blue and present: Firstly, so much new material, and secondly, material that includes ruins of a lost civilisation on Mars? They refuse point blank to look at the research or comment on it. They say it defies all probability of it being possible and therefore not worth their valuable time.
“BIND THE DEMONS”… UNLOCKS THE SOLOMON KEY SECRET
The Testament of Solomon manuscript speaks of the hidden knowledge in unlocking King Solomon’s secret, and is without doubt of the very same theme with the talisman parchment with the lost symbol. I had realised that the ancient Hebrews encoded this manuscript with the complete layout of the star constellations using fictitious demonic characters. In much the same way as I had discovered in my book that…
… so too are the ‘demons’ encoded in the Testament of Solomon manuscript. “Demons” in this context are not evil spirit demons as one would imagine. The ancient scribes were telling the secret with a ‘story’ but for their Elite society encoding the stars and their names and positions. The secretly adjusted codex allowed the Elite the right to take action against any person found researching forbidden ‘demonic’ material (reasoning follows). This discovery is discussed with full online references lower down on this page. The clue is precise and it works for the talisman. Simply bind the stars…. Join the stars with lines to complete the missing star constellation reference in the outer ring. It is part of the star map, to find the place in the heavens of the Star of David… King David… Solomon’s father.
The online Clavicula Salomonis manuscript depicts many talisman examples BUT… to crack the original secret, one needs to search for the Hebrew sourced talisman… the original Hebrew Key of King Solomon. It would have to be Hebrew, not Greek, not Latin or French or any other source. It would also need to fit the manuscript theme of the Solomon Testament which it does (detail follows). Quite a surprise too that its shocking secret appears to be the same as that of The Vatican, The Freemasons and the Washington DC layout plan and the fundamental secret of the beginning of all the great pyramid civilisations! For those only interested in deciphering the talisman here without finding out more on what the star map means…
… it is decoded in an animated graphic, at the bottom of this page.
The story unfolds here piece by piece so you the reader can reference and reason each clue as it is put together, so perhaps it is not worth jumping straight to the deciphered meaning just yet. The Key of Solomon talisman and lost symbol appears to be the earliest Hebrew encoded talisman on record – the original ‘Key’ secret of King Solomon that most likely started the legend of the Key of Solomon.
Encoded portraits of George Washington
My research on the Key of Solomon led me to the George Washington secret portraits painted by Freemasons. The image below is titled “A Vision Unfolds” – click it for source reference and where a Freemason did the honour of using my claim and image for the position of the blazing star.
It is painted by Freemason Peter Wadell and it has a secret star map encoded on the celestial globe. Very clever of the Masonic artist to place it astronomically correct. also in the portrait above Washington’s right hand is a sextant for star locating, which works almost identical to the earlier Masonic setsquare and dividers set at 33 degrees. The celestial globe shows the Blazing star of the Freemasons near the ecliptic but NOT close enough to the ecliptic to be our Sun. The line depicted in yellow is the ecliptic because the other line references are longitude/latitude celestial references. This star secret, I am absolutely certain is celebrated by the largest Egyptian obelisk ever build in Abusir in ancient Egypt as well as one even larger built in modern times… the Washington monument and its importance in Washington DC as a secret star map, set to mirror the sky on Sol Invictus.
There is another encoded painting and it is produced in almost identical theme: The Washington family portrait. I could see at first glance that it also holds a Masonic code. A code encrypted within it, revealing the meaning of the city I was about to build that mirrors the heavens. Click the image to see the secret. It is also a completely parallel story on its own. (Perhaps come back and click this image below a little later). George Washington is pointing to the place where the great Pentagon was to be built. It would match what I believe can only be explained as a hidden secret ancient manuscript explaining human origins from the stars and a once colonised Mars! Why? Because Washington DC mirrors the Mars anomalies! The secret also includes how both the ‘National Treasure’ films revealed many Masonic clues.
The secret behind the Key of Solomon collection of talismans will hold their own ground and lead to identifying the same star secret also held by both the Templars and the Freemasons.
For now let’s not speculate any further on Dan Brown’s fictional account of The Lost Symbol and rather feast on the exciting material that has previously not been open to researchers since it was deemed ‘forbidden history’. What you are about to read about has important references and is based on reasoning logic and with crucial comparison to something monumental that the ancients obsessed about from the earliest moments when humanity built its first great empires.
Introduction: A divine secret, perhaps once included in the genesis records of many great civilizations, has been hidden for millennia. The origin of the Solomon Seal and the hidden secret within the Solomon Key two invaluable pieces of history’s enigmatic records, have been kept secret for far too long. The same secret you will soon bear witness to, appears to have been encrypted into the legacy of many ancient civilizations. Their most sacred artefacts and monuments invariably show evidence of it.
However, more often than not, collections of historical texts fail to make clear mention of the Solomon Key secret and the meaning of its lost symbol. Why? It included records of something that did not fit into the dogma of war mongering and of the manipulation of societies. It would firstly prove that we are all the children of those that came from above and secondly it condemned war and slavery.
Humanity has proven it has never ever thought along these lines.
For as long as civilization has existed, tradition has dictated what its people should believe without free will. In many instances, from century to century, leaders have taken it upon themselves to influence the interpretation of the sacred records brought to civilization by those that once came from above. Leaders throughout history have commanded allegiance to their dictatorships by creating a God-fearing society. This was the only way these systems of governance could work.
One must wonder how many of the original texts were altered to make them more palatable for their kingdoms. A difficult question to answer! However, if this really happened why should we be forced to follow tradition and pay the price of our ancestors’ misguided intentions and be deprived of this knowledge? More importantly, whatever happened to all the texts upholding the sacredness and sanctity of human life and happiness? With the disappearance, removal and omission of what appear to be many crucial, original and sacred teachings, civilization has been slowly slipping back into destructive chaos.
The Solomon Key and lost symbol secret was probably discovered during an epoch where religion had changed considerably. So much so that the revived knowledge would not fit the tradition of the day and would need to be hidden. Since the time when the Solomon Key was supposedly discovered, the secret of King Solomon has remained surrounded by mysticism. Throughout history, religious figureheads have tried to keep its contents a tightly guarded secret. They needed to devise a means to take firm action against those that were found delving into its meaning. In all likelihood the lost symbol secret was intentionally embedded into destructive manuscripts on witchcraft.
A society governed by religious convictions would no doubt allow extreme action to be taken against any individuals found in possession of forbidden manuscripts.
They would be burned at the stake.
More recently, some exciting new discoveries have been made that will facilitate the deciphering of its meaning. For the first time ever all the mechanisms are in place for the Solomon Key and its lost symbol to stand a chance of being considered as valuable knowledge.
What is more, given the sensitivity of the subject, and its implications to humanity a substantial study is important. No doubt there are powerful and influential elements out there in whose interest it would be for this secret to remain hidden.
King Solomon’s Temple of the Human Form
The source of the Solomon Key parchment with its forgotten symbol is Middle Eastern. It is both sacred and pure. Its encrypted message will challenge everything we thought we knew about our origins.
The message that is revealed from the lost symbol in the parchment will provide theological doctrine with unremitting evidence that every civilization is descendant from those that came from down the heavens, opposing that we are linked to an Earth evolved hominid of any sort. Moreover, it will present a bold new challenge to the ‘Out of Africa Eve’ theory from an entirely new angle. One has to question if it is such an awful thought that we could be descendants of those that evolved in another star system… Angels if you like?
Although there is no historical certainty on the exact identity of Solomon in reference to the legend of The Key of Solomon, it seems highly likely he is the biblical King Solomon, son of King David and hence carries the seal referred to as of the Star of David. Once a king of Jerusalem, he became historically famous for the building in Jerusalem of the original sacred Temple Mount called Solomon’s Temple. A temple that once stood where the more recent Temple Mount stands today.
The grand secret relating to King Solomon has been preserved in hidden manuscripts that have survived the test of time. But nobody to date has managed to decipher the mysticism and secret codes that surround it. Some breaking new discoveries in archaeo-astronomy and the Judas Codex have recently led to deciphering a key aspect of its fundamental star encrypted meaning, and this now freely available to all on this website.
The biblical King Solomon is well-known from the Old Testament account in Genesis. Solomon’s testimony originated from Hebrew texts, and has been carried through legend appearing in many questionable and mysterious manuscripts. Be that as it may, everything speaks for him having been a holy man and a good man who had a connection with those that came from above.
From all accounts, Solomon held the ‘key’ to unlocking a heavenly secret.
King Solomon’s Temple referred to by theologians, as the biblical Solomon’s Temple was once a grand palatial work of masonry. I believe it once replicated a design exactly the same as that seen in Baalbek (below)… so much so that it has got me wondering if this grand ruin is completely missunderstood, and that this is the actual ruin of his Temple itself. The biblical account and the Testament of Solomon both speak of blocks quarried in Lebanon… right here! The Temple of Jupiter at Baalbek is well known as one of the largest temple complexes ever constructed on this planet from the largest blocks of masonry ever produced by humankind. Is this Temple ruin representing the Key of Solomon secret? Why is it facing its message skyward… a message so large that our astronauts can see it! Ponder on that thought because it is the very same thinking… a design plan… as in the layout of all the pyramids and that of Stonehenge and the claim of pyramids on Mars. There has been much speculation among researchers whether the Baalbek ruin represents a man holding a key like the statue of St Peter at the Vatican.
IS BAALBEK DEPICTING KING SOLOMON HOLDING HIS ‘KEY’ ?
IF SO… PONDER WHY ITS ‘MESSAGE’ IS FACING SKYWARD
|The design plan of King Solomon’s Temple encapsulated what some scholars have recently suggested was a monumental representation of the divine nature of the human form. If this is true one has to wonder if both Solomon and the builders of the Temple at Baalbek were trying to make their landmarks visible from a high altitude for religious or other reasons. Its gargantuan size is easily visible from space. Consider for a moment why this could be important. Also, why choose the human form blueprint and why holding a key? Compare the pillar sizes and block sizes with that of the person standing between the bases of the highlighted pillars at Baalbek.
THE SEAL OF SOLOMON – DECODED
The seal of Solomon is the legendary scroll seal King Solomon apparently wore on his ring. It has been reconstructed here. The symbol it displays became The Star of David, a very sacred Hebrew symbol.
It is made up of two independent triangles superimposed over one another. It appears to encapsulate a symbolic meaning: As above in the heavens, so below on the ground. The triangle pointing downwards seems to represent what is sacred in the heavens.
The triangle on the ground with its apex facing the heavens possibly symbolises sacred places on Earth. Or as some new theorists believe, the triangle could be symbolising the secret meaning for the shape of the pyramid itself. One has to ask if this is perhaps another way of suggesting pyramids represent something sacred in the heavens: Stars?
In the image below the most important depiction of the Seal of Solomon of all is portrayed. It is perhaps the earliest version of all and a similar version of it reproduced later in the old manuscript titled Of the Arte Goetia ref
Decoding it as follows… mouse over the image to see it:
The Seal of Solomon is what I propose as the merging of As Above So Below legend where a solar trinity in the sky triangle of the sacred feminine aspect or womb of the Egyptian goddess Nut points downwards. It is placed or merged over the temple obelisk or Pyramid to complete that on Earth below, a pattern I found is most often built as a star map to mirror the sacred part of the sky. Two triangles merged as one.
Hebrew scholars say the seal is made of seven aspects… six points and its center is the seventh aspect.
Here I proposed since 2003 this represents the stars of the Pleiades which I also believe was celebrated with the use of seven candles in a menorah for the sacred seven celestial lights.
The Seventh aspect has what I propose was how the ancient Hebrews believed the Pleiades were complete only with the solar trinity sun stars. It placed the seventh star at the centre but in this version it is replaced with an overlay of what was special about the Pleiades. The seven stars with its three sun stars in the T shape with the two at the top one below it in the correct orientation when viewed from the east. It is the sacred feminine correct orientation as well.
But the label with the ‘T’ symbol explains it all … it was called the TAU ref.
Scholars say the TAU cross ref is where it has its origins and has a lot to do with the normal cross of Christianity that I found represented the Orion constellation. Consider now that the TAU cross might be even older here. It perfectly holds the 3 suns I propose and it is probably so old it has its roots at Gobekli Tepe as seen with the ‘T’ monolith shown.
The ‘T’ monoliths are perhaps the way the ancients believed their dwellings hold up the roof and the heavens. I am now convinced since there are so many ancient cultures using the ‘T’ symbol in their depictions of interaction with star ‘gods’ that this teaching was global.
The Alpha and Omega reference to of the beginning of time and the end of time records of our creator the Elohim just as Tetragrammaton is a secret name of the Elohim, the name given to… “Those that came from above”.
This leaves a small Crescent symbol with another ‘T’ symbol which I propose is the world in crescent of those that come from above. Lastly the letters GALA which is when read correctly anticlockwise is the Hebrew word to make complete… it is done… ref.
There is another Seal of solomon talisman that is decoded after the Key of Solomon is decoded lower down on this page.
|Here are more clues:
Three important talisman seals are shown here from the British manuscript with more: A sacred constellation of Orion actually mentioned, Constantine’s sacred cross the Chi-Rho XP with a pointer showing the way in the heavens, 3 crosses as stars in a row, with four others in perspective with these 3 in a row, sacred geometry found in DaVinci’s paintings and the detail found on the parchment of Clavicules du Roi Salomon.
|The Clavicle of Solomon manuscript
King Solomon’s secret revealed by Ptolomy the Grecian, as seen in the Sloane manuscript British Library, 3847 has one predominant depiction and encoded within it, appears to be the sacred cross that Emperor Constantine saw in the sky. But here, the entire secret is presented with all its detail. Let it be said that the Key of Solomon talisman (the parchment with the orange glow) holds the identical detail but with a different code. The balance of the Ptolomy manuscript is also completely immersed in what seems to be false destructive magic and alchemy used to take acion against those found with this manuscript.
The image suggests that Solomon’s secret symbol secret involves the sacred cross and Jesus the Saviour. Here is important speculation:
The cross that Heretics were crucified on seems to have been carefully chosen symbolic punishment specifically aimed at silencing those who dared preach knowledge about forbidden records of the sacred cross in the sky… the lost and forgotten symbol.
The small talisman next to the prime “Key” of Solomon talisman is one of the first simplified examples of the Sacred Cross insignia, the pattern of Solomon’s secret as seen at the top of this website. This Sacred cross is the “Key” of Solomon… the “key” showing the way to truth.
Its secret can be deciphered only from the way it actually appears in the sky exactly like the lost symbol icon shown in the 10 oclock position of the larger Solomon talisman.
It is one that is also easily visible in the night sky today and has been revered by ancient civilizations from the beginning of time as explored in my book. In simplicity the ancient secret seems to use the three Belt stars of Orion to show the way in the sky to locate the postion of the Pleiades, then using the ‘leg’ shape of the Pleiades as a secondary pointer to find a special star. Ocasionally just the three belt stars are used without reference to the Pleiades using a set distance in the sky… 33 degrees of arc measurement. The codex of the Testament of King Solomon speaks of this measurement, just as masonic texts hint of it. (More on this celestial measurement follows). I found it interesting that virtually all ancient civilizations across the globe worshiped angelic beings that associate themselves with one special star in this area of the sacred bull of the heavens, as seen in many examples of ancient star maps I appears to have deciphered.
Here is the evolution of our religions: Our earliest ancestors worshiped them as ‘gods’ from the stars – The ancient churches revered them as Angels and stars were encoded as ‘demons’. In modern times they are ridiculed as the subject of celestial visitors in flying discs.
|In the collection of records revealed by Ptolomy the Grecian, as seen in the Sloane manuscript (British Library, 3847) there is one very important secret sketch seen below – it has a small note next to the sketch beckoning the reader to remember proportion within the image.
It is still nicknamed today as it was in ancient times:
The cosmic signpost?.
Solomon’ secret of is the “Key” that shows the way… is Orion… Orion’s Belt as a ‘way shower’!
The Key is also the Key of St Peter and the Key of Hiram Abiff!
It shows the way to Tetragrammaton in the heavens.
|Online source of the manuscript
Click here For more on the history of all three Sun-like stars and the origin of the Trinity.
