‘Nature geometrizes universally in all her manifestations.’ – H.P. Blavatsky
Humans have always looked upon the beauty, majesty, and ingenuity of the world around them with reverent wonder. The grandeur of the heavens, the regular rhythms of the sun and moon, the myriads of living creatures in all their splendid diversity, the magnificence of a rose flower, a butterfly’s wings or a snow crystal – the idea that all this might be the product of a mindless accident strikes many people as far-fetched. The ancient Greeks aptly called the universe kosmos, a word denoting order and harmony. This underlying order is reflected in many intriguing patterns in nature.
Consider the line ABC in the following diagram:
Point B divides the line in such a way that the ratio between the longer segment (AB) and the shorter segment (BC) is the same as that between the whole line (AC) and the longer segment (AB). This proportion is known by various names: the golden section, the golden mean, the golden ratio, the extreme and mean ratio, the divine proportion, or phi (φ). If the distance AB equals 1 unit, then BC = 0.6180339887… and AC = 1.6180339887… . The second of these two numbers is the golden section, or phi (sometimes this name is also given to the first number). Many designs in nature are related to the golden section, and it has been widely used in sacred architecture and artwork throughout the ages.
The golden section is an irrational, or transcendental, number, meaning that it never repeats and never ends. It is unique in that its square is produced by adding the number 1 (φ² = φ+1), and its reciprocal by subtracting the number 1 (1/φ = φ-1). (Phi equals (√5+1)/2, the positive root of x² = x+1.) The golden section is the only irrational number that approaches more closely to rationality the higher the power to which it is raised. For instance, φ3000 = 1.0000000000 x 10500.
The golden section is part of an endless series of numbers in which any number multiplied by 1.618 gives the next higher number, and any number multiplied by 0.618 gives the next lower number:
Like phi itself, this series of numbers has many interesting properties:
• each number is equal to the sum of the two preceding numbers;
• the square of any number is equal to the product of any two numbers at equal distances to the left and right (e.g. 1.618² = 0.618 x 4.236);
• the reciprocal of any number to the left of 1.000 is equal to the number the same distance to the right of 1.000 (e.g. 1/0.382 = 2.618).
(To obtain perfectly exact results, the numbers would have to be extended to an infinite number of decimals.)
The large rectangle below is a golden rectangle, meaning that its sides are in the proportion 1.000:1.618. If a square is removed from this rectangle, the remaining rectangle is also a golden rectangle. Continuing this process produces a series of nested golden rectangles. Connecting the successive points where the ‘whirling squares’ divide the sides of the rectangles in golden ratios produces a logarithmic spiral, which is found in many natural forms (see next section). A similar spiral can be generated from a golden triangle (an isosceles triangle whose sides are in the golden ratio), by repeatedly bisecting one of the angles to generate a smaller golden triangle.
A number series closely related to the golden section is the Fibonacci sequence: it begins with 0 and 1, and each subsequent number is generated by adding the two preceding numbers:
0, 1, 1, 2, 3, 5, 8, 13, 21, 34, 55, 89, 144, 233, 377, 610, 987 …
If we take these numbers two at a time, and divide the larger one by the smaller one, the value will oscillate alternately above and below the golden section, while gradually converging on it. If we divide the smaller number by the larger number, the value converges on 1/φ (0.618). (Note that in any series of numbers in which we start with any two ascending numbers and add each consecutive pair to produce the next term, the ratio of successive terms will always tend towards φ.)
The Fibonacci sequence has many curious features. For example, the sum of any 10 consecutive Fibonacci numbers is always divisible by 11, being equal in fact to 11 times the seventh number. The sum of all Fibonacci numbers from the first to the nth is equal to the (n+2)th number minus 1. Thus the sum of the first 15 numbers (986) is equal to the 17th number (987) minus 1. The square of any term differs by 1 from the product of the two adjacent terms in the sequence: e.g. 3² = 9, 2×5 = 10; 13² = 169, 8×21 = 168. The last digit of any number in the sequence repeats itself with a periodicity of 60: e.g. the 14th number and the 74th number both end in 7. The last two digits (01, 01, 02, 03, 05, 08, 13, 21, etc.) repeat in the sequence with a periodicity of 300. For any number of last digits from three upwards, the periodicity is 15 times ten to a power that is one less than the number of digits, (e.g. for 7 digits it is 15 x 106, or 15 million).
Many of nature’s patterns are related to the golden section and the Fibonacci numbers. For instance, the golden spiral is a logarithmic or equiangular spiral – a type of spiral found in unicellular foraminifera, sunflowers, seashells, animal horns and tusks, beaks and claws, whirlpools, hurricanes, and spiral galaxies. An equiangular spiral does not alter its shape as its size increases. Because of this remarkable property (known as self-similarity),* it was known in earlier times as the ‘miraculous spiral’.
*Shapes and forms that look similar under any magnification are known as fractals. Numerous apparently irregular natural phenomena display approximate self-similarity, meaning that similar patterns and details recur at smaller and smaller scales. This applies, for example, to the branching of lightning, rivers, trees, and human lungs. Other fractal objects include the chambered nautilus, a head of cauliflower, coastlines, clouds, snowflakes, and rocks (a magnified rock can look like an entire mountain).
Fig. 2.1 The Whirlpool Galaxy (M51).
Fig. 2.2 Each increment in the length of the nautilus shell is accompanied by a proportional increase in its radius, so that the nautilus does not need to adjust its balance as it matures.
Fig. 2.3 A ram’s heavy corkscrewed horns keep a stable centre of gravity as they grow.
Fig. 2.4 Owing to the structure of their compound eyes, insects such as moths follow an equiangular spiral when drawn towards a candle flame. Peregrine falcons, which have eyes on either side of their heads, follow a similar spiral path when flying at their prey.
Phi can be found in the proportions of the bodies of humans and other creatures, including birds, flying insects, frogs, fish, and horses. The height of a newborn child is divided by the navel into two equal parts (1:1), whereas in adults, the division of the body’s height at the navel yields two parts in the ratio 1:φ, though the navel is usually a little higher in females and a little lower in males. Phi is found in the proportion between the hand and the forearm, and between the upper arm and the hand plus forearm.
Fig. 2.5 Each section of an index finger, from the tip to the base of the wrist, is larger than the preceding one by about 1.618, fitting the Fibonacci numbers 2, 3, 5 and 8.
The DNA molecule measures 34 angstroms long by 21 angstroms wide for each full cycle of the double helix spiral. 34 and 21 are Fibonacci numbers and their ratio closely approximates phi. DNA has two grooves in its spirals, with a phi ratio between the major groove and the minor groove (roughly 21 angstroms to 13 angstroms).
The Fibonacci numbers and golden section are widely found in the plant kingdom. In nearly all flowers, the number of petals is a Fibonacci number. For instance, lilies have 3 petals, buttercups have 5, many delphiniums have 8, marigolds have 13, asters have 21, and daisies commonly have 13, 21, 34, 55 or 89. Non-Fibonacci numbers don’t occur anything like as often. For instance, very few plants have 4 petals, an exception being the fuchsia. Some plant species are very precise about the number of petals they have, e.g. buttercups, but with others only the average number of petals is a Fibonacci number.
Fig. 2.7 Shasta daisy with 21 petals.
Fibonacci numbers are often found in the arrangement of branches, leaves, and seeds (phyllotaxis). If we look at a plant from above, the leaves are not arranged directly above one another, but in a way that optimizes their exposure to sun and rain. The Fibonacci numbers occur when counting both the number of times we go around the stem from one leaf to the next, and when counting the number of leaves we meet until we encounter one directly above the starting one. The number of turns in each direction and the number of leaves are usually three consecutive Fibonacci numbers.