Tetragrammaton An early Paleo-Hebrew word that with unclear definitive interpretation but generally refers to:
“One that is of the highest position in the heavens – the house (place) of the Elohim” (See ref to ‘house’ in the Solomon Testament that follows).
Judas Codex Christ shows Judas Solomon’s secret knowledge as a star pattern in the sky see last few seconds of the documentary preview.
|Constantine’s Sacred Cross – The Chi-Rho|
|For three centuries after the crucifixion of The Christ, his followers were in very small numbers and they worshiped in secret. It was at a time when the Greek religions prevailed. These were primarily based around their ultimate god Zeus, worship of the Sun and the celestial bull of Mythras.
Up until then, Christianity was a forbidden religion and those who were caught delving into it were fed to the lions for the entertainment of a very sadistic Roman population.
What follows here, will initially appear to discredit Christianity, but once more truth emerges in its entirety, the significance of The Christ will become much clearer.
History is about to reveal a great deal about The Christ that will suggest how human he really was, as opposed to being God incarnate. Many writers will no doubt see the opportunity in making a fast dollar in discrediting Christianity. However, it will soon also become clear that in all probability there is a more plausible possibility how one can interpret how The Christ claimed he was ‘God’ in specific texts. It is likely that the Creator of this vast universe spoke through him at important times (just as was the case with other great messengers in history). There is also no doubt that his ‘heavenly’ father was what history has recorded as the Eloheim. Who the Eloheim really were, will also become much clearer in this article. There is more to this messianic story than meets the eye and it will also elevate the significance of many of the other great messengers throughout history, as the truth associated with their lives begins to fit in with the fundamentals of what virtually all belief systems originally claimed before they were altered by mortal hand. In all probability, the new evidence that will be presented on this website will inspire even those who are self-proclaimed atheists.
Around 300 years after the crucifixion of The Christ, Roman Emperor Constantine was the one who introduced Christianity as it stands to this day. Constantine claimed to have had an encounter that would be classed as a paranormal event today. It occurred before an important battle. He was visited by brightly dressed beings that came down from the heavens. The important message to him and his imposing army involved the witnessing of a sacred cross formation seen in the sky. He was told about its significance and that if he celebrated its importance, he would be triumphant. He subsequently decreed that his army’s shields be decorated with the cross insignia that is referred to as the Greek letters XP…Labarum or Chi-Rho.
He was triumphant, and on returning to Rome probably realised that the ‘message’ he received was relevant to something hidden within the ‘original’ gospels of Christianity. The sacred cross secret must have coincided in some way. Why else would he begin to use this sacred Chi-Rho cross of the sky as the title representative of The Christ?
It was also Constantine who would decide that only four out of the entire collection of gospels would be accepted into his version of Christianity. No doubt they were those texts that he believed would be the most palatable to a predominantly Mythras and Zeus worshiping society.
It is interesting to note that although The Christ and his apostles were originally Aramaic and Hebrew, the original four gospels that were chosen from at least 30 or so gospels, were already copies that were written in Greek, the predominant language of Rome at the time. One cannot help wondering what happened to the original Hebrew and Aramaic testimonies that were written around the time of The Christ. Another interesting point that can be made here is that the name of The Christ, who was believed to be the ‘son of God’ was a man born with the Hebrew name Yeshua, yet his name would become the spoken name “I-seous Chris-tus” after the time of Constantine.
The adjustment is not a transliteration. It suggests that it may have been altered by the Romans, perhaps to introduce the greatness of The Christ to its people in a way that would be more acceptable to those of the old tradition of belief. The name Yeshua was changed to: “I-seous”, the pronunciation sounds remarkably close to the old spoken way meaning ‘of Zeus’ (Zeus was the previously accepted ultimate God of the Romans). The pronunciation of the name “Chris-tus” also sounds very close to an old way of describing a ‘criss-cross’ which became the way in English to explain the image of a cross. There are obviously a lot more pagan hidden records here suggesting this way of thinking since there were 12 apostles for the 12 seasons, the rebith of the Sun date of the 25th of December chosen as the ‘birth’ of Christ, as well as the Easter tradition adapted from the pagan tradition. ‘Son’ of God replaced ‘Sun’ of God and so forth. For now, let us assume that these are all just coincidences and due to the sensitivity of the matter, let scholars argue over how it was possible for so many alterations to be made by human hand to all the holy works.
The celebration of the rebirth (rising) of the Sun each year on the 25th of December called Sol Invictus is important and will be looked at as it seems to have been confused with sacred stars that were just like our Sun. This date was chosen for celebration of the birth of the ‘Son’ of God. If this sounds like mere speculation, read on for further corroborating evidence that it is anything but chance.
In many Renaissance paintings, like Leonardo Da Vinci’s ‘Last Supper’, the apostles were often depicted into four groups of three, coincidently like the four seasons of the year. He was born of a virgin mother, like the earlier ‘gods’ and in many depictions shown as being breast fed by his mother, which is virtually identical to how the Egyptian Solar goddess Isis is portrayed.
Some convincing evidence can be found in the earliest written gospels of The Christ story that will allow us to unravel part of the mystery: The birth of The Christ was recorded in the Greek gospel of Matthew without the traditional Sol Invictus “Sun rebirth” depiction in the sky. Instead preference was given to the significance of a special star being visible in the sky.
This sheds light on some very important clues: What possible connection or interpretation similarity could there be between our Sun and another very important star in the sky? Especially in the context of the testimony of beings that came down from the heavens. One must also wonder about the importance of the very early accounts of a worldwide celebration of this star on top of a Yule tree that was especially selected because it has a conical shape? Was it possibly linked to the biblical Jacobs ladder account or was it perhaps inspired by something else? Without a doubt it appears to match the star at the centre of the larger Solomon Key talisman parchment on this web page, with what looks like a conical beam of light or ladder coming down from it.
When it comes to the Matthew gospel, scholars are still at loggerheads over whether the three ‘wise’ Magi or ‘Kings’ who supposedly came from the east, is an accurate interpretation. Many say they were probably not even people at all.
Incidentally, the word Magi can also be interpreted as the study of the stars, probably more in the context of astronomy here than astrology. The word ‘wise’ is another clue when considering stars in this context. What it seems to hint at is wisdom that can be found if one knows the meaning of the strange collective meaning of the Three Magi/Kings.
Everything here points towards a celestial solution… real stars. A possible alternative interpretation of the text also includes Solomon’s secret that ws lost depicting the sacred cross that Constantine appears to have witnessed. It is an interpretation that becomes apparent when one considers the historical reference to the Three Kings ‘of the sky”:
Open a search window in the link to the Morals and Dogma Freemason historical text page below by pressing Ctrl F on your keyboard and word search these words or phrases:
For this reason let us consider the significance of the Three Magi as the belt stars of the constellation of Orion in the Matthew text, which in all probability is also the sacred cross of Constantine.
In the general English traditional version of the Matthew text, in brief:
The Three Kings from the East, ‘follow’ the direction to a special star associated with the birth/beginnings of The Christ.
The three stars of Orion’s belt rise in the East, and if one follows the alignment, the direction one would ‘follow’ (eyesight) would be to a special star associated with the birth/beginnings of The Christ.
In the alternative Matthew text interpretation, what the observer is following is the phenomenon of three stars rising in a row in the east. They direct one’s line of sight towards a star of great importance. The star ostensibly associated with the birth or beginnings of The Christ.
What could be so important about a star one might ask?
There is one thing, and one thing only, that stands out in the context of celestial beings (Messengers/Angels/Cherubim) that came down from above:
What has to be considered is whether the star in question is a record, not only of a real star in the heavens, but also of a star system so to speak, a solar system that may have been the place of origin of the celestial visitors that history originally spoke of, namely the “Tetragrammaton” or the “Eloheim”
This of course begs the question whether the cosmic beings were real flesh and blood entities, which were not only present in the form of spirit beings.
While pointing to a star in the heavens, The Christ says something along the lines:
Behold Judas… this star is also your star to follow”.
Once again this is remarkably similar in tone to the Matthew text, which beckons the Three Wise Men to ‘follow’ (in alignment) to the star of Bethlehem. National Geographic then inadvertently takes this story to a whole new level. The scene is of the night sky in the film footage and it seems to suggest that there is more to this story than scholars are currently prepared to comment on.
The footage ‘coincidently’ depicts three bright stars in a row that align with one all-important star.
(See earlier reference link for National Geographic video and star depiction).
What also seems to be beyond coincidence, is the producer’s choice of showing the star in question with a slight yellow spectrum. This is the same colour spectrum as our Sun!
By now many readers will be wondering what does this seemingly off track Christ story have to do with the Key of Solomon mystery, if anything?
In the images to follow, the secret of a special star emerges in reference to its position compared to deciphered constellations extracted from the cipher puzzle. It unveils the full meaning of the ancient Hebrew Solomon Key pictogram cipher that many agree is the original ‘Key of Solomon’ secret.
Solomons ‘Key’ is… Orion?
Cracking the secret of the Hebrew Solomon Key cipher firstly requires its primary symbol deciphered, the symbol that is being pointed to on the parchment above, the icon referred to here as another forgotten symbol since its meaning here is forgotten!
With my astronomy background and delving into the secrets of the ancient pyramid builders covered in my book, the Orion constellation became a very familiar constellation over the years.
I found himself staring at this Hebrew cipher wondering why so many stars were being used… then it dawned on me!
This is Orion… Orion is the “Key”!
Orion is the “Key”, the forgotten symbol of Solomon
This thought made sense since the “Key” aspect is reasoned because next to it is the other talisman showing how the “Key” is celebrated in the churches! A ‘criss-cross’ symbol is shown precisely how the star constellation of Orion appears in the night sky, and it also appears to be represented in the smaller talisman (with the title ‘Sacred Cross’) where the icon was traditionally shown as a simplified insignia of a cross within a cross.
This smaller talisman depicts the ‘traditional’ sacred cross detail in the larger talisman, with a very tiny star cluster detail comprising what astronomy terms: Orion’s sword. (Orion’s sword is the cluster that appears to be a line of what look like 4 blurred stars in a row where one of them has a red haze nebula around one of the stars). On an exceptionally clear night and with absolute perfect vision one can occasionally make out at least six of the tiny little stars in Orion’s sword. The head of Orion is along the same line of alignment and is also comprised of another cluster of around four tiny stars. In the two sacred cross comparisons that are ringed in grey, the one on the absolute right is an enlargement of the Solomon Key icon where the sword (with 6 dots) is ringed in orange. Compare this with the slight hint of the star cluster detail in the circled image titled ‘Sacred Cross’, where it too has its counterpart circled in orange.
I was certain since I sent this material to Dan Brown through his agent over a year ago, if he is a real researcher he would no doubt have something worth while to say about this key piece of evidence. It is after all, the oldest Hebrew talisman in the most popular Key of solomon manuscript collections in the British Library. But he chose to avoid it.
Could the forgotten symbol of the cross within a cross insignia (labelled ‘sacred cross’ in the image above) be the very same sacred cross seen in the blue icons below it that have evolved as the religiously revered sacred cross in all variations of Christian religion? This is a very sensitive question. Theologians agree that the ‘sacred cross’ is not the cross that The Christ was crucified on, yet no theologian has explained what exactly the historical versions of the cross insignia shown in blue represent. This in itself is a question that has remained unanswered for far too long. It appears to be the very same cross as the Greek ‘Chi-Rho’ pattern that Constantine was shown in the sky, which he then inscribed on his army’s shields. See more here on my findings on the Sacred Cross.
It is therefore quite probable here in the image above that the two encircled depictions of crosses are one and the same. This is an important breakthrough in theology if it turns out to be true and many will soon see that it is also the key to deciphering the meaning of the layout of the Vatican City, especially the St Peter’s Piazza at the Basilica in Rome, which was designed in the form of the forgotten cross symbol, Constantine’s great cross. The strange thing was the choice of inserting a sun worshiping Egyptian obelisk in the middle of it. It is obviously a clue to inspire the interpretation of the secret, but in the context of all the positions of the Egyptian obelisks in Rome. It is not at all strange therefore that the statue of St Peter is holding a ‘key’, while he points down the great causeway towards the east in the direction of the great secret. (Another spectacular clue that will be explored later).
St Peter was crucified on a cross. Perhaps what the Romans were trying to do, was send out a strong warning: All those who speak openly about secret knowledge on the sacred cross would be put to death on a cross. The meaning of the sacred cross was probably a secret only shared among the Elite.
Note how the earliest Chi-Rho symbol in the image above has a ‘P’ with an arrow head on it as if to signify a pointer phenomenon. Note how in the earlier talisman depictions on this web page (the group of three talismans) the Chi-Rho icon is also included in these, together with Orion clues. Now look back also at the animation overlay image of the earlier Clavicle of Solomon insignia and how it too seems to celebrate the Orion constellation showing the way to the location of a star that is associated with Tetragrammaton, that i believe is speaking of beings referred to as ‘the Eloheim’ that are in our form and our likeness!
Note how ‘coincidently’ the Orion shaped icon, the forgotten symbol in the larger Key of Solomon talisman above, has its belt stars in alignment with the star shown in the middle of the talisman that is depicted with four tiny little circles around it.
Even if one accepts there is only a grain of truth to the probability that the Bethlehem star is the very same ‘Judas star’, which can be found using Orion as a cosmic sign post, then one is ready to read further. If not, then in all probability you the reader have not had the chance to click on the all important reference links that elevate this article on to solid ground.
But which way is it that one would need to follow from the three in a row alignment of the belt stars of Orion? Do we follow the alignment to the brightest star in the night sky to Sirius, or do we follow in the other direction towards the ecliptic, (the path of the Sun), towards the area of the celestial bull?
There is a solution and it is concluded from what seems to be a massive collection of hidden records that only a handful of people are presently aware of.
Chinon parchment recently released from Vatican
The Chinon Parchment was treated as a secret document up until recently when the Vatican decided to release it. It documents Pope Clement V secretly forgiving an Elite group of Templars in 1314 saving them from being burned at the stake like all the other Templars. There is a translation here. One could speculate that the incentive of Pope Clement V involved protecting these powerful people if maintaining a greater portion of their weath and securing the treasures the Templars spoke of… a ‘true cross’ and perhaps even the ‘real’ Holy Grail itself. Tradition speaks of the true cross as a piece of wood from the crucifixion cross of Christ. I suggest that the reference is the sacred knowledge of the true cross, the same cross of the heavens seen by the founder of Christianity, Emperor Constantine, because the true cross, the Sacred Cross of the sky is depicted on the Chinon document seen below. It is sketched between two other secret depictions of the sacred cross, one involving what looks like a ‘key’ below it and what looks like some sort of physical ornament above it.
There are now three parchment references to the Sacred Cross and all three seem to interpret Orion specifically with the two star clusters forming Orion’s ‘head’ and Orion’s ‘sword’ seen in the image.
Let us now take a closer look at the larger Solomon talisman on the parchment (below right) and question if there are any clues as to where the most important star of this talisman, (the star at its centre with four circles and a beam of light coming down from it) can actually be found and documented in the heavens.
|What could the square around the star symbolise with two partial curves on either side of it?
Why are the stars around the outer rim depicted with little lines extended from them?
In astronomy these two clues alone speak volumes!
|Biblical references to sacred stars
When it comes to direct references to sacred star constellations in the Bible, there are four distinct references, and two star groups stand out far more than any other. It is as if all the other stars in the heavens are just stars, except for Orion and the Pleiades:
‘Who created Arcturus, Orion and the Pleiades?’
‘Seek the Creator of the seven stars of the Pleiades and those of Orion.‘
‘But ye have borne the tabernacle of your ‘Moloch’ and ‘Chiun’ your images, the star of your god which ye made to yourselves.’
‘Canst thou bind the sweet influences of the Pleiades or the band of Orion.‘
The significance of the alignment of Orion’s belt seems evident here. The use of the word ‘bind’ is clear: To present the stars as sacred knowledge collective groups in their records by joining/binding the important stars together. It is done by joining lines to outline a constellation, or more importantly to highlight a ritual of sacred knowledge using King Solomon’s ‘magic’ ring. This will be reasoned below. Note also usage of ‘star of your god’ in close reference to the Pleiades Orion text in the book of Amos.