In the diagram below, to get from the topmost leaf to the last of the 5 leaves of the plant on the left takes 2 anticlockwise turns or 3 clockwise turns. 2, 3 and 5 are three consecutive Fibonacci numbers. For the plant on the right, it takes 3 anticlockwise rotations or 5 clockwise rotations to pass 8 leaves. Again, 3, 5 and 8 are consecutive Fibonacci numbers. An estimated 90% of all plants display this pattern.
Apple, cherry, apricot,
oak, cypress, poplar
Holly, pear, spruce,
Fig. 2.8 (by Michael S. Schneider from A Beginner’s Guide To Constructing The Universe)
Similar arrangements can be found in the scales of a pinecone or the seeds of a sunflower. The florets in the head of a sunflower form two intersecting sets of spirals, one winding clockwise, the other anticlockwise. In some species the number of clockwise spirals is 34, and the number of counterclockwise spirals is 55. Other possibilities are 55 and 89, or 89 and 144. Pineapples have 8 rows of scales sloping to the left, and 13 to the right. Again, these are successive Fibonacci numbers.
Fig. 2.9 Sunflower head.
Fig. 2.10 This pine cone has 13 spirals to the right and 8 to the left.
The fact that in the arrangement of seeds on flower heads, the numbers of spirals in each direction are nearly always neighbouring Fibonacci numbers means that each seed is roughly 0.618 of a turn from the last one, i.e. there are roughly 1.618 seeds per turn. This results in optimal packing of the seeds, because no matter how big the seed head gets, the seeds are always equally spaced. Similarly, trees and plants tend to have 0.618 leaves or petals per turn. In terms of degrees this is 0.618034 of 360°, which is 222.5°. If we measure the angle going in the opposite direction around the circle, we get: 360 – 222.5 = 137.5°, which is known as the golden angle. The Fibonacci numbers appear in leaf arrangements and the number of spirals on seedheads because they form the best whole-number approximations to the golden section. The higher the numbers are on the Fibonacci sequence, the more closely the golden ratio and the golden angle are approached and the more complex the plant.
Fig. 3.1 Each successive pair of heavy lines in this pentagram is in the golden ratio.
The golden ratio appears in pentagonal forms of symmetry, notably in the five-pointed star (or pentagram), which was the emblem of the Pythagorean brotherhood. Pentagonal symmetry abounds in living organisms, especially plants and marine animals (e.g. starfishes, jellyfishes, sea urchins). Flowers with 5 petals (or multiples of 5) include all fruit blossoms, water lilies, roses, honeysuckles, carnations, geraniums, primroses, orchids, and passionflowers.
Fig. 3.2 Left: Sea cucumber (cross section). Right: Sand dollar (sea urchin).
(by Michael S. Schneider from A Beginner’s Guide To Constructing The Universe)
Fig. 3.3 Pentagonal diatom.
Fig. 3.4 Apple blossoms have five petals, pentagonal indentations are seen at the bottom of the fruit, and cutting an apple in half reveals a star pattern of seeds.
Fig. 3.5 The human body clearly expresses the pentad’s symmetry in its five senses and five extensions from the torso, each limb ending in five fingers or toes. (by Michael S. Schneider from A Beginner’s Guide To Constructing The Universe)
While pentagonal patterns abound in living forms, the mineral world favours twofold, threefold, fourfold, and sixfold symmetry. The hexagon is a ‘close-packing’ shape that allows for maximum structural efficiency. It is very common in the realm of molecules and crystals, in which pentagonal forms are almost never found. Steroids, cholesterol, benzene, TNT, vitamins C and D, aspirin, sugar, graphite – all show sixfold symmetry. The most famous hexagonal architecture is built by bees, wasps, and hornets.
Fig. 3.6 Six water molecules form the core of each snow crystal.
Fig. 3.7 Snow crystals (courtesy of Kenneth G. Libbrecht).
Fig. 3.8 Benzene (C6H6).
Fig. 3.9 Honeycomb.
Fig. 3.10 The facets of a fly’s eyes form a close-packed hexagonal arrangement.
Fig. 3.11 A hexagonal lattice, or honeycomb, of convection
cells (Bénard cells) in a heated liquid.
The atmosphere of Saturn, one of the four gas giants, circulates around its axis in striped bands. Seen from the poles, the bands generally appear to be circular. But the band nearest the north pole is hexagonal, with sides about 13,800 km long. Unlike other clouds in its atmosphere, it rotates slowly, if at all, relative to the planet. It is one of Saturn’s most enigmatic features.
Fig. 3.12 Saturn’s northernmost hexagonal cloud band. The dark radial lines are artefacts of the way the above images were produced.
A regular polyhedron is a three-dimensional shape whose edges are all of equal length, whose faces are all identical and equilateral, and whose corners all touch the surface of a circumscribing sphere. There are only five regular polyhedra: the tetrahedron (4 triangular faces, 4 vertices, 6 edges); the cube/hexahedron (6 square faces, 8 vertices, 12 edges); the octahedron (8 triangular faces, 6 vertices, 12 edges); the dodecahedron (12 pentagonal faces, 20 vertices, 30 edges); and the icosahedron (20 triangular faces, 12 vertices, 30 edges). In each case, the number of faces plus corners equals the number of edges plus 2. These five polyhedra are also known as the platonic or pythagorean solids, and are intimately connected with the golden section. Their striking beauty is derived from the symmetries and equalities in their relations.
Fig. 4.1 The five platonic solids. The ancients considered the tetrahedron to represent the element of fire; the octahedron, air; the icosahedron, water; and the cube, earth. The dodecahedron symbolized the harmony of the entire cosmos.
Fig. 4.2 An icosahedron’s 12 vertices are defined by three perpendicular golden rectangles. With an edge length of one unit, its volume is 5φ5/6.
The symmetry of the platonic solids leads to other interesting properties. For instance, the cube and octahedron both have 12 edges, but the numbers of their faces and vertices are interchanged (cube: 6 faces and 8 vertices; octahedron: 8 faces and 6 vertices). Similarly, the dodecahedron and icosahedron both have 30 edges, but the dodecahedron has 12 faces and 20 vertices, while for the icosahedron it is the other way round. This allows one solid to be mapped into its dual or reciprocal solid. If we connect the centres of all the faces of a cube, we obtain an octahedron, and if we connect the centres of the faces of an octahedron, we obtain a cube. The same procedure can be used to map an icosahedron into a dodecahedron, and vice versa. (In the Hindu tradition, the icosahedron represents purusha, the male, spiritual principle, and generates the dodecahedron, representing prakriti, the female, material principle.) The tetrahedron is self-dual – joining the four centres of its faces produces another, inverted tetrahedron.
There are two other ways of passing from dodecahedron to icosahedron, and icosahedron to dodecahedron. If we join interiorly all the vertices of an icosahedron, the lines will intersect at 20 points defining the vertices of a dodecahedron. If we then do the same with the resulting dodecahedron, a smaller icosahedron is generated within it, and so on, ad infinitum. Likewise, if we lengthen the sides of an icosahedron, an enveloping dodecahedron will be formed. Lengthening the sides of the dodecahedron will generate an enveloping icosahedron. Again, this operation can be repeated indefinitely – a fitting symbol of the theosophical teaching of worlds within worlds.
The sum of the angles of the platonic solids is 3600 degrees for the icosahedron, 6480 for the dodecahedron, 1440 for the octahedron, 2160 for the cube, and 720 for the tetrahedron. Each of these numbers is divisible by 9, which means that the sum of the digits is 9 (e.g. 6+4+8=18, 1+8=9). They are also divisible by the canonical numbers 12, 60, 72 and 360. As we shall see, the numerical elements of the five regular polyhedra frequently recur in nature’s cycles.
The platonic solids (especially the tetrahedron, octahedron, and cube) form the basis for the orderly arrangement of atoms in crystals, though the regular dodecahedron and icosahedron are never found.
Fig. 4.4 In salt crystals, the sodium chloride atoms tightly pack along cubic lines of force.
Tetrahedral geometry commonly occurs in organic and inorganic chemistry and in submicroscopic structures. For example, the methane molecule (CH4) is a tetrahedron, with a carbon atom at its centre and a hydrogen atom at each of its four corners.
Carbon exists in three pure forms. In graphite crystals, the carbon atoms lie in hexagonal sheets, which readily slide off a pencil as we write. In diamond, the hardest substance known, each carbon atom is bonded to four others in a super-strong tetrahedral arrangement. Buckminsterfullerene, the third, highly stable allotrope of carbon, consists of 60 carbon atoms, arranged at the vertices of a truncated icosahedron (i.e. one with its corners cut off).
Fig. 4.5 Graphite; diamond; buckminsterfullerene.
The great majority of viruses are icosahedral, including the polio virus and the 200 kinds of viruses responsible for the common cold. Icosahedral symmetry is believed to allow for the lowest-energy configuration of particles interacting on the surface of a sphere. The five platonic solids are also found in radiolarian skeletons.
Fig. 4.6 The platonic solids have been found living in the sea. The tetrahedron, somewhat rounded as if from internal pressure, is embodied in a protozoan called Callimitra agnesae, the cube is Lithocubus geometricus, the octahedron Circoporus octahedrus, the dodecahedron Circorrhegma dodecahedrus, and the icosahedron Circognia icosahedrus.
Due to a slow gyration of the earth’s axis, the spring equinox occurs about 20 minutes earlier each year, when the earth is still about 1/72 of a degree (50 arc-seconds) from the point in its orbit where the previous spring equinox occurred. The vernal equinoctial point therefore moves slowly through the constellations of the zodiac. This key astronomical cycle is known as the precession of the equinoxes. The ancients called it the ‘great year’.
At the average rate of 1/72 of a degree per year, the earth enters a new constellation about every 2160 years, and takes 25,920 years to make a complete circuit of the zodiac. The entry into each new constellation marks the beginning of what is called in theosophy the Messianic cycle, which is said to be marked by the appearance on earth of a spiritual teacher or avatar (lit. a ‘descent’ of divinity); for instance, the commencement of the Piscean age was marked by the appearance of Christ. Interestingly, 2160 is the total number of degrees in the angles of a cube, and if a cube is opened out it forms the shape of a cross, a universal symbol representing the descent of spirit into matter, or the ‘crucifixion’ of spirit in the ‘tomb’ of matter.
The ancient chronological charts of the Brahmans refer to four great cycles or yugas. The krita- or satya-yuga lasts 4000 divine years, the treta-yuga 3000, the dvapara-yuga 2000, and the kali-yuga 1000, a ‘divine year’ being equal to 360 earth-years. Each yuga is introduced by a ‘dawn’ and concluded by a ‘twilight’, each equal to one-tenth of the period of the yuga. The total length of the four yugas in earth-years is therefore 1,728,000 for the satya-yuga, 1,296,000 for the treta-yuga, 864,000 for the dvapara-yuga, and 432,000 for the kali-yuga. The lengths of these four yugas are related in the ratio 4:3:2:1, i.e. they are all multiples of 432,000. If the individual digits of each yuga are added together, the result is always 9 (e.g. 1+2+9+6=18, 1+8=9).
The four yugas together make up one maha-yuga, lasting 4,320,000 years, which in theosophy is said to equal half the evolutionary period of a root-race or ‘humanity’, of which we are now in the fifth. The total life-period of earth, or a day of Brahma, is said to last 1000 maha-yugas or 4,320,000,000 years, and is followed by a rest period, or night of Brahma, of the same length, making a total of 8,640,000,000 years. 360 days and nights make up one year of Brahma, equal to 3,110,400,000,000 ordinary years. 100 years of Brahma make up an age of Brahma, this being the total life-period of our universal solar system, equal to 311,040,000,000,000 years. If we take the precessional cycle of 25,920 years and add to it a dawn and a twilight equal to one-tenth of its length, we get 31,104 – the initial digits of a year and age of Brahma.
4320 is twice 2160, the total number of degrees in a cube, the length of the Messianic cycle, and the average time it takes the equinoctial point to pass through one constellation of the zodiac. 432,000 is equal to 4 x 108,000, and 108,000 years is the average length of an astronomical cycle known as the revolution of the line of apsides. The line of apsides is the line joining that point in the earth’s elliptical orbit where it is closest to the sun (perihelion) and that point where it is furthest from the sun (aphelion). This line turns extremely slowly – by an average of 12 arc-seconds a year – from west to east, and therefore rotates through the whole zodiac in 108,000 years.
The sun has a radius of approximately 432,000 miles (432,475) and a diameter of about 864,000 miles, while the moon has a radius of 1080 miles and a diameter of 2160 miles. Silver, the metal associated with the moon, has an atomic weight of 107.9. In addition, 108 is roughly the average distance between the sun and earth in terms of solar diameters, the average distance between the surfaces of the moon and earth in terms of lunar diameters, and the diameter of the sun in terms of earth diameters (actual figures: 107.5, 108.3, and 109.1 respectively). As a result of these remarkable ‘coincidences’, the moon has the same apparent size as the sun, as seen from earth, and almost exactly covers the disk of the sun during a total solar eclipse.
According to conventional astronomy, in each precessional cycle the earth’s north pole slowly traces an approximate circle, with an average radius of about 23.5 degrees (the current inclination of its axis), around the north pole of the ecliptic – a point in the constellation Draco perpendicular to the plane of the earth’s orbit around the sun. (According to theosophy, the earth’s axis does not trace a circle but a spiral around the ecliptic poles, as the tilt of the earth’s axis is said to change by four degrees every precessional cycle.)
The ‘circle’ traced by the earth’s axis around the north ecliptic pole is not smooth but wavy, as the moon’s gravitational pull causes the earth to ‘nod’ about once every 18 years (currently 18.6 years), a movement known as nutation. The circle therefore contains about 1440 waves, since 18 x 1440 = 25,920. Note that the average human heartbeat is equal to 72 beats a minute, and on average we breathe about 18 times a minute. 72 years (= 6+60+6 or 6×12) is said to be the ‘ideal’ lifespan of a human being, during which time the sun moves through one degree of the zodiac in the precessional cycle. A human breathes 72 times in 4 minutes, the time required for the earth to turn 1 degree on its axis. In 24 hours (86,400 seconds) we breathe 18 x 1440 = 25,920 times, equal to the number of years in the precessional cycle.
Each human heartbeat takes about 8 tenths of a second. The time-periods occupied by each of the five cardiac phases, reckoned on the basis of one hour, are as follows: auricular systole, 432 seconds; ventricular systole, 1296 seconds; repose of the entire heart, 1728 seconds; diastole, 3024 seconds; and ventricular diastole, 2160 seconds. There are on average 4320 heartbeats in one hour, 8640 beats in 2 hours, 12,960 beats in 3 hours, 17,280 beats in 4 hours, 21,600 beats in 5 hours, and 25,920 beats in 6 hours.* In these figures we can recognize the digits of the four yugas, the Messianic cycle, and the precessional cycle (whose lengths are all multiples of 12, 60, 72, and 360). Thus, again and again we find correspondences between what takes place in the small (the microcosm) and what takes place in the great (the macrocosm) – as above, so below.
*G. de Purucker, Esoteric Teachings, San Diego, California, Point Loma Publications, 1987, 7:20-1.
6. Formative power of sound
In the late 18th century, German physicist Ernst Chladni demonstrated the organizing power of sound and vibration in a visually striking manner. He showed that when sand is scattered on metal plates, and a violin bow is drawn across them, the resulting vibrations cause the particles to move to the places where the plate is almost motionless, producing a variety of beautiful, regular, intricate patterns.*
*Joscelyn Godwin makes an interesting comment on this phenomenon: ‘Once, passing by a crowded dance hall where rock was being played, I could not help perceiving the floor of the hall in terms of a Chladni plate, and the dancers appeared for all the world like the jumping, helplessly manipulated grains of sand’ (1995, p. 246).