Book of Revelation 1:16
“In The Christ’s right hand… seven stars”
The Pleiades: Scholars agree that the only stars generally referred to as ‘seven stars’ at the time of The Christ were the Pleiades. The seven stars are also spoken of in the Bible in two other texts, but here the name of the Pleiades was included. The symbolism, like that of the Matthew text, contains an encoded allegory that only the wealthy minority of the well educated would be in a position to reason. This style of encoding symbolism is repeated in another codex that follows, and more detail will be found here like no other manuscript to date. The Book of Revelation also makes mention of symbolism. Seven candles in the sky with the seven stars: The Hebrew Menorah.
Is this not the answer to the origin of the sacred Menorah?
The meaning of the Menorah could be the celebration in one’s home of the seven sacred celestial lights of the Pleiades.
It is said that the Star of David itself also represents the seven sacred stars in the heavens (six points and its centre seven). Could it be symbolic of the Star of David representing a special star? What has to be researched, if it is associated with the area of the seven stars, are the clues that have been left behind. This can be compared to the Masonic sacred star (later) where a seven pointed star is depicted as the ultimate Blazing Star with reference to the orientation and close proximity of seven other stars (see later). The Star of David originates from King Solomon’s father, King David, and it is said to be comprised of one triangle overlaid over another that is inverted. What does this mean?
This symbolism will now be explored and compared to the American one dollar bill and something important that follows a little later. The secret involves two other nearby Sun-like stars to add to the story, but not forgetting that this story is still focused on the most important Sun-like star out of the three … a Trinity. The triangle in the heavens appears to be the inverted triangle, which will soon be debated if it represents either the holy trinity above, as three spirits in the heavens, or represents three solar deities as a Trinity (see link below). The latter predates the other.
I believe it represents three sun-like stars near the Pleiades in the heavens. Giving extensive references in book and this website I conclusively claim that there are nearby sun-like stars accurately represented in the area of the Pleiades in the records left behind by virtually every ancient civilisation who built grand monuments. My theories will be compared on this website in the context of what follows. I believe the triangle in the sky is formed by joining the three sun-like stars, and on the ground the triangle pointing upward represents the shape of a pyramid or temple the traditional symbolism of: ‘As above so below.’ For more on the history of all three Sun-like stars and the origin of the Trinity… Click here.
In the Testament of Solomon, the Hebrew Menorah of seven candle sticks is clearly quoted by King Solomon in context of its celestial representation as stars. But here the truth seems clear, suggesting seven stars aligning towards the place of those that come from above. King Solomon asks about the secrets and ritual of celebration of what reads as celebration of seven such stars in the heavens that seem to align to the ‘ultimate star’, the ‘Wain’ star of thy ‘house’ in the heavens:
Ref: Solomon Testament Codex. Search the key words using Ctrl F to see in context:
“Hear, O king… light SEVEN LAMPS in a row, thou wilt firmly FIX THY HOUSE…
|“Seven Candlesticks and the Seven stars” – The second coming.
With greatest of respect to the Hebrew and Christian community I propose this hypothesis in the image above. It is just a hypothesis after all, although its human uplifting meaning challenges traditional interpretation due to all the other supportive evidence of this star pattern. The grand meaning of the icon includes ALL of humanity as its chosen race, and not just those of one belief. The triangle of three ‘Sunlike stars’ as a trinity in the heavens near the Pleiades merge over the ultimate temple, the pyramid on the ground to form the Star of David… and yes… a real ‘star’ of David. The seven candle lamps in a row show the way (as a celestial alignment like the belt stars of Orion) to the star of David.
| The One Dollar bill secret star code
The image above should be compared to the seals on the American one dollar bill. If one looks closely at the dollar bill, the pyramid seal has its capstone floating in an illuminated scene just as the grouping of stars in the counterpart seal. One merely has to overlay one illuminated theme over the other to experience its enlightening secret. Not only does it create the Hebrew Star of David, there is more. See the flash image below as one illumination is placed over the other and note also how the wingtips of the eagle, and its feet and its tail touch the letters M-A-S-O-N when the whole seal is carefully overlaid over the other. Are we seeing proof of three stars in the heavens as the triangle pointing down to Earth, while the temple or pyramid is the triangle pointing heavenward thus representing the stars on the ground?
Watch the Flash animation (lower seal) very closely.
‘As above so below.’
A Freemason ring repeats the pattern of the US one dollar bill seal overlay with what appears to be a solar trinity, flanking all three sides of the ultimate monument on the ground, the pyramid. It also forms the Hebrew star of David shape in this way, perhaps worn by one illuminated with the knowledge of the three Sun-like stars of the heavens linking to our beginnings with our Sun, which in this case is set in the middle. It could also be interpreted as the one in the middle is the blazing star and the one at the bottom of the triangle our Sun as in the Pre Christian Solar Trinity historical records.
The Messianic Seal below shows how two symbols that I believe means the same thing as an overlay to form the Star of David. Both symbols seem to represent the Pleiades. The fish is deciphered from the Roman Denari coin dated around pre 300AD and the Menorah as seen above. The coin also places the sacred celestial cross of Orion on the sacred horizon being reborn on a sacred day, as in the Washington secret that follows. A Hebrew Christian following used this combined symbol to show how to remember to find the location of the sacred star in the heavens using two traditions. Click the image for more on the double symbol Messianic Seal of Jerusalem following.
It is important to mention that the most common sacred ancient Sumerian and Persian star depictions and ‘gods’ found on hundreds of scroll seals now in museums across the globe are: The Pleiades. Here is a collection of seals on my spiritual research site on the common grounds of the Crescent and the Cross at oneism.org. (There are 5 excellent scroll seal examples in the British Museum labelled as the Pleiades).
| Sacred geometry in the British 20 Pound note
The 20 Pound note of British currency appears to hold a similar Hebrew star encoded secret to the US note. Look closely at the image below. The building visible is The Bank of England and it has a little more history tied to Rome than many are aware of and by clicking the link here one can see. In th link above press Ctrl F and search these words in context… ‘Temple of the Sun’ and ‘Constantine’
There is what many Dan Brown and Holy Blood Holy Grail fans will insist is the ‘Rose line’ symbol at the centre of the geometry. The building displays many Roman clues, to that encompasing constantine and the previous Sun Temple design code. But the geometry here is a work of art. Even how one of the main points of the symbols pin points from the navel of the statue of an interesting centre mounted deity at the top of the roof. The navel is an important detail in the human blueprint code theory I have found in ancient civilisations and in Da Vinci’s paintings. The roof top statue looks more like the famous Lady Liberty Sun-god deity, but no doubt the same Roman figurehead from the old coinage. One of the four main statues out of view, closer to the entrance is holding keys. (Not visible in the image here). I have found this complex geometry code on the 20 Pound note in some of Da Vinci’s paintings. Note the Hebrew Star of David, and two pentacles. The larger one I believe is very positive and celebrates the sacred star in my star maps but the second one has me a little concerned. The inverted pentacle closest to the roof of the building is probably just coincidence, because this symbol is very negative. My personal belief is that only the two large star symbols are part of the design code of the note, if anything.
The Book of Revelation Return of the Christus
The predominant theme in the Biblical Revelation text is the return of the Christus.
The seven stars he holds most likely symbolise the place in the heavens where he originates from.
He will arrive riding a ‘cloud’ (see the Ezekiel article a little earlier for what is in the cloud). There is also strong symbolism here of a two-edged sword coming out of his mouth in the next line. It suggests he will fight the leaders of destructive society with his words.
A graphic re-enacted image is shown here. Copyright limits the use freely only on a home-based computer as a wallpaper, but it may not be used for any publication without permission. Click the image to save it as a wallpaper or if you want to see more clues encoded inside the image.
See the star positions in the above image to reason the three Magi ‘following’ the way to an important star, ‘the Bethlehem star’.
There is one really special codex (ancient text) to follow, which is going to bring more clarity to the grand secret. One that refers primarily to the Pleiades and Orion and a special star, but this ancient text adds even more: It provides complete decoding of the detail found on the famous zodiac disc at the Temple of Dendera in Egypt that has baffled historians for centuries.
The 1700 year-old Testament of Solomon codex
The Testament of Solomon codex is stored at the Paris Library and a link to one of the translations by F. C. Conybeare with comments by scholar J.H. Peterson will be referenced below with its online source.
Please use the reference links as the key words in bold that follow below are actually highlighted in the sourced Solomon Testament document online.
The 1700 year old codex originates probably as a translation from many earlier versions, and was perhaps rewritten at the same period in time as the Judas Codex was written. Since it is supposed to have been originally written by King Solomon who existed another 1300 years before this date, one wonders how many altering translation interpretations it was subject to. The codex reveals many new secrets about King Solomon. Its tone suggests that Solomon was very typical of the God fearing nations of this epoch and his character here is nothing at all like the greatness with which he is portrayed in the traditional biblical epic. In this manuscript he implements slavery to build his great temple and his interest in many women comes across as obsessive. He is said to have had many wives, and fathered many children. If this is true then his direct descendants today would probably number in the millions.
Another captivating theme one comes across in the manuscript is King Solomon’s ‘magic’ ring given to him by an angel and how he uses it to do something unusual to some magical mythological oddities translated as ‘demons’ (some of which are really not entirely that evil). The latest carefully reconstructed image of the ring is seen here, as proposed by me. The reasoning of its design will follow. As already suggested, the identity of the demons conclusively has nothing to do with spiritual entities at all, and the obvious meaning becomes clear instantly.
An encrypted star code was identified within the Testament of Solomon years ago initially by scholars although very little was said.
Star constellations encoded as ‘binding demons’
What appears conclusive from earlier scholars and my measurable research here, is that this codex contains a dramatised fictional mythological account of how the ancients interpreted secret knowledge of the stars. The description of the ‘demons’ and their so-called ‘binding’ are the means to identify real star constellations. In some cases angels are mentioned and these are probably real celestial visitors who were teachers of the star secret. Their technology seemed to produce miracles that were seen to be magic.
It would appear that the scribes of the Elite have re-encoded the original 3000 year old testament with all its secrets into a dramatised mythological tale to encapsulate the enigma of the heavens, notably the stars. It seems to be exactly the same methodology found in the Clavicular Solomanis manuscript where some hidden cosmic truths of the same theme are present.
The most interesting thing from an astronomer’s point of view is where Solomon speaks of ‘binding’ each ‘demon’.
These form the constellations!
Now if Solomon is doing so with his ring, he is performing something astronomers do today when pointing to the stars. Just like at my star viewing evenings. Astronomers use high wattage laser pointers and re-create the path between the stars visually, and in a sense, also teach of the ‘binding’ of the star constellations. This extreme sounding interpretation is not so bizarre when it is read in the context of the Solomon text.
The ring is most likely an advanced compact lighting device to outline the important star patterns and their secrets while his people watch and learn.
It is therefore highly probable that the angelic beings who visited Solomon gave him this ring as a device to teach his people, of the secret of the stars and the place of the Eloheim.
The interpretations of the codex are still debated among scholars to this day. A scholar J.H. Peterson partly identifies the strange likeness of the so-called ‘demons’ to description of the zodiac constellations. The scholar has also recognised that the Pleiades are mentioned here. See text ref below.
The Menorah mentioned earlier is also in the Solomon Testament.
‘Seven lamps in a row thou wilt firmly fix thy house.’
Ref: Solomon Testament Codex. Search the key words using Ctrl F to see in context:
This sounds remarkably similar to my theory that the Menorah celebrates the stars’ alignment as another cosmic signpost: The Pleiades showing the way to an important star. Just as the belt stars of Orion also show the way, but more refined and in closer proximity to the special star. It is also near the path of the moon (Ecliptic) associated with King Solomon. See reference below.
Here is another very important clue on the talisman and it is easily reasoned. It helps in identifying more coordinates in deciphering the position of the star at its centre which appears to be the objective of the talisman puzzle. The image below is an expanded version of what is within the square on the talisman (compare it to the next image). The Ecliptic (the path of the Sun) is an important celestial coordinate and here is the proof. I noticed the usage of the ancient Egyptian symbolism, a glyph of the Sun on the horizon and I believe it is represented twice here. The Egyptians called it the Akhet and here it seems to represent both Sunset and Sunrise.
Not only that, Orion is about to prove its interpretation with one more little piece of evidence. Orion is placed at the 10 o’clock position on the talisman, and in this exact orientation for good reason.
|Orion matches this orientation above the Western horizonIt also places the sacred star where the ancients consider it sacred… when it is just above the horizon! This is fantastic not only as presenting an ideal match but it is about to reveal the rest of the puzzle clues. It suggests there is another constellation to be deciphered here and one that can reveal its coordinate intersection and orientation on an Eastern Horizon position… above Sun rise.
In the Solomon Testament codex, mention is also made of an important constellation of seven stars that is near to the most sacred star which apears also to be important in ancient Egypt. It is translated as the ‘Wain‘ star near a group of seven other ‘demons’ (stars). It was perhaps the same star near the most sacred constellation that the Egyptians celebrated as the leg/thigh depiction and it was also of the great celestial bull (Most likely Taurus). For years scholars have been guessing that this thigh shape depiction of a cluster of stars had nothing to do with Taurus and they thought it was the Great Bear constellation, (again this interpretation is unlikely because those stars are not near the ecliptic). I had found (depicted in my book) that it matches the Pleiades convincingly, which is thigh shaped, is also in Taurus and is near the ecliptic. Perhaps it also fits the talisman puzzle?
Ref: Solomon Testament Codex. Search the key words using Ctrl F to see in context:
Things in heaven, Pleiades, ring, Seven lamps, seven stars, fix thy house, star, moon, Wain, Great Bear
Furthermore, the star matches its position claimed in the Solomon Testament, which is just below the ecliptic. The ecliptic was mentioned in the text and it seems to match the talisman!
The meaning of the square and the two curves on each side of the star as we have just seen most likely represent sunrise and its path to sunset – the Ecliptic.
The four Hebrew words apparently around the square represent the four most important Angels of the Hebrews. This is to be expected since the star secret can only have come from celestial visitors.
This leaves one more unsolved detail – the outer star ring puzzle.
Earlier we spoke of ‘binding’ the stars and in astronomy one does this creating little lines between the stars forming a group, a constellation. There are little lines on the outer star circle . All one needs to do is sequentially assemble the puzzle and methodically doing so in an anti-clockwise direction, starting from the Orion alignment showing the way to the first puzzle piece.
Here is the solution. The animation below reveals the Solomon Key star secret as the star system of the four angels and most likely the star of the ‘Eloheim’ as it aligns with Orion’s belt, positioned below the ecliptic. Its ingenious methodology is recreated as Solomon ‘binds’ the ‘demons’- the stars.
BEHOLD… THE SOLOMON KEY CIPHER DECODED
Already we have virtual proof with an orientation match where the forgotten cross symbol clearly fits as Orion since it matches orientation and points to the ‘mystery star’ position (centre of talisman) at its most sacred place in the heavens… just above the Eastern horizon. The puzzle is completed with the star icons in the outer ring being pieced together in an anti-clockwise order to form the Pleiades. It is depicting the Pleiades in an exact orientation that can be tested on a computer star atlas.
As expected… Here it is below, matching with similar orientation over the Sun Rise position perfectly East, aligned with the Vatican causeway, seen on a star computer program at a very early epoch. Now here is an interesting experiment. Using a star atlas there is one date where both Orion and the Pleiades have an appropriate match in Rome or Jerusalem where the solomon Key parchment has an exact match.
It occurs on the 25th December and very true as far back as 3000BC… where the mystery star target is perfectly due West on the horizon, and exactly 12 hours later on the Eastern horizon at 7.40pm for the Pleiades where the same mystery star target is also perfectly placed due East.
For those with star programs, log in this date and time on a computer star atlas with Rome as the place of view and see the obvious. The same target position of a missing star is revealed using two different constellation references, one placed perfectly West and the other 12 hours later on the Eastern horizon. This perfect pattern match with the Solomon Key talisman occurs on other dates including around 2000BC as shown in the images and a lot closer to the building date of the Vatican.
I believe the importance here is that the talisman reproduces two unique constellations with accurate orientations perfectly East and West on the same day for one single little mysterious star on the horizon that I had found to be Sun-like!