Fig. 6.1 Chladni figures. For a video, click here.
A century after Chladni, Margaret Watts-Hughes created images by placing a powder or liquid on a disk then letting it vibrate to the sound of a sustained musical note. She experimented with several musical instruments but had most success using her voice. The particles arranged themselves into geometric shapes, flower patterns (such as pansies, primroses, geraniums, and roses), or the shape of a fern or a tree. The higher the pitch, the more complex the patterns produced; a powerful sustained note produced an imprint of a head of wheat.
Fig. 6.2 Figures generated by the voice of Margaret Watts-Hughes.
In the 1950s the study of wave phenomena was continued by Swiss scientist and anthroposophist Hans Jenny (1904-1972), who named the field ‘cymatics’. Using crystal oscillators (which allow precise frequencies and amplitudes to be used), he vibrated various powders, pastes, and liquids, and succeeded in making visible the three-dimensional effects of sound. He produced an astonishing variety of awe-inspiring geometrical and harmonic shapes, including life-like flowing patterns, which he documented in photographs and films.
Jenny, too, found that higher frequencies produced more complex shapes. A low frequency produced a simple central circle surrounded by rings, while a higher frequency increased the number of concentric rings. Even higher frequencies created shapes resembling petals, butterflies, or crustaceans, zebra patterns, mandala-like patterns, and images of the five platonic solids. As the frequency rises, the dissolution of one pattern may be followed by a short chaotic phase before a new, more intricate, stable structure emerges. If the amplitude is increased, the motions become all the more rapid and turbulent, sometimes producing small eruptions. Under certain conditions Jenny was able to make the shapes change continuously, despite altering neither frequency nor amplitude.
Fig. 6.3 Hexagonal pattern produced by light refracting through a small sample of water (about 1.5 cm in diameter) under the influence of vibration. The figure is in constant dynamic motion. (Jenny, 2001, p. 112; courtesy of Jeff Volk)
Fig. 6.4 A round heap of lycopodium powder (4 cm in diameter) is made to circulate by vibration. At the same time two centres of eruption rotate at diametrically opposed points. (Jenny, 2001, p. 108; courtesy of Jeff Volk)
Fig. 6.5 Jenny built a tonoscope to translate the human voice into visual patterns in sand.
Left to right: ‘oh’ sound, ‘ah’ sound, ‘oo’ sound. (Jenny, 2001, p. 65; courtesy of Jeff Volk)
More recently, Peter Guy Manners found that an acoustic recording of the Crab Nebula caused sand to form a pattern strikingly like the nebula itself. As the near-infrasonic sound was played, the two swirling arms pulled in, forming a tight ball. Towards the end of the audiotape, the sand became very highly compacted and then suddenly exploded, throwing sand off the table.
John’s Gospel begins: ‘In the beginning was the Word, and the Word was with God, and the Word was God.’ The Egyptian Book of the Dead, contains a parallel passage: ‘I am the Eternal, I am Ra … I am that which created the Word … I am the Word …’ The Hindu tradition teaches that ‘Nada Brahma’ (the world is sound). The underlying idea is that everything we see is a divine word – or vibration – that has solidified and become manifest, the vibrations originating in the inner, more ethereal realms. All of nature is essentially rhythmic vibration. Everything from subatomic particles to the most intricate lifeforms, from planets to galaxies, comprises resonating fields of pulsating energy in constant interaction. In the poetic words of Cathie Guzzetta:
The forms of snowflakes and faces of flowers may take on their shape because they are responding to some sounds in nature. Likewise, it is possible that crystals, plants, and human beings may be, in some way, music that has taken on visible form. (D. Campbell, ed., Music: Physician for times to come, Quest, 1991, p. 149)
If we draw a circle representing the earth – which has a mean radius (in round numbers) of 3960 miles – and then draw a square around it, the square will have a perimeter equivalent to 31,680 miles. If we then draw a second circle with a circumference equal to the perimeter of the square, its radius will be 5040 miles (using 22/7 as a good approximation to pi (π), as the ancients often did) – or 1080 miles more than the smaller circle. Just as 3960 miles is the radius of the earth, 1080 miles is the radius of the moon. In other words, the relative dimensions of the earth and moon square the circle!
Fig. 7.1 Earth and moon square the circle. Note that 5040 (the radius of the outer circle) = 1x2x3x4x5x6x7 (known as ‘factorial 7’, also written: 7!) = 7x8x9x10 (or 10!/6!). A quarter of its circumference (also equal to the diameter of the earth-circle) = 7920 = 8x9x10x11 (or 11!/7!), and the area of each semicircle = 11!.
Exactly the same proportions and digits (expressed in feet rather than miles) can be found at Stonehenge (see Michell, 1995, 2001). The outer (sarsen) circle has a mean radius of 50.4 ft and a circumference of 316.8 ft. This is equal to the perimeter of a square drawn round the smaller (bluestone) circle, which has a radius of 39.6 ft. This radius is also equal to the diameter of the circle defined by the inner U-shaped structure. This is clear evidence that the ‘English’ foot and mile are at least as ancient as Stonehenge and, like many other ancient systems of measures, are closely related to the dimensions of earth, moon, and sun.
Fig. 7.2 Ground plan of Stonehenge. The lintels on top of the stones of the outer (sarsen) circle were mortised to the uprights and jointed at their ends, forming what was once a precision-made, perfectly level platform.
Fig. 7.3 Given its slope angle of 51.83°, the Great Pyramid, too, squares the circle. The length of each base side divided by the height equals π/2. In addition, the apothem divided by half the base side equals φ.
If a tetrahedron is inscribed in a sphere with the apex placed at either pole, the three corners of the base will touch the sphere at a latitude of 19.47 degrees in the opposite hemisphere. This latitude marks the approximate location of major vorticular upwellings of planetary and solar energy. The primary focus of sunspot activity is about 19.5° N and S. On Venus, there are volcanic regions at 19.5° N and 25.0° S. Mauna Loa and Kilauea (Hawaii), Earth’s largest volcanoes, are located at 19.5° and 19.4° N respectively. On the moon there is a mare-like lava extrusion at 19.6° S. On Mars, Olympus Mons, possibly the largest volcano in the solar system, is located at 19.3° N. The Great Red Spot of Jupiter is located at 21.0° S. On Saturn there are storm belts at 20.0° N and S. On Uranus, there are upwellings causing cooler temperatures at 20.0° N and S, and a dark spot at about 22.5° S. The Great Dark Spot of Neptune, photographed by Voyager 2 in 1989, was located at 20.0° S, but when the Hubble Space Telescope viewed the planet in 1994, the spot had vanished – only to be replaced by a dark spot at a similar location in the northern hemisphere.
Fig. 7.5 Jupiter’s Great Red Spot.
Are the planets of our solar system located at random distances from the sun? The Titius-Bode law, discovered 1766, suggests they are not. The law is obtained by writing down first 0, then 3, and then doubling the previous number: 6, 12, 24, etc. If 4 is added to each number and the sum divided by 10, the resulting numbers give the mean distances of the orbits of the planets in astronomical units (1 AU = the earth’s mean distance from the sun). Uranus, discovered in 1781, fitted the law, as did Ceres, the largest asteroid between Mars and Jupiter, discovered in 1801. However, the law breaks down completely for Neptune and Pluto, which were discovered later. Various efforts have been made to modify the Titius-Bode law to make it more accurate.*
*William R. Corliss, The Sun and Solar System Debris, Sourcebook Project, 1986, pp. 34-42.