The same two patterns are visible from Jerusalem but at a slightly different time of the day. These interesting dates will be listed shortly with further reasoning.
Orion is beneath the horizon so the two alignment lines cross… from Orion’s three belt stars in a row… and now the Pleiades as the Egyptian ‘leg of the bull’ constellation alignment placed over the Eastern horizon. The coordinates are multiple and measurable at the very same position near the ecliptic that was found with the Orion alignment! All that remains is to test what star is in this position on the horizon and at what ancient epoch.
Is it just coincidence that Dan Brown used the title “Angels and Demons”,
seeing that it clearly means : “Heavenly Visitors” and “The Stars”?
How do the obelisks and seven hills of Rome fit the star secret?
What is special about Sol Invictus – 25th December at the Vatican?
Does the Dendera Zodiac star disc of Egypt hold the same secret?
How does the layout of Washington DC fit the star secret?
What is unique about the sky in Washington on the 4th of July?
|The Freemason First Degree Tracing board (above)… What great secret does it hold and how does it connect to the Solomon Secret?|
|Testament of Solomon codex reveals star knowledge
Dan Brown did not include the Testament of Solomon’s secret code in his book ‘Lost symbol’. It reveals a star secret and connection to the Solomon Key pictogram and is full of awe inspiring eye opening material that would have kept readers gasping for more if he used it.
Many important star names in astronomy have their origins in the beginnings of great civilisations, especially those that were seen to be most sacred. As was to be expected, some star names in our two sacred constellations coincide with the names of “demons” and fit into the codex in exactly the same positions as they do in the sky. (See references that follow):
The text begins with the prime “demon” Ornias (Orion?).
Followed by Beelzeboul (sounds like the star Betelgeuse in Orion).
Followed by Onoskelis (sounds similar to the star Bellatrix in Orion).
There is also mention of a group of three “demons”:
Bultala, Thallal, Mechal (sounds very close to Mintaka Alnilam and Alnitak, the names of the belt stars of Orion).
The text also generalises a larger place in the heavens as Tartarus (sounds close to Taurus). The reference link below has the key words highlighted in the codex:
Ref: Solomon Testament – Search Highlighted text at link with Ctrl 5 – Ornias, Beelzeboul, Onoskelis, Bultala, Thallal, Melchal, Tartarus
In the recently released Judas codex translation, Christ claims he is about to reveal to Judas the “ultimate secret” about a special star which is also Judas’ star “to follow”.
The same spoken theme appears in the Solomon Testament codex suggesting that one must ‘follow’ towards one particular star on the ecliptic. (This text most likely suggesting the alignment of Orion’s belt showing the way).
How do we know it is on the ecliptic?
Twice the Solomon Testament mentions that a sacred star is positioned near the path of the moon, which is on the ecliptic. So we already have a co-ordinate reference.
In fact it gives a lot more: It claims the star is sometimes seen on the edge of the crescent horn moon so we now know exactly how close it is to the ecliptic path since we know the radius of the moon.
Then mention is made, like in Greek tradition, of the seven sisters of the Pleiades – a group of seven female “demons”.
The reference link below identifies where in the text these points (in bold font) are as key words which are highlighted in the codex:
Ref : Solomon Testament – Search Highlighted text and click Ctrl 5 at link below – thirty-three, cosmic ruler, fix thy house, crescent horn moon, follow, Seven lamps, in a row, seven stars, Pleiades, star
But there is another breakthrough here that will unlock the mystery of the exact place where our theorised mystery star resides in the heavens.
It will also suggest an interpretation of what appears to be the secret of the Masonic ritual ascending up a cosmic ladder to their blazing star.
There is also text in the Solomon Testament that coincidently seems to be identical to the Freemason sacred degree measurement of “ascending” to their highest degree ranking – the 33 degree.
In Freemasonry one has to wonder if the 33 degree level represents the celebration of “the missing” cosmic measurement that has been absent all along. A measurement that would define how far one would have to travel with a cosmic ruler, so to speak, in alignment with Orion’s belt to find what is termed the Freemason blazing star. In old way of speaking: To fix thy house in the heavens – the place of the Eloheim.
The 1700 year old Solomon Testament claims that 33 elements of the cosmic ruler of the heavens are measured to follow to something sacred.
|See the reference link above to find the highlighted keywords in the codex.I believe I have found the correlation. To explain the complicated detail only an image will do justice to this particular breakthrough. Here is a re-created view (below) of how the sky generally appears in the Northern Hemisphere when Orion rises vertically on the horizon in the East at a particular time that will be mentioned further on. (Note – scale sizes of the Pleiades and Orion have been enlarged for clarity). Observing the stars rising on the horizon in the East was an ancient Egyptian ritual to identify sacred stars with sunrise.
The image depicts how one can find the location of what appears to be the ultimate sacred star using only a pair of dividers and a setsquare. The tiny star is catalogued as a class D spectrum Sun-like star.
Coincidently these two instruments form the icon of the Freemasons
The dimensions solved so far:
X = Moon radius from Ecliptic
The dimension Y will be explained further on where it not only fits proportionally in George Washington’s star map, it fits many other ancient star maps that will be referenced at the end of this article.
“We are of the thirty-three elements of the cosmic ruler of the darkness.”
A quotation extract from the codex where an ‘entity’ of the seven stars of the Pleiades speaks to King Solomon of the place of their heavenly ‘house’ (words are highlighted in codex link above for easy location).
Note the usage of the dividers and the setsquare. This is close to the mechanism of how the sextant works for ancient ship navigators… except the angle of 33 degrees is set.
Here is how you find the star with these two instruments. As Orion’s belt rises in the east as seen in the image, set a perpendicular rod into the ground in front of you using a set square or a plumb line so it stands vertically, as you look eastwards. Then set your dividers at 33 degrees and one arm of your dividers with the highest star of Orion’s belt above horizon while both arms of the dividers are pointing through the vertical rod plane in front of you. Now view along the other divider arm heavenwards (thus at 33 degrees from Orion’s belt highest star). Here is where the special star resides although it is too small to see with the naked eye. With a little more initiative, like an astronomer, the same basic process can be carried out using a telescope aligned at 33 degrees above Orion’s belt.
Ever since this ancient epoch, astronomy has always measured in the very same original unit – arc degrees.
Here is an important thought to ponder on:
If it turns out that this secret in the image above is true and was celebrated in ancient civilisations throughout history, then one must wonder if there are any modern monument layout plans that could incorporate this secret when viewed from the heavens? The reasoning:
To attract our advanced ancestors to revisit once again.
It would be quite easy to construct such a landmark. The way to do it would be: In place of the rod/pole that is set standing perpendicular in the ground, perhaps build a massive pillar with an arrowhead pointing skyward but try do it including an ancient style or tradition. But even more to the point, perhaps build one’s official meeting place in an important place so the visitors (advanced human beings that history revered as Angels) are guided where to meet for first contact so to speak.
Such a building or residence would need to be built projecting a clue skywards that the secret is known here, perhaps recreating the point where one would view the event from (in the image above), the area where the eye is shown. One would merely depict the 33 degree dividers on the ground leading towards the meeting place.
This is going to make a lot of sense at the end of the article.
We have just seen that the binding of the heavens by joining stars with little lines, spoken in the text is also the key to unlocking the oldest sourced talismans, and we are now about to see it unlock the secret of another un-deciphered enigma about one of the oldest star records in ancient Egypt.
The circumpunct is found in the beginnings of many ancient civilizations as it was used with their greatest monuments to mark on the ground the place in the heavens of their legendary star ancestors.
A very bold statement perhaps, but it is a theory that is completely measurable.
Stonehenge has previously been found to be quite different to the Pyramids of Egypt? but scholars have missed the obvious. They not only repeat the monument layout of the most important pyramids and obelisk of Abusir in ancient Egypt but it uses the Ra hieroglyph on the ground. It is in the same way Dan Brown suggests the Washington Monument, an Egyptian design obelisk has the circumpunct symbol at is base.
Stonehenge ref you will soon see also repeats the same layout plan as Washington DC and the Freemason First Degree Tracing board!
In fact Stonehenge IS the Solomon Key just made from stone monoliths!
These ancient places all hold the same message of the position of a special star? the star of Ra, the star of Bethlehem, the star of David, the star of the Inca, the Maya and even the Chokwe tribe in Africa. Click the image to see the star comparison that appears to be a global obsession where the ancients worshiped our ancestors who came from the stars.
|There are many talisman depictions of Solomon and here are a few. The Seal of Solomon would also need to be compared to find out if it also speaks of the same message.|
DECODING THE SEAL OF SOLOMON
Mouse over the image above to see my decoded explanation for the Solomon Seal ref.
Using all that I have established in the Orion Pleiades correlation theories since 2003 thus far and the symbols explained as follows I will explaain how this talisman repeats the identical same secret as the Key of Solomon cipher. Lets begin with the obvious and most important symbols and all the clues I added on the right hand side of the main image.
The biggest symbol of importance is at its centre, the Keyhole Menat symbol of the Egyptians ref that I proposed in 2003 as the Sol 1 sun-like star and beam of light also because it is placed at the neck part of the cosmic bull where the Pleiades resides in Taurus ref.
I decode this keyhole symbol as a Sun star with beam of light a lot further identifying it in both the First degree Tracing board of the Freemasons and Egyptian Senmut tomb and Solomon Key cipher ref which is explained in this article ref.
The keyhole symbol is also a dual depiction of the famous Freemason dividers set at 33 degrees of arc to measure the position aabove the horizon above the Earth as a globe or horizon. I explain the measurement ritual of the star above the horizon in the Freemason article ref.
The Keyhole symbol representing the very same Sun star and beam of light or ladder from heaven is a very large piece of the puzzle in decoding the shape of the Japanese ancient tombs referencing the work of Márton Molnár-Göb ref
The 12 o’clock position symbol is of the Kanaga symbol which is another Orion symbol derived from the dogon tribe ref just like the symbol of the 4 orbs in the 9 o’clock position is an Orion symbol in Europe for Orion.
The Pleiades symbol is spread on each side of the Kanaga symbol at the top of the talisman and is a very basic and general correlation. Another three orbs in a row vertical shows another depiction of the act of measuring Orion’s Belt which rises vertically in orientation this way as ‘the blade’ for the chalice as a complete Holy Grail Templar symbol.
The Ra symbol, a circumpunct symbol is a sun star symbol for the Christ star and covered already. The ‘h’ symbol has the well known part of the ‘h’ extended with the Christogram IHS symbol ref identifying the title of this sun star as the Star of Bethlehem and the star of The Christ which is covered in my main article in full with the Grail chalice as the place in the heavens of the womb of Creation in Egypt from the goddess Nut ref.
The holy Grail is present here with the beam of light since in ritual a host disc is birthed from the chalice ‘womb of Nut’ in holy communion with the heavens in Catholicism ref.
In the mouse over the depiction is in its simplicity as the ritual star map measurement at Sol Invictus 25th December and the entire measurement process explained here ref.
DENDERA ZODIAC DISC WITH ORION
The Dendera zodiac disc at the temple of Hathor at Dendera, up until now has had scholars argue inconclusively about its complete meaning.
It has at it centre, what appears to be a clear representation of the genesis of the “Wain”/thigh constellation (Pleiades). The stars’ “birth” created so to speak from the Hippo goddess Tawaret’s womb, and hence the reason for its positioning in the most important place in the disc.
The thigh constellation is represented here most likely as the “Wain” constellation as mentioned in the Testament of Solomon codex. It is fair to reason this interpretation here as the Pleiades because it fits far more perfectly than any other constellation.
The image here presents more on the Dendara star secrets. By clicking the image it will take you to the author’s book website where the full story will be explored… but consider coming back to this evidence later, so as not to break the flow of what follows.
For now, consider the interpretation of the thigh of the bull constellation as the Pleiades, and its correct orientation with the genesis hippo goddess and her womb, and the orientation position of two important sun-like stars. The star cluster orientation match will be measured in the sky further on as it rises above the eastern horizon. As it rises above the horizon in ancient Egyptian tradition, it symbolises its “rebirth” so to speak.
The Solomon Testament mentions all the Zodiac star representations and their mythological characters as seen in the Dendera disc. But there are many other components that need clarifying for it to be considered as a complete match.
The 36 Decans of the sky are in the Solomon Testament and in the outer perimeter of the Dendera disc. The Milky Way diagonal and the Ecliptic diagonal appear to be there too. Both are in the correct orientation if the thigh of the bull constellation is that of the Pleiades. The Pleiades form part of the bull constellation of Taurus.
Ezekiel’s Flying Wheels With Domes of Crystal
The aforementioned very thought provoking statement makes greater sense at the hands of the very ancient biblical epics of Moses and Ezekiel. Like the Key of Solomon, these accounts are also ancient Hebrew accounts that dealt with the presence of Cherubim and the connections here can lead us to a greater understanding of the hidden truth.
In the case of Ezekiel, the Old Testament speaks of four strange flying craft of the Cherubim deities – four ‘wheel within a wheel’ flying discs with domes of crystal on top of them. The earliest accounts of this story speak of the forgotten truth of the dual wheel combination, where one wheel was within the other, and they were BOTH on their sides.
This invaluable record is only found in old print Bibles over 100 years old. The description was indiscriminately changed in the printed editions thereafter, creating the impression of two independent wheels rotating at right angles to one another. One cannot help wondering, which group of scholars altered the original text, let alone who had the audacity to approve the altered version. Was it an attempt to make it different to the old flying discs of the Hindus, Egyptians and Sumerians perhaps?
Here is a recreated depiction with care taken to include as much as possible of what the earliest Ezekiel text refers to, as well as incorporating both the records of very ancient depictions, as well as modern day sightings of what has been consistently seen in the heavens.
Click the image below for a larger depiction. At present the rights are only available for it to be used as a wallpaper or free printable poster.
(Ref: B. Meier sighting and contact with beings of human lineage (that history revered as angels) that said they were from a star near the Pleiades).
Lalibela sacred cross matches the talisman
Lalibela in Ethiopia, Africa, is a valuable historical site where there are 12 churches that were ‘magically’ cut out of solid rock. A mystery that is still today considered a miracle by the Christian priests that protect it.
This ancient site, high above the source of the Nile River is also known for another claim its leaders of the great stone churches have made for centuries.
They say they are the keepers of another Solomon secret.
They claim to protect the original golden Ark of the Covenant from the Solomon Temple when it was destroyed. They occasionally hold an annual procession through the street with a dummy ark and carry many gold and silver sacred cross artifacts. These ornate crosses reproduce another matching interpretation to Constantine’s sacred cross as Orion and a special star. Image follows shortly.
When looking at the layout of Lalibela and its rock churches (highlighted areas below), note how the area highlighted in blue is shaped like a bull’s thigh theorised by me to represent the Pleiades. The most intricately carved church is also the most famous of the stone churches (highlighted in yellow within a circle) and it is located in the celestial position when representing the special star of the heavens. Compare this ancient secret with the layout of Washington DC below. Is the match a coincidence and are there any more ancient sites to compare this pattern with? The answer is yes. See the end of the article links to ancient sites.
The Arkadian Sumerian link and Malik Shah
Another forgotten ancient site in Iran holds more clues to this star secret and what we find at this site will also be compared with Lalibela above as well as Washington DC. It is an area that compares with the largest man made monuments on this Earth. But it will also be compared with what appears to be the remains of some of the largest ancient monuments found on another planet…. Mars.
Malik Shah was explored over seventy years ago by British explorers who were able to fly over it and photograph what they referred to as the remains of ruins like the barrows of Silbury Hill in the UK but many times larger and flatter. One is symmetrically oval and one has the typical bull’s thigh shape. Although they appear like a collection of mine dumps, scholars have concluded they are ancient ruins and should be compared to the pyramid civilisations.
In the image below the leg shape area still needs verification as no scholar has been able to comment but the latest image shows it is a reality in shape and full of what look like excavation marks. Compare the thigh anomaly here with the insert image of the Dendera thigh constellation of ancient Egypt, then compare the oval anomaly with the same “x” monument that marks the spot on Mars. The link is at the bottom of the page. Mars and Malik Shah have the same flat oval design. The remains on one of them resembles a human face.