What the Titius-Bode law essentially means is that planetary orbits become progressively greater by a ratio of approximately 2:1 (the ratio of the octave) with increasing distance from sun. This is brought out in columns 3 and 4 of the table below, in which half the distance between Mercury and Earth is taken as the unit of measurement. Uranus and Pluto have mean orbits close to the exact distances necessary to complete two further octaves. Neptune is located almost exactly half-way between Uranus and Pluto, as though to fill in the half-octave position. This may indicate that it was not an original member of the solar system (theosophy says it was captured from outside our solar system). Likewise, the Titius-Bode law works for Pluto if we ignore Neptune.
Mean distance of the planets from the sun Planet Calculated
in units of
Mercury 0.4 0.387 0 0 Venus 0.7 0.723 1 1.1 Earth 1.0 1.000 2 2 Mars 1.6 1.524 4 3.7 Asteroid belt
2.8 2.767 8 7.8 Jupiter 5.2 5.203 16 15.7 Saturn 10.0 9.539 32 29.9 Uranus 19.6 19.191 64 61.4 Neptune 38.8 30.061 (64×1.5=96) (96.8) Pluto 77.2 39.529 128 127.7
Due to its ad-hoc nature, the Titius-Bode law is usually dismissed as a numerical coincidence that has no physical basis. However, the fact that the planets’ distances from the sun follow a pattern can easily be demonstrated by plotting the logarithm of the mean distance of the planets (including the asteroid belt) against their sequential number (1 to 10). The fact that all the points lie very nearly on a straight line proves that gravitation is ‘quantized’. However, there is currently no detailed mainstream theory that explains how gravity works and why it should be quantized. The orbits of satellites around moons show the same quantized spacing, as do the orbits of electrons around an atomic nucleus (in the Bohr model of the atom).
Figs. 8.1 to 8.6 courtesy of John Martineau (A Little Book of Coincidence, Wooden Books, 2001)
Curiously, the mean orbital radii of the four inner and four outer planets reflect about the asteroid belt. For instance, if we multiply together the orbital radii of Venus, Mars, Jupiter, and Uranus, we get virtually the same value as multiplying the orbital radii of Mercury, Earth, Saturn, and Neptune (5.51 x 1034 km as against 5.56 x 1034 km).
The spacing of the planets shows many geometrical regularities. For example:
Fig. 8.2 Three circles touching: if Mercury’s mean orbit passes through the centres of the three circles, Venus’ orbit encloses the figure (99.86% accuracy).
Fig. 8.3 Left: The mean orbits of Mars and Jupiter can be drawn from four touching circles or a square (99.995%). Right: A related pattern spaces Earth’s and Mars’ orbits (99.8%).
Fig. 8.4 In this diagram, the smaller and larger circles represent not only the relative sizes but also the orbits of Mercury and Earth; they are related by a pentagram (99.1%).
Fig. 8.5 This diagram shows Earth’s and Saturn’s relative sizes and orbits;
they are related by a 15-pointed star (99.3%).
Fig. 8.6 Earth’s and Jupiter’s mean orbits can be created by spherically nesting three cubes, or three octahedra, or any threefold combination of them (99.89%).
The 17th-century astronomer Johannes Kepler discovered a remarkable relationship between a planet’s mean distance from the sun and the time it takes to orbit the sun: the ratio of the square of a planet’s period of revolution (T) to the cube of its mean distance (r) from the sun is always the same number (T²/r³ = constant). For instance, measuring T in earth-years and r in astronomical units, we get:
Venus: 0.61521²/0.7233³ = 1.0002 Earth: 1.0000²/1.0000³ = 1.0000 Mars: 1.88089²/1.5237³ = 1.0000 Jupiter: 11.8623²/5.2028³ = 0.9991
Orthodox science has no real explanation for this, or for the many ‘resonances’ in solar system dynamics. For instance, the periods of Jupiter and Saturn show a 2:5 ratio. The periods of Uranus, Neptune, and Pluto stand in a 1:2:3 ratio. Mars and Jupiter are locked into a 1:12 resonance, Saturn and Uranus are in a 3:1 resonance, and there is a 2:3 resonance between Mercury’s rotational and orbital periods.
What is the nature of such ‘resonances’? Abstract mathematical concepts such as ‘curved spacetime’ shed no light on the matter. A concrete explanation must be sought in the behaviour of the dynamic ether filling space, whose vorticular motions cause the planets and stars to rotate and carry them along in their respective orbits. According to the ether-science model known as aetherometry, T²/r³ is a constant for all the planets because it refers to the constant flux of energy that the solar system as a whole extracts by its primary gravitational interaction with the ether, entailing a nearly constant energy supply for each of its members.
The speeds of the planets in their orbits represent their pitch-frequencies. Cosmic ‘chords’ are produced when planets come into conjunction (or ‘kiss’), i.e. stand in a straight line with the earth and sun. A certain number of regular planetary conjunctions occur over particular periods of time, and the ratios between these numbers reflect with considerable accuracy the length ratios necessary to produce the diatonic notes of an octave, i.e. the seven notes of a musical scale.
Fig. 9.1 Planetary conjunctions as ‘chords’ (Tame, 1984, p. 239).
The line in this diagram represents an octave, divided into seven intervals by eight notes. The line could represent the string of a one-stringed musical instrument. The numbers above the line are the numbers of conjunctions of each planet with the sun and earth, and those below the line are the numbers of years involved.
The planets’ orbits are ellipses with the sun at one of their foci. Their speeds are therefore variable: they speed up as they approach perihelion (the point in their orbit nearest the sun) and slow down as they approach aphelion (their greatest distance from the sun). Following Kepler, Francis Warrain expressed the ratio between the minimum and maximum speeds of one planet and those of different planets as a musical interval. The results (only those for the inner planets are given below) rule out chance altogether, and constitute ‘a powerful argument for the harmonic arrangement of the solar system’ (Godwin, 1995, pp. 132-6). Of 74 tones, as many as 58 belong to the major triad CEG.
Harmonies of the planets’ angular velocities, as seen from the sun Harmonic number 1 9 5 3 25 27 15 2 Mars aphelion (l)
l:m = 2:3
l:n = 9:20
l:o = 5:12
m:n = 2:3
m:o = 3:5
Earth aphelion (n)
n:o = 15:16
n:p = 3:5
n:q = 3:5
o:p = 5:8
o:q = 5:8
Venus aphelion (p)
p:q = 24:25
p:r = 5:9
p:s = 1:4
D E G G#
Mercury aphelion (r)
q:r = 16:27
q:s = 81:320
r:s = 9:20
The time taken by Venus to seemingly orbit the Earth (i.e. a Venus synod) is currently 584 days, so that 5 Venus synods are equivalent to 8 ‘practical’ earth-years (of 365 days). Venus has a sidereal orbital period of 225 days, and 13 of these periods equal 8 practical earth-years. In both cases, the numbers composing these ratios are consecutive Fibonacci numbers, and therefore give approximations to the golden section: 8/5 = 1.6, and 13/8 = 1.625. Venus rotates extremely slowly on its axis: its day lasts 243 earth-days, or 2/3 of an earth-year (the same ratio as a musical fifth). Every time Venus and earth ‘kiss’, Venus does so with the same face looking at earth. Over the 8 years of the 5 kisses, Venus will have spun on its own axis 12 times in 13 of its years.
Thus, in 8 years Venus has 5 inferior conjunctions (when it lies between earth and sun) and 5 superior conjunctions (when it lies on the opposite side of the sun). Plotting either of these sets of 5 conjunctions in relation to the zodiac produces a five-pointed star or pentagram, the segments of the constituent lines being related according to the golden section. There is a slight irregularity, for the pentagram is not completely closed, there being a difference of two days at the top. This irregularity generates a further cycle, as it means that the pentagram will rotate through the whole zodiac in a period of about 1200 years. It is interesting to note that the pentagram was associated with the Babylonian goddess Ishtar-Venus, and that depictions of Venus as a five-pointed star have also been found at Teotihuacan in Mexico. In theosophy, Venus is said to be closely connected with our higher mind (manas), the fifth principle of the septenary human constitution.