Vatican Sacred Cross matches the talisman
The star secret has most likely been so well protected over the millennia that only a few centuries ago the new inheritors of the encoded manuscripts obviously did not get a chance to learn how to decode it. Who were the inheritors of the encoded manuscripts?
The Vatican and secret society perhaps?
The Vatican has the largest sacred cross depiction of Constantine ever built. It is designed, just like the Basilica church as a cross to be viewed from the heavens. Ponder on this reasoning.
If it is to be viewed from the heavens, then one has to wonder what the original Vatican City layout looks like, when viewed from the heavens.
There is a great causeway, like the Egyptian causeways, facing east, Taking Solomon’s secret cross visible as the sacred cross in the piazza, and it aligns with a giant star shaped fortress.
(This is the Castel Sant Angelo Star fortress that Dan Brown included in ‘Angels and Demons’).
Why does the main part of Vatican City look like a giant key?
Is it the same “key” secret as the “Key” of Solomon and the “key” of Hiram of the Freemason epic? Is it the same key that the statue of St. Peter holds in his hand at the Vatican while he is pointing to the great star castle down the causeway at the Vatican? These exciting clues can be explored in great detail when walking from each obelisk site to the other. (For more on this story later click the prime Vatican image with the pope or the link at the end of the article).
Solomon’s secret star template of Orion used to locate a special star.
A connection can now be identified between four themes where the stars of Orion seem to be represented as showing the way to a special star. It begins with the earlier animation at the beginning of this article that showed the first example of how Solomon’s secret of Orion’s belt stars seem represented to align with the position of one important star out of a group of important stars, then it was followed with the Key of Solomon talisman. Now these will be compared with two more examples of this Solomon’s secret template pattern.
The breathtaking result above confirms a match with the two earliest examples of the Solomon talismans, as well as artefacts found in Lalibela (see cross in image above), compared to the Vatican layout plan. They all seem to hold the same secret.
Why does the Vatican causeway face east?
Does the sky match the ground on a special day?
Was the ancient solar worship ritual of Sol Invictus on the 25th of December replaced with celebration of the place of origin of the Christus?
All of these secrets have answers that can be well reasoned.
In Rome, all three sun-like stars positions seem to be represented in their right places with the correct orientation.
The Seven Hills of Rome were probably the reason why Rome was built where it is today, because it had a natural pattern match to the stars of the Pleiades.
Look closely at the Vatican re-enacted view of the Pope at his ceremony on Christmas eve. There is no mention so far if Dan Brown is going to include this material and we will just have to wait and see. The position of a third Sun-like star begins to emerge. Please note some ancient depictions have only one special star, some include a second and four examples of the most accurate of all the ancient star maps includes detail of all three sun-like stars. This pattern of three suns… Sun-like stars, seems to be the same triangular formation as seen on the dollar bill and on the Solomon Seal.
The extra detail of the third star now begins to make its mark and can be referenced further at the bottom of this article. Earlier on the solar trinity aspect of ancient sun worship was mentioned. In essence, there seems to be some remnant of the ancient ritual of “Sol Invictus” here. Here is a view close to what the Pope would have seen long before the modern buildings of Rome blocked his view. The ritual appears to interpret the old sun worship solar obelisks of ancient Egypt. A moment when an alignment occurrence with stars in the heavens as they are represented on the ground when looking down the causeway.
For more on this story and how the ground mirrors the sky click the image below or the Vatican link at the end of this article.
Click here for more on the history of all three Sun-like stars and the origin of the Trinity.
Interesting facts here:
The Seven Hills of Rome layout pattern is questionable and I believe since they are just natural hills it is very unlikely they map the exact star pattern of the Pleiades. I am more inclined to accept them symbolically as a cluster of seven hills representing the Pleiades. Here is a more up to date study of the The Seven Hills of Rome, their names and their layout.
An amazing piece of history is revelaed in the link above. The area between the seven hills and the star castle holds a very controversial name:
It is referred to as The Field of Mars!
Is it possible the builders of Rome had ancient records of their star ancestors including a map of the lost civilisation of Mars? Sounds like wild speculation until you test the anomaly layout pattern on Mars that follows. Coincidently the origins of the city name ‘Cairo’ near the pyramids in Egypt originates from the ancient Egyptian word ‘Al-Qahirah’ which duplicates the same description… ‘A place like Mars’… and yes its most sacred pyramids match the same star pattern found right at the centre of the pyramid field! See the link at bottom of page.
The causeway length from the sacred cross piazza (representative of Solomon’s secret template of Orion) is 3.3 stade in distance. (The St Peters piazza is one stade (Roman length measurement).Does this measurement symbolise the sacred length in the heavens of 33 degrees between Orion and a special star?
The Egyptian Senmut tomb is explored in the Masonic article link. Part of its blazing star theme, where the Egyptian gods originate from near the bull’s leg constellation, is reproduced below. The theme is explored further at the Masonic link and how it fits in with the origin of the Pre-Christian Yule Tree.
They all seem to celebrate one thing and one thing only: A beam of light coming down from the star of origin of our heavenly human ancestors. The star map secret as a layout plan “As above so below”.
Stonehenge matches the Solomon Key talisman in two different ways. No historian to date has proposed any matching design plan for Stonehenge. ref . It presents one of the best star map cases.
It is probably the only monument on Earth that matches the prime Solomon key talisman.
Click the image above to get the full Stonehenge article.
FREEMASON STAR MAP OF 1ST DEGREE
The Freemasons base their allegory and celestial symbolism mystery around what is referred to as the secret of Hiram Abif. This originates, perhaps from a time that is either from the King Solomon story itself, or if not, from one that mirrors the Solomon story.
The secret of Hiram Abif is probably synonymous with the once secret foundational first degree tracing board of the Freemasons as referenced at the Bradford University in the UK. (see ref in link below) Here is another interesting occurrence. There is also a Hiram Abif in the Old Testament and he was Solomon’s master mason. Is this just a coincidence?
Click the historically accurately reproduced tracing board image decoded by me below to see the full interpretation. The image has been compiled from two source references. I have been warned to mention here that this is MY own interpretation only. This is because some traditional lodges of old ritual from all over the world have complained that the star patterns I recognised are just a coincidence. They are saying it is just old symbolism and an interpretation of general wisdom of the heavens, and mainly because the star Sirius for them is probably the blazing star.
The full article link follows and will show why Sirius does not fit as the blazing star solution. Sirius is not near the ecliptic, is not Sun-like, does not match the tracing board, does not match Biblical accounts of the sacred bull area, and more importantly does not match the Vatican, or more importantly the Washington DC layout that Dan Brown briefly covered in his book Lost symbol.
Compare the image below to the three sun-like stars near the Pleiades above with the Vatican pattern, Malik Shah, Lalibela, the Dendera disc and more in the linked article here and the Washington image that follows.
Click here For more on the history of all three Sun-like stars and the origin of the Trinity.
In the image above, the Orion constellation is celebrated in two ways… firstly as secret knowledge with the symbols seen on the ladder… the cross of the churches… orion’s belt… the anchor of John Dee’s Monad… orions belt… and a “Key” on the 33 stepped ladder (representing 33 degrees of arc in the heavens) which I deciphered as Solomon’s “Key” … it is Orion showing the way vertically heavenwards up the ladder/Yule Tree… it rises in the East which is an astronomical fact. click the image below for the Freemason article.
Secondly, Orion is celebrated in ritual with the initiate… “three people in a row” (just like the Three Kings of The Matthew Gospel) entering the Lodge with the pattern on the floor as shown.
| In the first degree ritual, note also how the initiate is bound just as it is written in the Solomon Testament… the texts mention that Solomon ‘binds’ the constellations. Here the Initiate is bound and re-living the great secret knowledge perhaps without really knowing what the real secret is, as an initiate… AS ORIONS BELT.
The Sun-like stars are shown in the astronomical image below, larger than life and in precise positions at very ancient epochs where the ancients have told us to celebrate them. Stars all move in position over long periods of time and this is exactly where they were once positioned when they were apparently revered as important. The Pleiades star cluster strangely has not changed that much in its pattern over 200 000 years.
In measuring the old positions on a computer star atlas we have identified a dating method, which is explained in the Masonic article link.
The animation that follows depicts exactly in the sky how Orion shows the way to the Pleiades and its three important nearby Sun-like stars of the ‘gods’ of the ancients as they appear in their positions today.
Click here For more on the history of all three Sun-like stars and the origin of the Trinity.
|Solomon’s secret of Ra – the “x” in Washington DC
The hieroglyph of a circle with a dot at its center – chosen by Dan Brown in his book ‘The Lost Symbol’ has its conclusion mentioning the fact that the Washington Monument, an ‘Egyptian’ obelisk has it marked at its base.
When viewed from the sky as in all the ancient landmark star maps I have found around the world, including the Vatican have the “x” that marks the spot star representation celebrated on the ground as their ‘ultimate’ monument. It is the same template used in andcient Egypt… but is there proof that the heiroglyph for Ra is a star… and not our Sun and that the lost Obelisk that used to be Egypts ultimate monument represents a Sun-like star? The answer is a resounding yes and historians are not ready to refute it. The first piece of evidence is the Senmut tomb proving the Glyph is a star, and the second piece of evidence is the pyramid star map of Abusir and its lost Obelisk.
EARTH’S GROUND ZERO MODERN STAR MAP
Washington DC is built on a chosen site with Seven hills just like Rome believed was sacred as it literally appears to be a site chosen ‘by God’ to mirror the seven stars in the heavens. ref . The layout plan and complete meaning of the city of Washington DC is one that George Washington most likely took with him to his grave. A secret that he ingeniously recorded in an encoded Masonic painting explaining the meaning of the layout of his new city that would be built and the positions of all the secret symbolic monuments – Washington DC.
There is a link to the painting and the full story here ref
Freemasons have now made it clear in many new TV documentaries that they believe that to their knowledge, their society is not holding any earth shattering secrets. They have also with honour revealed all their historical records of ritual and symbolism to universities like the Bradford University in the UK to study.
It has all recently become a valuable part of American history. A lot of their valuable symbolism has also been made public in the block buster two part epic, National Treasure by Walt Disney. Dan Brown perhaps should be credited for creating especially the initial momentum that has encouraged this once very secret society to be out in the open with what many will soon see is priceless history.
I claimed in 2005 the obvious as you will see in the next few images. Washington DC has a pattern and symbolism I have found in the star maps and in Egyptian symbolism and even matching something on another planet!
To compare patterns, here is the Pleiades star map in great detail to compare with Washington DC layout. some buildings use cros design, the main illuminated part is show at its centre of the leg shape of arlington and Rosslyn. The name Rosslyn is no coincidence as we have a Grail link here in Washington to be revealed like at Rosslyn Chapel ref .
If you are not aware of the ultimate proof of the Holy Grail discovery made recently then please view this link first if you want to reason this valuable lost knowledge from every angle. HOLY GRAIL DISCOVERY .
This Washington DC city layout full analysis and comparitive detail follows.
| The Leg of the Bull symbol for Pleiades layout of Rosslyn Arlington area is clear in this reference link ref . It confirmd the shape of the leg of the bull defines the area and the very active bright route at night through its center (illuminated with yellow hue in image) called the Clarendon Rosslyn Corridor ref . .
It follows alignment in its design perhaps in its original sacred knowledge depiction to enhance its cosmic alignment importance as a star spangled leg constellation in the sky to locate the ‘x’ that marks the spot ancestor sun star. But is this building template common with any other ancient famous founding civilisation cities?
|WASHINGTON DC MIRRORS JERUSALEM
If you think the leg of the bull symbol is some sort of weird awkward meaningless shape then one should really compare it to the first leg of the bull fortress. One reconstructed carefully in this satellite image and pieced together by a university researcher in Jerusalem. The City of David how it first appeared. (finding credit Márton Molnár-Göb) ref .
But there is a major breakthrough release here December 2014.
The ‘x’ that marks the spot Washington monument caries the Vesica Piscis portal the Christ steps out of from the heavens. ref
The cosmic Womb of the Egyptian Goddess Nut ref
One that also with the Ra symbol and male aspect of the Egyptian obelisk as Horus as Orion penetrates the sacred feminine holy grail cosmic womb… the three Orion’s Belt stars path rising above the horizon are also symbolic of the droplets of seed from the phallic obelisk of the Earth and sky union… Earth as Geb the Egyptian personification of the Earth.
This is all very complex symbolic reasoning and will only make sense if you have covered the Holy Grail link here ref .
Mouse over the image to see this cosmic representation of the human origin dwelling place, the Vesica Piscis womb of the sacred feminine union with the Masculine, the place of the three Sun Stars as a Solar Trinity ref .
This is the basic theme for one of the greatest global legends of creation of humanity and celebrated in ritual as something very few realise.
The ritual of heavenly communion using a gold chalice. The teaching of the Sang Real Holy Grail ref
The sacred feminine symbol was found in a stunning Sumerian depiction on a scroll seal with Vesica Piscis with Pleiases and Sun stars ref
Also in the First degree Freemason Tracing board with a tiny hand holding the grail is seen from one of the three suns ref .
But the biggest proof of the Holy grail symbolism was at its place where it was discovered at the Sukhu Temples in Indonesia ref .
Now you have seen the meaning of the three suns and Orion correlations in the previous image, compare it to the deeper representation of the grand secret in another overlay.
Mouse over the image to see overlays of all the secret symbolism comparisons and if confused come back and read the links shown here.
|“… Seek the illumination of Rosslyn & Arlington… “
The image below is of Washington DC in the early evening as it becomes ‘illuminated’. Note how the pentacle that I propose represents sacred geometry of the human form is represented at the top of the image. (See the link in the reference list). Note how Arlington and Rosslyn when illuminated at night match the shape of the sacred symbol of the ancient Egyptian thigh of the bull (highlighted blue and white) and how the obelisk is in its rightful position and the Pentagon matches its counterpart monument ruins found on Mars. (Click link at end of article).
Mouse over the image below to see how Washington DC is the blueprint as seen on Mars and its Leg of the bull city complex identical to Jerusalem.
|Washington mirrors the monuments on Mars! Instead of the representation of the special star with an obelisk as it is in Egypt, Mars uses a human looking face monument. Washington DC uses the same human code pentacle geometry as identified in Da Vinci’s Vitruvian Man to encode the human ‘origin’ message (instead of a face) and in Egyptian style, a circular field as a solar disc on top of the human form head.
At first glance the human code might be interpreted as upside down in this graphic but this is not so. The ground is on the level and from the view of the Grand Freemason Lodge between the feet of the ‘star man’ it is upright and sacred. The Obelisk and circular field representing the sun suggest one thing and one thing only being placed next to each other like this…
It suggests our Sun is being celebrated next to the Sun-like star near the Pleiades!
The rising of the Sun at Sunrise on the 4th of July aligns with the circular field position and the stars are in their sacred positons as seen on the 25th December at midnight. Notice also ‘coincidently’ the Sunrise alignment line follows from the roadway and bridge.
The crescent shaped garden suggests perhaps the crescent shape of a world near this star as seen in many sumerian scroll seals and artefacts. The stars of the pleiades fit the Egyptian ‘leg of the bull’ symbol, and on Mars with another stunning overlay animation which will prove this is not just a coincidence. (Click the Mars image below)
GROUND ZERO SITE ATTRACTING FIRST CONTACT?
HERE IS ANOTHER SHOCKING BREAKTHROUGH THEORY:
THE MESSAGE TO OUR ANCESTOR HUMAN ALIENS:
“Land here to follow down the causeway to the crescent shaped headquarters of the world’s most powerful decision makers of our planet”
Or simply walk across the circular landing place highlighted in red to the domain of the world super power leader himself.
(The garden at the Capitol is crescent shaped perhaps representing the world associated with the star obelisk. Another thought here is that the 33 degree viewing secret using the dividers (as explored earlier) is known by the leaders who meet at the Capitol since it is portrayed by the two roads highlighted in yellow, set up where viewing takes place at the Capitol.
Further reasoning here is that the obelisk sits between the dividers arms representing the cosmic measurement (It is closer to 39 degrees here, most likely measuring the arc distance between the lowest positioned Orion’s Belt star and the second most important Sun-like star).