Fig. 9.2 Teotihuacan: stellar symbol of Venus dispensing its influence
downwards towards the earth.
Fig. 9.3 The Venus pentagram.
According to theosophy, the key numbers to the solar system lie in a combination of the year of Saturn and the year of Jupiter, expressed in earth-years (Purucker, 1973, pp. 3-15). About 12 earth-years (11.86) make 1 year of Jupiter, and about 30 earth-years (29.46) make 1 year of Saturn: 12 x 30 = 360, the number of degrees in a circle and the number of days in an ideal earth-year. (Theosophy says that an earth-year oscillates above and below 360 days over very long periods of time.)
The whole process of evolution can be summed up as a descent of divine consciousness-centres or monads into matter, and their subsequent re-ascent to spirit, enriched by the experience gained on their aeons-long evolutionary journey. This process can be symbolized by two interlaced triangles, known as Solomon’s seal or the sign of Vishnu, the upward-pointing triangle representing spirit, and the downward-pointing triangle representing matter. Significantly, as Saturn and Jupiter revolve around the sun, they mark out two interlaced triangles around us every 60 years! The upward triangle is formed by their conjunctions and the downward triangle by their oppositions. Once again, there is a slight irregularity: after 60 years the conjunction does not take place at exactly the same point; there is a gap of 8 degrees, so that the interlaced triangles slowly rotate through the entire zodiac in a period of 2640 years. There are 432 of these 60-year Jupiter/Saturn cycles in a precessional cycle of 25,920 years.
Fig. 9.4 Conjunctions and oppositions of Jupiter and Saturn.
The sun is the heart and brain of the solar kingdom and the regular sunspot cycle is akin to a solar heartbeat. The sunspot cycle has a major impact on earth, especially terrestrial magnetism and the climate. Over the past 250 years its length has varied irregularly between 9 and 14 years, averaging 11.05 years. Sunspots peak shortly after Jupiter passes the point in its orbit closest to the sun. (The ‘ideal’ sunspot cycle is said in theosophy to be 12 years, so there would be one such cycle for each year of Jupiter.) The sunspot maximum does not occur exactly in the middle of the sunspot cycle. The ascending part of the cycle has a mean length of 4.3 years – very close to the figure of 4.22 years that would divide the 11.05-year cycle exactly according to the golden section.*
*Theodor Landscheidt, ‘Solar activity: a dominant factor in climate dynamics’, http://www.john-daly.com/solar/solar.htm.
To attribute the order, harmonious proportions, and marvellous recurring patterns in nature to pure chance is absurd. The pagan philosopher Cicero wrote:
If anyone cannot feel the power of God when he looks upon the stars, then I doubt whether he is capable of feeling at all. From the enduring wonder of the heavens flows all grace and power. If anyone thinks it is mindless then he himself must be out of his mind. (On the Nature of the Gods, Penguin Classics, 1972, 2.55)
However, the traditional theological picture of ‘God’ as a supreme selfconscious being who thinks, plans, and creates – even managing to make the entire universe out of nothing – is untenable. If ‘he’ is a being, he must be finite and limited, and have a relative beginning and end. Whereas if the divine is infinite, it cannot be a thinking being, separate from the universe, but must be one with it, as taught by pantheism. The divine essence would then be synonymous with boundless space, or infinite consciousness-life-substance. And since nothing can come from nothing, it must always have existed.
Materialistic scientists prefer to attribute the patterned order of the cosmos to ‘laws of nature’, with new ones emerging ‘spontaneously’ as evolution proceeds. But this explains nothing, for the word ‘law’ simply denotes the regular operations of nature – the very regularities that the term is supposed to explain! Patterns in the living world are sometimes attributed to genetic programmes, but this is merely a declaration of faith, since all that genes are known to do is provide the code for making proteins – not for arranging them into complex structures. Moreover, it is hard to swallow the conventional claim that genetic programmes themselves originated by chance.
If some patterns arose through random genetic mutations and natural selection, it would mean, for example, that the reason the golden angle is widely found in leaf arrangements throughout the plant kingdom is because it contributed to their survival. This implies that at one time most plant species did not embody the golden angle – but such a claim can never be tested. What we do know is that life emerged on earth incredibly quickly, that new and fully functional types of organisms have tended to appear on earth incredibly quickly, and that there is no evidence whatsoever for vast periods of trial-and-error experimentation along darwinian lines.
The theosophic tradition, or ancient wisdom, teaches that nature’s patterns and regularities are better seen as habits, an expression of its ingrained instinctual behaviour, of the tendency for natural processes to follow grooves of action carved in countless past cycles of evolution. For it teaches that all worlds, on every conceivable scale, reembody again and again. And behind these habits lies an all-pervading consciousness, the universe being composed of interworking hierarchies of intelligent and semi-intelligent ‘beings’ or energy-forms, from elemental to relatively divine. The order of nature also reflects the essential interconnectedness of all things, and the fact that the same basic patterns and processes recur on widely different scales.
All monads, or units of consciousness, are said to progress through a series of kingdoms towards a state of relative perfection in the system of worlds in which they are then evolving, before passing, after a long rest, into other world systems, on other planes. Humans, in their present stage of rebellious selfconsciousness, often succumb to the temptation to misuse their free will for selfish and shortsighted ends, creating discord and suffering. But it lies within our power to attune ourselves to the fundamental harmony of our inner, spiritual selves – sparks of the universal ‘Self’ – and to become voluntary coworkers with nature in the great cosmic adventure of evolution.
On October 19th, 2013 Mark Passio presented his seminar “Natural Law: The REAL Law of Attraction” at the Yale Omni, organized by Arthur Capozzi & Christopher Capozzi, and produced for distribution by Tragedy and Hope dot com.
THE KEY OF SOLOMON FORBIDDEN DISCOVERY…
… SOMETHING PROVING ALL HUMANITY… EQUAL?
|First fact… Remove Sun and moon as an experiment to see what is left (because scientists have learned all about both sun and Moon), and all you have left in the sky are stars. Note the Freemason references in green font to ‘seven STARS’ and the Blazing STAR. ref
Second fact… The view is watching the eastern horizon.
Third fact… The orientation of both seven stars and Blazing star fits the orientation of the Pleiades and sun-like star over the eastern horizon in Washington DC on 25th December.
Fourth fact… The ladder represents the 33 steps or degrees in Freemasonry which coincidently is the same degree measurement by astronomers from the rising sacred cross of Orion’s belt, which is coincidently also the same measure in the Testament of Solomon text of 33 units of cosmic measure to an important star.
Fifth fact… The circumpunct Ra symbol in the document at the bottom of the ladder is found as a RA SYMBOL MARKING ON THE GROUND, which can only be referring to the title of the Blazing star.
Sixth fact… The pillar on the ground representing the star above in the tradition “As above so below” is a pillar… or obelisk… like in Egypt… like the very same Washington Monument which coincidently also has the same circumpunct RA SYMBOL MARKING ON THE GROUND like the historical Freemason tracing board! ref
New Findings exposed on this Website…
This website explores the work of my book The Hidden Records, and my controversial research into lost knowledge that I believe has always been hidden. Once the history came to light over the last century it seems scholars have intentionally published interpretations that are completety erroneous. Thus the secret, one that would unite all humanity as one sacred bloodline has always been hidden by the elite through the ages who did not see it firstly acceptable that all humanity are the chosen race and secondly do not see it profitable for all society to be at peace.