How is it just a coincidence that the Pentagon has its shape match with the Mars five sided pyramid as well as an exact monument theme position match and a unique and very accurate North pointer match?
Both monuments have large North pointers attached to their design.
The human “Da vinci” style Vitruvian man blue print code is represented in the map by the great pentacle (yellow road highlight at top of Washington image). Note also that the small yellow dot above it is the Great Washington Masonic lodge. In 1848, the breaking of ground cornerstone of the Washington Monument obelisk was celebrated … on the 4th July.
The height of the obelisk is 555 ft in height – here is another clue.
Some say this is representative of the ‘one third measurement’ in this case, one third of the square skywards, ie. 33 degrees of arc. Ponder on the meaning of the dividers and the square as a masonic symbol. Just like the causeway of the Vatican is 3.3 stade, it seems designed to represent the same one third of the square cosmic degree measurement as well.
The alignment of the water causeway to the obelisk is about to reveal its ancient secret… the secret of the 4th of July
Seen below is the Washington Monument obelisk when viewing it from the Lincoln memorial.
Orion rises due east on only one day in the year at exactly the same time as the Sun.
It occurs at dawn on the 4th of July.
Here is the enlightening truth.
What is in the sky, is hidden and suddenly becomes invisible as the Sun rises. It celebrates in traditional Egyptian style…
The rebirth of the sacred cross as it rises behind the obelisk with our Sun rising above the great circular field with the Yule Tree in front of the White House. The circular field is shaded red in the ‘illuminated’ Washington DC map below. The human pentacle code (roads shaded yellow) seems to represent human form with a star ‘god’ symbol with a solar disc on its head like the ancient Egyptians, standing with the Washington Masonic Lodge between its feet! Zoom in on Google Earth. There is slight detail of what looks like a forgotten pattern of a face depiction within the head representation. (Human pentacle depiction is sideways in this image perspective).
|Only the trained initiate will know what is hidden in the sky also having seen the Pleiades rise before Sun-rise. This event is easily measured on computer star programs. This special day of the year was chosen for the biggest and most bloodshed battle of the Crusaders… they thought they would conquer just like Constantine in their last terrible war with their sacred cross being reborn so to speak. Dan Brown will no doubt saw the obvious here but chose not to reveal it.|
But there is more.
I wondered why the great Mall with reflecting water causeway was a few degrees off perfect East-West alignment. Would the proud builders guided by the maticulous Masons make a geometric error like this or was there a reason. It all became clear. The slight off set alignment makes it possible to view the rising Belt stars visible and not hidden behing the obelisk while rising perfectly in the East, the sacred point of rebirth so to speak.
The Golden hour of Midnight sounds…
The first Belt star appears on the horizon…
The sacred moment has arrived of the 33 Degree Masonic measurement…
The point in time where their symbolic ladder touches the ground.
33 degrees also in initiation with Jacobs ladder from the first Degree Tracing Board, heavenwards towards the secret of the Blazing star… the Bethlehem star.
He discovers that The ‘Key’ of Solomon is:
The Sacred Cross of The Christ…
the stars of Orion’s Belt…
In minutes all three Belt stars are perpendicular and pointing towards the sacred star in the heavens, like the Washington Monument as depicted in the image above!
There is another famous site where the Belt stars may have been celebrated far more… Rome.
December 25th star viewing event
It occurs over the Christmas period the ancients celebrated, long before Christ on Dec 25th as Sol Invictus – on Winter solstice – starting on December the 21st, reaching close to alignment as seen in the image below. Viewed along the water reflecting sky secret causeway on the evening of December 23rd a little after 6 pm and for a few nights visible close to this position.
|These two great icons, the obelisk and the Christmas Tree tradition have the power to create peace in the world. Since I propose both have their origins in ancient Egypt on the Senmut Tomb mural ref and since both share the very same star visitor human origin secret from our ancestors from 3 sun systems near the Pleiades… is it not strange while the folks celebrating life and families and giving in true spirit havent a clue we celebrate our star of our ancestors and literally:
Earth colonisation day measured on 25th December sol Invictus.
The Washington Monument obelisk has one more piece of evidence to offer. It has the precise Egyptian title for what it represents inside the monument itself in memory of George Washington’s illuminated knowledge:
A Hebrew six pointed star associated with an ancient Egyptian flying disc, in dual representation with a solar disc
Scholars say this is the way the Egyptians present a title for our Sun, yet it has a six pointed star superimposed over it… a very first! A very well thought out way to suggest Sun-like star one could say.
Or… the obvious…
“UNION OF OUR SUN SYSTEM… AND THE STAR OF DAVID”.
The Star of David I have confirmed in my work is the Bethlehm star and the Ra star and all the world civilisations celebration of a great Sun… that is not ‘OUR’ Sun but one near the Pleiades of our ancestors!
An obelisk in position as a Sun-star of the celestial angels matching the star map found with the Vatican in Rome. A dual solar title with a star title… one with a completely Hebrew tone to it fitting our Solomon mystery as a grande finale.
If you think all these star interpretation patterns could just be a coincidence then take a look at all the evidence… here is another modern account said to be the new world place of first contact… some say… the new Babylon…
BERJ DUBAI STAR MAPThis is probably a coincidence but worth comparing nevertheless. The tallest building in the world is now the Berj Dubai building. It resembles a giant obelisk as it tapers heavenwards. It is placed in a circular development project around a man made lake. There is a cluster of buildings seen at the top left position in a pattern and a massive hotel built in the lowest position. Since I have presented evidence of many ancient Sumerian star maps celebrating the same sacred star, one has to question… Is Dubai… built like Washington DC… like on Mars?
The Templars valued the ‘Sang Real’ sacred angelic lineage secret of humanity that they celebrated in communion ritual using a gold chalice on Sol Invictus as Sol 1 rises above Orion’s Belt on Eastern Horizon. It was this gnosis that led me to decode and find the very secret of the Holy Grail itself.
Click the image below to see the article.
The journey led through Scotland to Rosslyn Chapel to see the very same Templar star map and Grail.
Inside the Rosslyn chapel…
It was sensational to say the least.
Click the image to see the article:
The Hiram Abiff secret seems where it all started which became honoured by the Freemasons in their First Degree Tracingboard
Note the star pattern looking above eastern horizon…
the ladder to Sol 1 has a grail and has 3 known symbols for Orion’s Belt measuring 33 degrees…
Click the image to see the article:
The Rosicrucians knew it well…
They showed how our planet had a human arrival from Pleiades Sol 1….
… and how Neanderthal lost his destiny in an ‘alien’ invasion of our celestial ancestors.
Click the image to see the article:
|Some say a Templar treasure from the recently decoded Oak Island star map ref was found around the time of George Washington and it funded the building of his city matching Oak Island and Jerusalem template.
It has the same layout plan as Oak Island.
The Obelisk is the ‘x’ that marks the spot and has more to reveal.
Click the image to see the article:
|This is an actual photograph highlighting three real astronomical referenced positioned Sun stars that I have proposed since 2002 found in the beginnings of virtually every civilisation. Click the image to get the basis of my work here:|
The star map is present in the beginnings of virtually all human civilizations across the face of this planet, and on another:
It is the very same sacred star found in many lost civilisations…
The star of King David and Solomon (this website)
In Part One, we analyzed four key versions of the Ophanic alphabet and discovered the significant impact that seemingly small changes can have upon alphabetic forms.
When one is finally prepared to understand the nature of the Ophanic system, it will be tremendously valuable to work with the Ophanic letters within context. “Understanding Ophanic” means to completely immerse oneself within the letters. Fourteen years ago, in 1995, through the very process of creating the elemental tablets and all the other furniture associated with the Enochian system, I received many crucial insights.
Especially worthy of mention is what unfolded during the process of embroidering the Ophanic letters onto red cloth for the Holy Table. Using golden thread, I worked intimately with my fingers. To ensure I placed my needle accurately, I was forced to slow my pace. While it takes only seconds to reproduce a symbol with a writing implement, it takes many untold hours of intense focus to duplicate the form using needle and thread. So the process of sewing letters by hand was very tedious.
As I became accustomed to a much slower, more methodical cadence, something amazing happened. Time and timing became crucial. As my work progressed, I became aware that I instinctively sewed with natural regularity at a measured pace which began to syncopate with the rhythmical pattern of larger cycles, expanding my awareness and connecting me with what I can only describe as Universal Mind. Working intimately with symbolic forms in this way also tapped me directly into my right brain processes. As a result, I developed a more powerful sensitivity to spatial relationships and my perspective broadened.
If the very process of working with the Ophanic letters increases one’s sensitivity to tempo, time and space, there has to a reason. To uncover the deeper meaning inherent within the Ophanic letterforms is to fathom the larger patterns at work. The purpose of Part Two of this article is to uncover and discover what kind of patterns can be discerned and what kind of meaning can be inferred from those patterns.
Because geometric structures create our world, we can say the foundation of geometry is the universal expression of shape. Different geometric shapes give rise to unique patterns of vibration and resonances within the greater whole. Sacred geometry is a mathematically precise dynamic that organizes matter to take coherent form in space. The study of sacred geometry teaches us to appreciate proportional relationships and allows us to recognize the spatial dynamic of the parts to the whole (refer to Section Four of The Ophanic Revelation book: Basic Ophanic Geometry).
If we divide every letter into their constituent parts and examine each part’s seed forms from John Dee’s perspective, what secrets will be revealed? Applying classical geometric canons that were familiar to Dee to interpret the meaning of each separate shape may prove to be quite edifying.
As in geometry, we begin with one of the simplest geometric concepts: the point. With no length or width, a point specifies an exact location within a given space. Consisting of neither volume, area, length, nor any other higher dimensional analogue, a point is a 0-dimensional object, symbolized by a small dot. The dot represents the beginning, the origin point, the center from which everything is measured. A dot comprises part of the Enochian letters X and Y.
A straight line connects two points via the shortest path, extending forever in both directions. However, a line segment comprises only the part of a line between two points. The Ophanic characters that employ the use of a long horizontal straight line are: C, E, I, Y and Q. Symbolically, a horizontal line implies the horizon which is associated with open possibilities, fresh opportunities and new beginnings.
A straight vertical line carries with it the connotation of ascension and strength. Moving upward towards heaven, Enochian letters with vertical stems are: E, I, Q, Y and Z. Like a tree, a column, or human spine reaching in both directions down to the ground and up to the sky, a vertical line symbolizes life and growth. Within his tome, Monas Hieroglyphica, John Dee wrote (Theorem II):
The circle without a straight line cannot be artificially created, nor a straight line without a point. Consequently, everything, properly, began from the point and the monad. And whatever is strived for by the periphery of the circle, no matter how big it is, can in no way succeed without the ministry of the central point.
Our “line” category also includes the Enochian letters with straight components oriented upon a diagonal, like A, B, F, parts of L and D.
Through association, these letters anticipate the first geometric figure: the triangle.
Straight Enochian letters like E, Q and Y that have both horizontal and vertical elements which connect at right angles also have three points: the beginning point, the ending point and the point of intersection in the middle. Even though the third side would be invisible, the form suggests the geometric figure of a right triangle. Three points also suggest the three-dimensional concept of a plane in space. Inherent within the triangle is the numerical symbolism of three, the nature of which expresses itself in the concept of the triad, or trinity-past/present/future; man/woman/child; thesis/synthesis/antithesis; virgin/mother/crone, mind/ body/ spirit; etc… and can be understood as a key to creativity, versatility and expression.
When two lines intersect at an angle of 90° and share a common point, the figure of a cross is created. The cross connotes balance–the connection between heaven and earth, male and female, positive and negative and other polar opposites. According to Dee, the “Cross is the hieroglyphic sign of perfection.” A and N are the two Enochian letters which include elements composing an equilateral cross. In Theorem XVI within his Monas Hieroglyphica, Dee wrote:
At this point in the discussion of our proposition we must philosophize a little concerning the CROSS. Although our CROSS is composed of two straight lines (as we said), and the lines are of equal length, they do not divide each other into equal lengths. But in the mystical arrangement of our cross we wanted to have both equal and unequal parts, to affirm that in the power of two lines divided in this manner is hidden also (because they are equal in size) the virtue of an equilateral CROSS. For, a certain JUSTICE of NATURE very generally requires that a CROSS is to be drawn with equal straight lines, and in the dividing of the lines cross-ways [that is, in the form of an ‘X’] its lines ought to be equal to begin with.
As described above, Dee dissected the cross into two units. The letters conforming to the way Dee divided the cross is the Latin “L” and the Enochian E, both equal and opposite.
Traditionally, the cross is a 4-sided orientation in space and represents the four basic forces of spin in the universe. We may also call the active forces which move outward, “yang,” and the receptive force drawing inwards, “yin.” Feminine energy is both receptive and active, the latter within the former. Masculine energy is both active and receptive. When the cross is placed within a circle, it becomes the traditional symbol for earth.
Following are Dee’s comments regarding the cross and the four elements (Theorem VII):
The elements that are removed from their natural seats and whose homogeneous parts are scattered, will teach experimenters that the elements naturally return to their places by means of straight lines. Thus it will not be absurd [to say] that the secret of the FOUR ELEMENTS (into which all elementary things can in the end be dissolved) is affirmed by means of 4 straight lines that expand from a single and indivisible point into 4 opposite directions. Here you will carefully note what the Geometers teach: a LINE is produced from the FLOWING OF A POINT. And using this same principle, we point out that this is also the case in our mechanical magic, because the lines indicating our elements are produced by the continuous fall of DROPS (which are like physical points) [moving] as though they are FLOWING.”
Also symbolizing the earth, stability, and foundation is the square. The Ophanic letter form closest to the square, or at least the letter enclosing space with uncurved lines on three sides, would be Q (Q).
The circle is an ancient and universal symbol for oneness, wholeness, unity, completion and sacred space. The strokes and counter spaces of many Enochian letters—B, G, D, H, L, M, N, P, R, Z—are circular in nature. Dee relates the nature of the circle to that of the sun and writes about the line and the circle in Theorem I:
By means of the straight line and the circle, the first and simplest production and representation of things was made in the light, as were non-existent things and those that are hidden behind the veil of Nature.
In Theorem IV, Dee relates the semi-circle to the moon:
Although the semi-circle of the moon is above the Sun, as it were, and comes first, nevertheless the Moon regards the SUN as lord and king; the Moon even seems to rejoice over the sun’s form and vicinity, since the Moon, in one way, emulates the size of the Sun’s radius (or so it appears to the ordinary person) and in another way the moon constantly turns its light toward the Sun. And finally, the Moon so desires to be filled by the SUN’S rays, that it, so to speak, transforms into the Sun and disappears completely from the sky, until it appears again after a few days in the form of a little horn, exactly as we have depicted it.
Lastly, there are curved elements that can best be described as Arcs. An arc is a portion of the circumference of a circle. Those Enochian letters composed primarily of arcs are O, T, S but arcs also appear in B, C, D, F, M, N, R and U.
The arc represents an unfolding of that which is hidden or the promise of something greater. For instance, a rainbow is a colored arc. As symbols, arcs have traditionally been classified as either ascending or descending. The descending arc (downward or shadowy arc) represents an involution of spirit whereas the ascending arc (upward or luminous arc) represents an evolution of spirit. Spirit and matter are fundamentally of one essence only they are at different developmental stages. For our purposes here, the arc represents being in a state of development.
Arcs could also be considered as parts of the spiral, our final geometric figure. Among the many Ophanic letters that have spiral-shaped components are G, H, M, and R. Spirals are associated with the cycles of time and nature. The spiral shows up in the pattern of seeds in a sunflower, in the growing tips of ferns, in the pattern that leaves grow on a stem, in the shape of a nautilus shell, and, as a helix, the shape of the DNA molecule. As a symbol, the spiral represents a spiritual journey, the evolutionary process of growing and learning.
Thus, every one of our 21 Ophanic letters contains some reflection of the basic building blocks of the universe. Meaning can be derived from reading the symbols in conjunction. For instance, the letter B read from right to left can be interpreted thus to mean: the sphere of the Moon (semi-circle) descends into the physical (arc) to express itself dynamically (diagonal line). Put another way, the unconscious processes represented by the moon manifests itself through creative expression. Thus, through the action of creativity, the first letter designated by the angelic beings, B, unlocks and opens a doorway.
What other stories may be hidden within the component parts of the rest of the alphabet?
In our journey of discovery, comparing the Ophanic letters against classic geometric canons moved us a good distance from our starting point. But there are other ways to cultivate meaning besides chopping up the Ophanic letters. If we regard the letters as a collective of interrelated units, it’s possible to uncover the hidden geometric relationships between number, proportion, and pattern.
The angel Raphael introduced the Ophanic alphabet in a very specific, peculiar, but important order. In Quinti Libri Mysteriorum Dee reports that after dictating the letters by name, that “there cam two lines and parted the 21 letters into 3 partes, eche being of 7.” In other words, moving right to left, the angel divided the letters into 3 rows containing 7 letters each. Raphael then pronounces: “The Number, O most perfect, One and Threefold, Glory be to you.”
The importance of this particular sequence has been the subject of much speculation. However, easy answers have never been forthcoming, even up to the present time. In 2007, a Nottingham University English scholar, Martin Findell, decided to try his hand at deciphering the mystery and noted the following:
The division of the alphabet into three produces another noteworthy feature which might be the result of deliberate organization. Within each group of 7 letters there is one which occupies the same ordinal position in both the Roman and angelic alphabets. These are D (group 1, position 4), I (group 2, position 2), and U (group 3, position 5). These three letters together spell the Latin word diu “by day; for a long time”. If the pattern is intentional, diu could perhaps be a reference to the coming of the day of redemption after long ages of mankind’s suffering; though this connection is tenuous at best. A more promising alternative would be to construe the “stationary” letters as D and the Roman numeral IV – D being the fourth letter not only of the Roman and angelic alphabets, but also of the Greek and Hebrew; and, of course, Roman D is homophonous with the philosopher’s name.
But after pursuing several areas of inquiry, Findell ultimately gives up:
Entertaining as it is to speculate that these letters (DIU) form a key to the ordering of the alphabet, I have had no success in identifying any way to use this hypothetical key to link the 7-letter groups either to one another or to their corresponding groups in the Roman alphabet. If the patterns identified here are genuinely involved in the construction of the angelic alphabet (and I doubt that this is the case), I am forced to admit defeat, at least for the time being, in my efforts to determine the method used.
The author then concludes that the alphabet, having emerged from Kelley’s subconscious, would bear striking similarities to other known alphabets without possessing any coherent structure of its own and that there is no meaning to be deciphered. My own conclusion is simply that the pattern has yet to be discovered.
Whatever the Ophanic pattern may be, it prominently involves the number seven. Associated with the number seven are many interesting things: the 7 days in a week, the 7 planets in astrology, the 7 metals of alchemy said to be governed by 7 angelic intelligences; not to mention, of course, the 7 deadly sins. So I’ve become extremely sensitive to sevens.
Synchronously, during the writing of this article, I encountered an image (redrawn left) which gave me pause. I had seen images of piano keys before, only this time I recognized the numbers 5, 7, and 12 as very meaningful. Suddenly, the idea occurred to me that our three groups of seven letters could simply be indicating the levels of three octaves. Since I know next to nothing about musical notation, I had to quickly familiarize myself with the basics.
The best explanation I found of how the number 7 relates to an octave (8) in music came from Douglas Hofstadter’s Metamagical Themas:
On a piano there are twelve notes (some black, some white) from any note to the corresponding note one octave away. Playing them all in order creates a chromatic scale, as contracted with the more familiar diatonic scales (usually major or minor). These latter involve only seven notes apiece (the 8th note being the octave itself). The seven intervals between the successive notes of a diatonic scale are not all equal. Some are twice as large as others, yet to the ear there is a perfect intuitive logic to it. Rather paradoxically, in fact, most people can sing a major scale without any trouble, uneven intervals notwithstanding, but few can sing a chromatic scale accurately, even though it “ought” to be much more straightforward-or so it would seem, since all its intervals are exactly the same size. The chromatic scale is so called because the extra notes it introduces to fill-up the gaps in a diatonic scale have a special kind of “bite” or sharpness to them that adds color or piquancy to a piece. For that reason, a piece filled with notes other than the seven notes belonging to the key it is in is said to be chromatic.
An octave comprises seven fundamental notes: do-re-mi-fa-sol-la-ti. The eighth note, do, is a repeat of the first but with the pitch frequency doubled. It is also the first note of the second octave. Accordingly, the eighth note of the second octave–again, do –is the first note of the third. Comparing the musical notes on the diatonic scale, to the letter arrangements, each row of letters represents one octave. The letters in each column and row bear a unique relationship to one another in terms of their mathematical properties.
Some appealing arithmetic principles correlate with the particular geometric arrangement of three septenaries. William S. Burkle refers to this arrangement as the “3 X 7 tableaux” and illustrates a number of interesting mathematical phenomena . For instance, when the numeric of any two vertically adjacent numbers in any given row are subtracted, the difference equals seven. When the values of first and last numbers in each row are subtracted from the central number in that same row, the difference is always three. Furthermore, the numbers in the center row will have a value equal to the mean of the two numbers immediately above and below. There are many more examples of this strange interactive influence between the geometric arrangement of the numbers and simple arithmetic. If John Dee knew about the mathematical properties of the 3 x 7 tableaux, he would have appreciated their simple elegance.
What is pertinent to our discussion is that Burkle also reveals the little-known correspondences of the 3 x 7 tableaux to musical notes. Apparently, Paul Foster Case as well as some members of the Golden Dawn figured out the relationship of the Tarot trumps to music. Since only the pattern is my primary interest, I freely adopt this model as a starting point. But before we proceed, let’s first consider the 3/7/12 system of modal music as it pertained to music in the 15th century:
;We complete our assessment … by investigating the other worldwide esoteric system available to the Renaissance Magi that was operated via a 3/7/12 model. I am referring here to the 3/7/12 system of modal music, which the Renaissance magi took great interest in for healing purposes. To be brief, the “three” (as in Mother Letters) are the three genera of the Greek musical Modes, the chromatic, the enharmonic, and the diatonic. The “seven” is the seven notes that make up any scale, octave to octave. The twelve is the number of intervals of division available within the octave, from which a scale is selected. Twelve is the number of mathematical zones or slices into which the octave is divided, seven of which will be picked to make up the notes in the scale. So twelve represents the number of mathematical decisions that have to be made to define an octave, any octave, out of the infinite glissando of rising and falling notes available in nature.
This 3/7/12 idea turns out to be common between the Hebrew, the Greek, and the Hindu canons of music. The model of tonal correspondences I borrowed to correlate the Ophanic letters with musical tones originated from Alan Bennett (1872-1923). Initiated in 1894, Alan Bennett was a member of the Hermetic Order of the Golden Dawn and also a friend, mentor and associate of Aleister Crowley. Robert Wang (creator of the Golden Dawn Tarot Deck and the Jungian Tarot Deck), one-time secretary to Israel Regardie, said he’d gleaned the information himself from one of Bennett’s notebooks.
Music is vibrational physics sensed through the ear/brain combination and has existed in written form as far back as ancient Sumeria. The old frequency for middle C seems to have been about 256 hertz, a doubling of 128, which is 64 doubled, which is 32 and so on. Physics describes “Harmonics” as proportional frequencies at inversely proportional amplitudes. If we play an “A” (440hz), harmonically we will not only hear the 440hz tone, but also an overtone of 880hz at half the volume (first harmonic), a 1320hz tone at a third the volume (second harmonic), a 1760hz tone at a quarter of the volume (third harmonic), etc., until the frequencies get too high or the volume gets too low to be detected by the ear. The musical scale is a natural consequence of pure mathematics and nature. It was not invented, but discovered–one good reason why music can be regarded as the true universal language and why it is appropriate to our discussion here.
All objects have a frequency or set of frequencies with which they naturally resonate. When an object is forced into resonance, whether struck, plucked, strummed or otherwise disturbed, it vibrates at one of its natural frequencies in such a manner that a standing wave is formed within the object. The standing wave pattern represents the harmonic frequencies established within that object. Everything to know about a quantum system can be discovered through the calculation and analysis of its wave function. The model of Quantum mechanics is merely another way of to describe the harmonic structure of space. What if each Ophanic letter can be associated with one or more standing waves?
The students of Buckminster Fuller (b. 1895 – d. 1983) and his protegè Dr. Hans Jenny (b. 1904 – d. 1972) dipped a spherical balloon in dye and pulsed it with pure sine wave sound frequencies. As a result, a small number of evenly-distanced nodes connected by thin lines formed across the surface of the sphere. In 3D, these standing waves produced structures corresponding to the platonic solids. A tetrahedron is formed from four evenly spaced nodes. Six evenly spaced nodes form an octahedron while eight evenly spaced nodes form a cube. Twelve evenly spaced nodes form the icosahedron and twenty evenly spaced nodes form the dodecahedron.
This experiment confirmed that within the atom (the basic building block of matter) the platonic solids are formed in a vacuum by electromagnetic waves. Dr. Jenny’s work marked the beginning of the new science of modal phenomena or “Cymatics,” the study of visible sound and the patterns made by certain sound frequencies as they vibrate from the surface of a plate, diaphragm, or membrane. People interested in viewing the original results of this seminal study are encouraged to read Jenny’s 1967 ground-breaking book, CYMATICS, A Study of Wave Phenomena.
Light is a wave form, a frequency which operates in the same spectrum as sound, but only at a much higher vibrational rate. The DNA of all living things emits photons (Refer to the entire Section 3 of this book). All living plants and animals possess a faint bio-luminescent glow in the small and compartmentalized spectrum of visible light from infrared to ultraviolet. Scientists, such as Mitsuo Hiramatsu of the Central Research Laboratory at Hamamatsu Photonics in Japan, theorize the light “is a kind of chemiluminescence,” a luminescence based on chemical reactions, such as that which make fireflies glow.
In 1988, Dr. David Deamer collaborated on a project to measure the vibrational frequencies of the four DNA base molecules to translate them into sound. Deciphering DNA frequencies into sound led to unusual insights into the harmonic fabric of DNA. In her abstract, “The Infrared Frequencies of DNA Bases as Science and Art,” Susan Alexjander wrote:
The questions of ‘translating’ light into sound is more a philosophical one. Sound sped up can of course never be light, since the former depends upon molecules to push around while the second derives from electromagnetic radiation. One could argue that what is important here is not so much the medium but the ratios involved; the relationships between frequencies. The ears can detect about 10 octaves of sound, while the eyes can only perceive a little over one octave of light, or color. An octave in light is the same ratio as an octave in sound… 2:1. A perfect fifth, or a relationship of 3:2 is the same proportion in light as sound (and can be continued into the world of geometry, architecture, movements of the planets and so forth; anywhere there is a periodic or regular vibration). By discovering patterns of ratios in light, we are simply translating into a sound medium to “hear” what information they might contain and how they relate to each other. It could also be argued that both light and sound refer back to a common archetype which, as yet, is unknown to us, not unlike cousins who relate back to a common relative.
Again, four base molecules were measured: adenine, cytosine, guanine and thymine. Each base molecule after being subjected to light yielded about 15 or 18 frequencies; 60 in all.
We will return later to the subject of how the Ophanic letters may relate to the above-mentioned sixty sound frequencies detectable within our DNA.
Thus far, we’ve examined Ophanic against the classic geometric canons and considered the meaning behind their arrangement on a 3 x 7 grid which pointed to a possible relationship with musical scales and octaves. We have assigned tonal equivalents to the letters giving us such interesting concepts as wave-length, vibration, frequency and harmonics to mull over. We’ve discovered that the standing waves produced by sound will create the platonic solids and noted the possibilities of translating light-emitting DNA into sound. Let’s now revisit the Ophanic letters and regard them abstractly–as 3-D objects moving freely in space.
One of the primary features of the Ophanic letterforms is the relationship between the thick and the thin strokes. What is the reason for the thick strokes? The thick/thin ratio could suggest a spatial relationship. If the thick strokes are closest to the viewer, would the thin strokes indicate the parts of a letter that are being stretched the furthest through out space?
My favorite explanation is that the Ophanic letters are merely shadows of different flows of energy. The existence of the 16×16 grid (refer to Section 6: The Complete Ophanic Handbook) with its four different symmetry sets, or vantages of the 8×8 grid suggests that each letter’s proper spatial orientation is a key factor.
Let us begin with the simplest letter: “T.” In 2-D, the letter is a three-sided shape containing only three points. Essentially, it’s a triangle. The 3-D representation of a triangle is a tetrahedron, but if the surface of the solid is curved, a cone is produced. The cone has a flat round base and its sharp, pointy end is called the vertex or apex. Mathematical equations defining conic structures usually imply the existence of the cone’s reflection through the apex: the double cone. The double cone is familiar to us because it is usually the model that illustrates Einstein’s concept of Space-time. When considering the letter T in 3-D as a conic shape, its Space-time association may end up being an integral aspect of the letter’s dynamic function.
John Dee himself was very familiar with three-dimensional conic structures and referred to them in his treatise, Monas Hieroglyphica written 12 years before he encountered the Ophanic beings. In their discussion of Dee’s Theorem VI in a 2007 article published in The Journal of the Western Mystery Tradition, Burns and Moore elucidate Dee’s mastery of geometry as applied to letterforms:
Dee invites us to visualize the cross in terms of conic sections. First Dee asks us to picture a diagonal passing through a rectilinear cross; basically, a third line running through the point where these two intersect. His references to “V” and light also suggest the shape of a cone, if one imagines this in three dimensions. Then he tells us five (V) is a circular number, alluding to the circle as one of the four conic sections. If one makes the diagonal an axis for two cones sharing the same vertex, or point, and let that point be the intersection of the lines of the cross, we now have two cones and a plane. The plane can intersect the cones in one of seven ways, and makes one of seven figures: a circle, an ellipse, a parabola, a hyperbola, a point, a line, or a cross:
If the plane is running through the vertex, as Dee describes, then we can have only a point, line, or cross.
Wouldn’t it be second-nature for Dee to apply these higher 3-D geometries to the form and structure of the letter shapes presented to him by the angels?
So far, the study of this angelic alphabet has always been from a limited human-centric point of view. Instead, let’s choose to take the long view and see things from the much broader angelic perspective. If we suspend disbelief and become open to the thought that Ophanic is honestly an angelic language, we quickly move out of our depth and comfort zone. It’s useless to debate whether or not Ophanic is “natural” (it is not) and just asking this question completely misses the point.
Could there be such a thing as a powerful, non-physical, symbolic logos existing simultaneously in all dimensions of time and space? Simply acknowledging the very existence of a vibratory language stretches the definition, as well as the possibilities and ultimate purpose of a sacred language.
What a daunting task it would be for an angelic being to translate 4-D information into a 2-D alphabet simple enough to be understood by human beings existing within the dense gravity-well of physical reality. Ophanic is so unique, it’s in a category by itself and therefore must be examined using criteria beyond 2-D that opens up some fascinating areas of study.
Along with visualizing Ophanic letters as 3-D shapes, what if we broaden our point of view to include movement? Adding the energy of rotation to a cone will produce a form that spins, like a tornado. The T shape, for example, can be perceived as a shadow of one spinning 3-D funnel shape. The letter O is composed of two non-touching spinning vortices. If all the letters are actually dynamically moving forms whirling in space, the only thing we would be able to perceive in 2-D would be their cast shadows. These shapes would change if the shadows of the whirling forms were viewed from different angles. Their specific orientation in space (or position on paper in 2-D) seem to be an important factor.
The reason to introduce the science of how energy flows in an article about letters is because the Ophanic alphabet is an integral part of the geometrical structure that creates a bridge between the “zones” or dimensions. We at least owe it to ourselves to investigate this aspect. The shape of energy is the only thing that could pass through the gap between the physical and non-physical. Waves and frequency also play their part. When examining the letter shapes, it would be well to keep in mind the dynamics of energy’s movement.