Before reading further if you feel this story is a little complex, consider the video of the real historical connection between the Solomon Key and all of the above mentioned material – click the 4min YouTube video of Solomon Key/Vatican/Freemason/Washington finding at the top of the page (or the link here).
|Ancient Egyptian sacred feminine origin
Dan Brown in DaVinci Code showed he had a passion for the symbolism of the sacred feminine.
But not once did he expose its origin or its connection to the ‘circumpunct’ symbol of Ra. The Papyrus below is one of the oldest papyrus texts on display in the Cairo Museum and it has the Goddess Nut of the heavens above stretching from horizon to horizon. Nut is the sacred feminine of the heavens in ancient Egypt.
I have extracted the sacred feminine of the heavens in the insert shown above the traditional monument marking positions of stars on the ground, fitting the Hermes tradition of “As above … so below”. I have traced out all 50 pyramids of Lower Egypt as a grand star map which is explored on this website. The importance of this Papyrus however is as follows:
The sacred feminine is touching with her toes on the ground with the leg of the bull constellation of seven stars… the Pleiades. Her cosmic address shown more in detail in the Hebrew interpretation below as in the Solomon Key pictogram. The Pleiades symbol is next to the Sphinx, where Ra landed in his celestial ship. The full papyrus analysis . of the Pleiades and the celestial ship landing on the Sphinx.
|The Ultimate monument of Ra in Egypt and in DC
Most people think the Sphinx or the Great Pyramid is Egypt’s ultimate monument. That is completely incorrect. The Ra Obelisk was once the only monument to be capped in gold.
I offer this final piece of the hidden records of history fitting the same mystery of the lost meaning of the pyramids with their star connection. All 50 of the pyramids of lower Egypt map out a string of constellations and the proverbial “x” that marks the spot is the grand obelisk of RA and it is placed dead centre… in the pyramid field! Click the image to go to the complete Egyptian star map and return here later.
|The Hebrew Key of Solomon pictogram cipher puzzle
The most important discovery repeating the ancient star secret explored in my book is without doubt the Hebrew Solomon Key pictogram cipher seen above (copy). Here is a traced copy of the two pictograms digitally rendered with its detail on parchment as it would have been before becoming an updated historical component (on paper) of the Clavicula Salominis codex in the British library. The full story follows on it below with all its references. One ‘talismam’ pictogram is Solomon’s ‘key’… a unique symbol associated with the lost teachings of the Christ that is the ‘key’ that will unlock the secret of the star spangled puzzle next to it.
I am seen here holding a copy of the parchment I have been fortunate to decipher. Copies of this on a parchment similar medium are available for sale to the public to raise funds for research. ref
|I guess one could say I am an ancient ‘symbol and pictogram researcher’ not having the knowledge of any ancient language. This evolved over the last 20 years, long before I became an author challenging human origins with the substantial symbol and pattern breakthroughs I published in my book ‘The Hidden Records’.
My most important ancient lost symbol discoveries are listed here.
Ref – Key of Solomon parchment source: It is sourced from the Hebrew ‘Mafteah Shelomoh’ records listed as Or/14759/fol/35a – referenced on line from the collection of manuscripts titled Clavicula Salomonis – ‘Key of Solomon’ in the British Library.
The image above is the clearest image to date presented to me by a mysterious friend who asures me its free for me to use. I blended the image edges to fit the photo frame here. I see others like wikipedia are now using this new reference image I made online as well. I am not bothered to query others usage of it since it is still probably not the original from the manuscript.
Here are the most recent press releases since uploading the findings online at this website and publishing it in two periodicals in 2007/2008:
In South Africa:
This was secured and registered for copyright purposes securing documented dates (like the Youtube video at the top of the page) and public release.
Before we get into decoding the solomon Key cipher we need to cover a little more ground first. The new material being released on this website will confirm that ‘evil’ grimoires, ‘demons’ and witchcraft are more than likely highly dramatised alterations of ancient myths created by the Elite either to hide or to encode sacred knowledge within secret manuscripts. Encoded hidden records that would create new laws to protect secret knowledge that only they were privy to.
Here is the reasoning: The Elite, thousands of years ago seem to have hidden valuable enlightening records that threatened their war hungry profiteering ways by ‘demonically’ encoded texts so that action could be taken on their general public found delving into such works. I believe this protocol is still active today, although it has taken a whole new direction. ‘Angels’ appear to be real flesh and blood visitors to our world and the texts encode important stars associated with these visitors as ‘demons’. This will be ellaborated on further down the page. Historically speaking, this article identifies a symbol that has lost its meaning until now. The lost symbol is not only Solomon’s ‘Key’. It is also the same ‘Key’ of the Masonic legend of Hiram Abiff and the same ‘Key’ secret of St. Peter, as seen with his statue at the Vatican. The statue of St. Peter points down the causeway in the direction of the secret of the star fortress.
There is something previously hidden that is about to launch.
Once the ‘sacred cross’ symbol is deciphered!
|Is it just a coincidence that the Pope makes an appearance on Christmas eve and views the heavens where it mirrors the ground? The three Kings of Orion ‘follow’ from the east heavenward to find a star associated with the ‘birth’ of the Messiah. Many believe that the 25th of December was the birthday of the SON of God. Is it just coincidence too that up until The Christ was accepted by the masses, that this day was celebrated for the birth of the SUN rising in the East?
The new findings on the Masonic Blazing star, the Bethlehem star, the Star of King David and the lost symbol of The Christ will challenge human origins and the very foundation of all religions.
The Sacred Cross Chi-Rho ‘XP’ symbol for The Christ and the ‘real’ cross holds the ‘ultimate’ secret. Read on and see how this symbol unlocks a shocking truth. Yes it actually involves the layout design behind Washington DC, the Vatican city layout design and the detail found on the Key of Solomon and more. Undeniably, this is real measurable material, real matching patterns beyond coincidence and actual history that has all its references here on this site. For example, as seen below, how the stars of Orion was chosen as a sacred symbol. It was Constantines “double cross” symbol used with Christian churches – which appears to be the “Key” of Solomon and The Christ symbol chosen for the British flag.
|The Sacred Cross symbol you are about to view is the Solomon Key parchment’s most prominent clue. This ancient symbol ties in with many ancient civilisations that appear to have obsessed in many religions based on star ‘god’ visitation making contact with their kings. It evolved into a ‘demonic’ encoded secret only for the Elite during the time of King Solomon, and later interpreted as ‘angelic’ visitation, before becoming ridiculed today as a completely new topic: The paranormal – Sightings and contact made with beings in flying discs. Hidden records of contact made with those of the human lineage and the small grey complexion ‘childlike’ beings called Cherubim. This is an absolute shocker no doubt hidden from the public by the Elite since it will prove that all humanity is sacred and equal. Not only that, it seems they have prevented teachings that reveal how our Elite are globaly profiteering from humanity while hiding a new system that would end their destructive profiteering, prevent billions from suffering while ending poverty… a system that is uplifting and universally pure.
The historical Solomon Key parchment is the earliest Hebrew talisman on record, most likely King Solomon’s original encoded parchment. The layout of Washington DC and Vatican City, with their strange Egyptian obelisks, convincingly seem to be linked to the lost symbol on the parchment. The secret layout plan appears to be designed to celebrate the only day in the year on which the Sun rises together with the lost symbol of the Christ. The very same pattern is encoded onto the Hebrew Solomon Key parchment.
The 4th of July is the only day in the year when the centre of the lost symbol of Solomon and Constantine, a Sacred Cross of the sky rises due East, absolutely in sync with the rising (rebirth) of our Sun, when viewed from the Washington DC National Mall Grand ‘Causeway’.
What could this mean? What is the Sacred Cross of Constantine and Solomon? What does this have to do with a star secret? All of this is revealed on this web page.