A “spiral” and a “helix” are often confused but represent different objects. A spiral defines a flat, planar curve that emanates from a central fixed point, its curve progressively getting farther away as it revolves around the point, like the grooves on a record disc. Conversely, a helix is a three-dimensional coil that runs along the surface of a cylinder, like the threads on a pipe or a telephone cord. A cross between a spiral and a helix is known as a “Conic Helix.” An example of a conic helix is the tapered spring used in remote controls to hold and make contact with batteries. In nature, the tendrils emerging from the vines of grapes or squash define this shape. A conic helix also happens to be the shape that best describes how energy spins in a vortex.
Using the model of a spinning tornado as guide, the general movement of the energy swirls upward towards the wide part of the funnel. Some of the letters seem to possess multiple-vortices, something not unknown to tornados. There are multi-vortex tornadoes that contain two or more small, intense sub-vortices circulating around the center of a larger tornado complex. There are also satellite tornados, weaker tornados that form very near a large, strong tornado but are contained within the same meso-cyclone. Although satellite tornados appear to “orbit” the larger tornado (creating the appearance of one, large multi-vortex tornado), they actually have a distinct funnel, much smaller than the main funnel. The energetic properties of a vortex are phenomenal. As can be seen in the illustration at left, a toroidal shape is created by the way the energy of a vortex moves. It seems as if the Torus is our best 3-D model to understand the primal structure of the universe.
A Torus is a flexible doughnut-shaped vortex of energy that is constantly turning itself inside out. Just like a rotating smoke ring, the Torus is a self-organizing and self-sustaining sphere of energy constantly spinning out from its center. The illustration at the top of the next page shows that a 3-D oscillating vortex ring creates standing waves.
Likewise, the energy movement of subatomic particles—such as the illustration of an electromagnetic model (above right) of the electron—can also be described as toroidal. These tiny toroidal loops of energy continually unfold outward from their centers and then fold back inward in rapid succession. Although the energy waves of subatomic particles appear to be traveling along a linear path, they are actually concentric waves of larger loops of energy. The electromagnetic model of the electron (above) shows only a portion of its electric and magnetic lines of force but still indicates the energetics of even the smallest of particles are basically toroidal.
The letter that most resembles a Torus Vortex would be the symmetrical letter H (H). However, the essential structure of the 3-D letter would be revealed only when sliced in half with its bottom partially cored. The letter’s energetics are definitely centrally focused.
As mentioned earlier, one of the most distinctive features of the Ophanic alphabet is its thick, bugle-shaped serifs. Without exception, each letter begins and ends thickly. Thinking in terms of sound, perhaps the fat terminals indicate the some of the different tonal qualities already mentioned. From this point onward, the serifs are referred to as energy portals, or flows. The following study reduces the Ophanic letters into conical projections. The differences between the letters reflect the many ways different cones connect and interact with each other.
The flow mechanics of the Ophanic alphabet involve Helixes, Conic Helixes, and Toroidal Vortices. For the sake of simplicity, each cone’s flow properties are basically described as flowing in one direction, like water spiraling through a pipe. However, it must be understood that the complete energetics are as complex as our model of a spinning tornado. For instance, when tilted properly, the simplest form would represent the probable energetics of the Ophanic letter form T.
Single Vortex curves are secondary strokes which start from a single point somewhere within the main stroke. Vortex Pairs are essentially two cones connected by the main stem. There are several types: pairs which connect gently through a curve, pairs connecting through a straight path and pairs that connect at right angles. The inference is that the energy flow (and resulting sound?) would differ depending upon the letter’s specific structural properties, such as shape and angle. There are also letters containing Conic Helixes that pierce and interpenetrate the main channel, changing the flow properties and, most likely, the tonal qualities.
Were it not for one important consideration, skeptics might have been tempted to dismiss this entire line of inquiry. But the truth—the undeniable proof of its correctness—can be observed in Raphael’s triumphant words given in Latin after dividing the letters into three groupings of seven. Let us recall what Dee recorded:
Then he lay down before it: and there cam two lines and parted the 21 letters into 3 partes, eche being of 7. He sayd, Numerus o perfectissimus, Unus et Trinus. Gloria tibi, Amen.
The translated Latin reads: “The number, O most perfect, One and Threefold. Glory be to you. In the diagram below, notice that within the first column corresponding to the first line, there are three letters containing five cones, one letter containing four cones and three letters containing 2 cones, totaling seven. . The second and third lines likewise contain the one and three pattern, thus providing us with the following: line one, 3 – 1 – 3; line two, 1 – 3 – 3; and line three, 3 – 3 – 1. Because the pattern could just as easily have involved 2s, 4s or 5s, I contend this “one and threefold” pattern referred to above is Raphael’s way to indicate we are on the right track.
If this is the case, it would only follow that sixty, being the total number of flows, would also be significant. And so it is. Let’s recall another earlier discussion in which “sixty” was found to be the number of frequencies that happen to be detectable within our DNA.
By comparing all 60 pitches, we can find all of the precise ratios found in the first 16 harmonics of the overtone series: octaves, P5th, P4ths, Major and minor thirds, Major and minor 2nds and 7ths; even a ‘flat’ seventh. According to Susan Alexjander: “Mathematically, the odds of this happening at random are almost non-existent.” This information is made more phenomenal in consideration of discoveries directly connecting the substance of DNA with the syntax of language.
In their ground-breaking book, “Vernetzte Intelligenz,” two German scientists cite the work of the Russian biophysicist and molecular biologist Pjotr Garjajev and his colleagues who explored the vibrational behavior of DNA by modulating certain frequency patterns (sound) onto a laser-like ray and discovered it influenced DNA frequency and thus the genetic information itself. Their conclusion: “Living chromosomes function just like a holographic computer using endogenous DNA laser radiation.” The authors, Fosar and Bludorf, go on to say that according to their findings:
…our DNA is not only responsible for the construction of our body but also serves as data storage and communication. The Russian linguists found that the genetic code -especially in the apparent “useless” 90%- follows the same rules as all our human languages.
To this end they compared the rules of syntax (the way in which words are put together to form phrases and sentences), semantics (the study of meaning in language forms) and the basic rules of grammar. They found that the alkalines of our DNA follow a regular grammar and do have set rules just like our languages. Therefore, human languages did not appear coincidentally but are a reflection of our inherent DNA.
If the proper frequencies of sound are used, the DNA substance (in living tissue, not in vitro) will always react to language-modulated laser rays and even to radio waves. Or one can simply use words and sentences of the human language directly since the basic structure of DNA-alkaline pairs and language is of the same structure and no DNA decoding is necessary. They have effectively proven that it is entirely normal and natural for our DNA to react to language.
No one knows how sound, the raw stuff of creation, impacts our being; our consciousness. Mysteriously, we decode meanings which come to us through sonic carrier waves, perceiving these waves as a full-body experience not only through the ears but directly through the bones, tissue and matter of the body. The body mass feels sound as pressure. We know that the body is constantly piezoelectric, translating pressure into electrical signals, such as the way in which the inner ears send signals to the brain. Sound, therefore, impacts the many realms of the molecular world directly and somehow finds its way to the parts of us that make meanings.
Part Two’s search for meaning led us directly to the understanding that a profound relationship exists between the Ophanic alphabet, the geometry of sound/music, and DNA. When investigating how DNA connects with music, Dr. Larry Dossey claims there is no reason in principle why DNA needs to only be described using the terminology of organic chemistry:
It could be described using many symbols, even musical notes. If we were imaginative enough to think musically as well as alphabetically, this just might permit us to hear the music of the body. This experience could provide us with nobler visions of the body, and might allow us at long last to escape the tyranny of machine thinking.
From the latter half of September until the end of 2009, as a part of my quest to comprehend the fuller implications of the Ophanic letters, I submerged myself wholly into the depths of a prolonged creative expedition. Only a few days into the New Year, I return from the holidays with a more detached perspective.
As more objectivity returns to balance out the subjective parts of my experience, I conclude this article. In Part One, I objectively analyzed the physical characteristics of the alphabet. However, in Part Two, I approached the subject matter differently and am aware of having been guided. How many times did I just “happen” to run across the very threads I needed to arrive at a dynamic glimpse of the truth? Throughout the entire creative process, I received many hints in the form of numbers, signs and symbols. All I needed to do was to remain centered enough to notice and follow the guidance of synchronicity. Because Part Two was written at the same time breakthroughs were taking place, it becomes an accurate record of one artist’s creative process.
After reaching the stage of envisioning the letters as conical projections, I began to recall my collective experience of the Ophanic beings that I shared with a handful of other people on an Arizona mountain in 1996. Comparing notes afterward, everyone agreed these Higher Dimensional Intelligences appeared as individual whirling tornados descending from the sky on a luminous corridor best described as “Jacob’s ladder.” Like transparent spinning energy tops covered with thousands of eyes, they spun up and down the brilliance stretching down from the heavens into our circle. They were not scary, but awesome and beautiful and too numerous to count.
Already being familiar with the “Whirling Ones” made me confident I could recognize their energetic signature on a visceral level if I could but reconnect with them intuitively. This informed my decision to approach the meaning of the Ophanic letters with the sensitivities and sensibilities of an artist. If I was less open in my approach, I may not have covered as much ground. Luckily, the creative process allowed me to skip gently along spiral pathways where my attention would be pulled towards certain key nodes or intersection points. In those places, I would linger long enough to obtain momentary but insightful glimpses of the hidden relationships existing between seemingly unrelated concepts.
It was easy to regard the Ophanic alphabet as 3-D energy shapes in constant spin and flux. In meditation, I could “see/feel” parts of the letters dynamically moving in and out of physical reality. The energy seemed to emanate from the thinnest parts and disperse towards the thick parts. With no visible source, I imagined the energy originating and emerging from a different dimension to interpenetrate the fabric of our reality at the thinnest points within the main stem. Then I began to think in terms of sound. Since the inherent geometry of sound is a vibrational frequency which effects our reality, why couldn’t sound act as a catalyst, a conduit that moves information from one phase into another?
We have already glimpsed how our world, the whole fabric of our reality in this dimension, is created by sound. The geometry of sound expresses itself through waves of energy. Energy waves, constant or at least standing in the same place for a little while, builds forms and shapes. Soon I wondered what types of sounds could be produced by each letter. Perhaps the “F” is actually a peculiar type of flute capable of five different tones, the “G” a strange type of clarinet and the “P” a resonant drum. The problem: I only had the vision but did not know the science. My solution entailed locating images resembling what I “saw” within my mind’s eye and allowing synchronicity to help me find them. If this describes lateral thinking, Part Two is ripe with examples.
For the purposes of this article, figuring out all the specifics is not as critical as the general sweep of the information. Whatever the exact correlations may end up being, it’s initially enough for me to understand that probable relationships exist without having to specifically define them. Intimated are interesting affiliations between such diverse things as: sound and vibration as universal building blocks; bonds between harmonics, sacred geometry and symbols; how our DNA resonates with 60 specific frequencies; spinning toroidal structures casting shadows that form an alphabet symbolic of the way DNA responds to syntax; letter sound combinations that promise to trigger the next stage of evolution locked within the human genome, etc… Sound engineers, musicians or those with discerning ears are invited and encouraged to continue the work that unlocks the door to understanding the correlations between the Ophanic letters and their correspondences with the tonal harmonics of DNA.
In closing, the best way I can describe the whole of my experience over the last three months is as a “spiral journey informed by intuition.” The intuitive clues I chased moved me quickly across vast distances, progressing me ever closer and inward to experience minute glimpses of the Truth. As I ponder the beauty of trusting the process, another Truth emerges.
I suddenly realize just how indispensable “the Artist” archetype actually is to our Ophanic work. The Artist archetype embodies the passion to express a dimension of life that exists just beyond the five senses. Artists hold within themselves (or have access to) the unknown quotient capable of bridging two or more worlds. Through their artistic endeavors, spiritually attuned artists serve as “Openers of the Way” by supplying the creative spark that crosses the gap from one state of being to another. The role of the artist as a spiritual bridge also explains how and why art can be transcendent.
Artists born with the necessary inner resources to discern subtle energies need to be honored for cultivating their sixth sense. Within the Ophanic context, painters, poets, and musicians easily portray “The Artist” archetype but this archetype can also extend to physicists, mathematicians, magicians, dowsers, architects, singers, shamans, linguists, dancers—or anyone especially sensitive to stimuli beyond the reach of linear thinking. People who think laterally/spatially are also more likely to possess the “unknown quotient” mentioned above.
How staggering it is to fully grasp the extent of the awesome power locked within each human being. The potential for self-healing as well as planetary healing is phenomenal. But even more phenomenal is that we’ve been given a direct means to communicate on a fractal level with the intelligence of our own DNA. And this is happening at a key moment in time, just as the Earth completes its 26,000 year cycle.
Judging from many ancient petroglyphs found within every corner of the world, it would seem that from very early on, humans have always held an unique relationship with this higher form of consciousness.
Perhaps this logos is the very one mentioned in the biblical text of John (1:1):
In the beginning was the Word, and the Word was with God, and the Word was God.Slightly rephrased, we could say:
In the beginning was the Word. And with the Word came sound. And through Sound came form.&rdquo
Or to be more precise:
In the beginning was the Word, and the Word was with DNA and the Word was DNA.
We have the means to affect our future in a positive way. All we need to do is to understand and communicate with the awesome God fractal contained within each of us.
Journal of the Western Mystery Tradition – No. 18, Vol. 2. Vernal Equinox 2010
(Note: This article is a chapter from the forthcoming The Ophanic Revelation, available in English from Aethyrea Books and Italian from NewLife Ediziona in May.)
Time To Grow
We are capable of so much more, is it not time for us to soar? New times ahead, we must look up high, and question ‘is our limit the sky?’
To stare at a glistening shimmer, refracting light like a mirror to turn our perceptions inner, and stop things getting dimmer. Look past the face to find a whole new space, beyond vanity, shame or disgrace, a cosmic reflection of all that you are, the truth we are made by dust from stars. Not random and meaningless or without purpose, a frantic free-for-all, some chaotic circus, but serene and holy, divine and sacred, something special with intent un-wasted. As we progress to see a new dawn of time, self-loathing should become a crime, bowing a sin and judgement a taboo, if I had my way it’d be mandatory Kung Fu!
We are better than this, and that’s a fact, let’s let bygones be bygones and drop the act. We must evolve as nature intended, mayhaps we can become ascended? Onwards with confidence we reach the heights of the spirit, to look back and see when we loved, that we meant it.
I think it’s time to put on a show, show how far humanity can go, back to the source we’ll never know, unless we decide it’s time to grow.
© Copyright Ash Grimshaw 2013. All Rights Reserved.
I know it’s shocking, and you’ll be like “Watt!?” but it’s true and i’m ex-static and you should be too. Light it sink in Faraday or two, don’t be so direct for there are alternative views. Let’s charge towards a higher current, and flow with The Field. Ohm not relatively speaking, we have to heal so wave goodbye to those conditions and give them no further energy, electrify your life transcending entropy. conduct the truth like a Tesla coil, resistance is futile, striking down from the divine- if you only knew the magnificence of 3, 6, and 9. It won’t divert, or subvert to the outskirts, the truth Herz. Once you understand the gravity of the situation you’ll transform your habituation to one of productivity, synchronicity and synergy. No re-Morse or regrets, peace be with you for infinity.
© Copyright Ash Grimshaw 2017. All Rights Reserved.
When Tesla was 82, instead of speaking at a dinner party, he issued a written statement:
“I have worked out a dynamic theory of gravity in all details and hope to give this to the world very soon. It explains the causes of this force and the motions of heavenly bodies under its influence so satisfactorily that it will put an end to idle speculations and false conceptions, as that of curved space. According to the relativists, space has a tendency to curvature owing to an inherent property or presence of celestial bodies.
Granting a semblance of reality to this fantastic idea, it is still very self-contradictory. Every action is accompanied by an equivalent reaction and the effects of the latter are directly opposite to those of the former. Supposing that the bodies act upon the surrounding space causing curvature of the same, it appears to my simple mind that the curved spaces must react on the bodies and, producing the opposite effects, straighten out the curves.
Since action and reaction are coexistent, it follows that the supposed curvature of space is entirely impossible -However, even if it existed it would not explain the motions of the bodies as observed. Only the existence of a field of force can account for them and its assumption dispenses with space curvature. All literature on this subject is futile and destined to oblivion.”