It is my conclusion the controversial and very ancient Hebrew Key of Solomon talisman is a well thought out puzzle. The interpretation of its star inscriptions matches the theme of the King Solomon Testament codex identifying ‘demons’ encoded not just as real stars, but measurable constellations as will be explored on this website. It seems to be a star map showing the way to one single very important ‘Blazing’ star of the heavenly deities, the star of David. The hypothesis is supported with a previously unrecognised worldwide ancient collection of the same star pattern obsession, identifying the same proverbial ‘x’ star that marks the spot. A clear spiritual uplifting message also associates with it. The Solomon Key encryptions and the matching global collection of a recurrent ancient star map, statistically speaking, are now indisputable pieces of data. Without a doubt, they will soon be put to the test by historians and astronomers, even it if frustrates them to consider the obvious: That we have never been alone in this universe.
Ever wonder what the word ‘KEY’ has to do with King Solomon? The ancients used this icon in Elite society signifying that they were keepers of a grand secret… literally holding a ‘key’ in unlocking forbidden knowledge. Dan Brown’s Angels & Demons book (also a movie release – May 2009) justifies part of the importance of the Egyptian obelisks and the Star Fortress that the statue of St. Peter with his Key points to, down the Vatican Causeway. A star-shaped fortress with an archive of ancient knowledge? Knowledge perhaps protected by the Elite and not deemed fit for common man. The Vatican uses the key emblem. They depict two keys, one key of gold and one silver… one perhaps unlocking the secret of spirituality and the other on human beginnings. See …Vatican Star secret. The other ‘Key’ secret on the human spirit lies on a mosaic floor from an earlier Pope as seen at Oneism.org. There is more… The Freemason foundation secret… The Key of Hiram star map. ref A star chart with what appear to be three “Suns”… Sun-like stars in the heavens and a ladder with the key leading up to the most important “Sun” (ref – Pre Christian Solar Trinity). All of this will be explored and linked to other cases of the secret discovered in the foundations of all ancient civilisations.
This website provides more sunstantial evidence in support of my controversial ancient star map hypothesis based on findings all over the world in the beginnings of almost all ancient civilisations.
The Key of Solomon parchment source: The Hebrew ‘Mafteah Shelomoh’ records listed as Or/14759/fol/35a – referenced on line from the collection of manuscripts titled Clavicula Salomonis – ‘Key of Solomon’ in the British Library. In this online library archive link, scholars have presented only this primary Hebrew talisman with its counterpart ‘KEY’. The identification of the ‘Key’ is the lost symbol itself and will be revealed next.
At the Clavicula Salomonis webpage, scroll down to the bottom of the page to view a copy of the original Hebrew parchment. (Click the image above and look for the same detail seen in this image). It seems to be intentionally hidden amongst worthless doodles or perhaps even fake inscriptions of absolutely no importance. It is listed as the one and only Hebrew sourced Key of Solomon. As the outer rim puzzle on the Key of Solomon talisman is pieced together, and once the meaning of the sacred cross is deciphered in its carefully placed outer rim position, all will become clear. Here is the Key of Solomon parchment in clear detail. The ‘lost symbol’ of the ‘Key’ is on top… the encoded star talisman of Solomon below…
In essence… my findings are a little more than just theory when a whole string of linked mysteries across the globe all venerate the same star template of the lost symbol, all obsess with a single star near the sacred stars, and all revere “Angelic” heavenly visitors who appear to be our ancestors from this ‘mystery star’. You are about to see that the Key of Solomon is the same Key of St. Peter, and it is the same Key of Hiram and Key of Enoch. Not only that. The secret seems to explain conclusively the Bethlehem star of Christ … the star of Hiram Abif… the Blazing star of the Freemasons… the star of David… and more importantly also the star of “Wain”… the name King Solomon’s people called this star.
In the link below to word search these critical words simply open a word search window on the page by pressing these keys on your keyboard… Ctrl F … then copy and paste each word or phrase into the search window.
In the Testament of Solomon line 24:
An angelic character speaks to King Solomon (encoded as the ‘demon’ Asmodeus)…
“I was born of an Angel’s seed by a daughter of man,
“…soon we shall again have free range over mankind,
Scholars who read my research claims in their emails express anger and frustration. They respond asking how is it possible for someone who is not an archaeologist to come out of the blue and present: Firstly, so much new material, and secondly, material that includes ruins of a lost civilisation on Mars? They refuse point blank to look at the research or comment on it. They say it defies all probability of it being possible and therefore not worth their valuable time.
“BIND THE DEMONS”… UNLOCKS THE SOLOMON KEY SECRET
The Testament of Solomon manuscript speaks of the hidden knowledge in unlocking King Solomon’s secret, and is without doubt of the very same theme with the talisman parchment with the lost symbol. I had realised that the ancient Hebrews encoded this manuscript with the complete layout of the star constellations using fictitious demonic characters. In much the same way as I had discovered in my book that…
… so too are the ‘demons’ encoded in the Testament of Solomon manuscript. “Demons” in this context are not evil spirit demons as one would imagine. The ancient scribes were telling the secret with a ‘story’ but for their Elite society encoding the stars and their names and positions. The secretly adjusted codex allowed the Elite the right to take action against any person found researching forbidden ‘demonic’ material (reasoning follows). This discovery is discussed with full online references lower down on this page. The clue is precise and it works for the talisman. Simply bind the stars…. Join the stars with lines to complete the missing star constellation reference in the outer ring. It is part of the star map, to find the place in the heavens of the Star of David… King David… Solomon’s father.
The online Clavicula Salomonis manuscript depicts many talisman examples BUT… to crack the original secret, one needs to search for the Hebrew sourced talisman… the original Hebrew Key of King Solomon. It would have to be Hebrew, not Greek, not Latin or French or any other source. It would also need to fit the manuscript theme of the Solomon Testament which it does (detail follows). Quite a surprise too that its shocking secret appears to be the same as that of The Vatican, The Freemasons and the Washington DC layout plan and the fundamental secret of the beginning of all the great pyramid civilisations! For those only interested in deciphering the talisman here without finding out more on what the star map means…
… it is decoded in an animated graphic, at the bottom of this page.
The story unfolds here piece by piece so you the reader can reference and reason each clue as it is put together, so perhaps it is not worth jumping straight to the deciphered meaning just yet. The Key of Solomon talisman and lost symbol appears to be the earliest Hebrew encoded talisman on record – the original ‘Key’ secret of King Solomon that most likely started the legend of the Key of Solomon.
Encoded portraits of George Washington
My research on the Key of Solomon led me to the George Washington secret portraits painted by Freemasons. The image below is titled “A Vision Unfolds” – click it for source reference and where a Freemason did the honour of using my claim and image for the position of the blazing star.
It is painted by Freemason Peter Wadell and it has a secret star map encoded on the celestial globe. Very clever of the Masonic artist to place it astronomically correct. also in the portrait above Washington’s right hand is a sextant for star locating, which works almost identical to the earlier Masonic setsquare and dividers set at 33 degrees. The celestial globe shows the Blazing star of the Freemasons near the ecliptic but NOT close enough to the ecliptic to be our Sun. The line depicted in yellow is the ecliptic because the other line references are longitude/latitude celestial references. This star secret, I am absolutely certain is celebrated by the largest Egyptian obelisk ever build in Abusir in ancient Egypt as well as one even larger built in modern times… the Washington monument and its importance in Washington DC as a secret star map, set to mirror the sky on Sol Invictus.
There is another encoded painting and it is produced in almost identical theme: The Washington family portrait. I could see at first glance that it also holds a Masonic code. A code encrypted within it, revealing the meaning of the city I was about to build that mirrors the heavens. Click the image to see the secret. It is also a completely parallel story on its own. (Perhaps come back and click this image below a little later). George Washington is pointing to the place where the great Pentagon was to be built. It would match what I believe can only be explained as a hidden secret ancient manuscript explaining human origins from the stars and a once colonised Mars! Why? Because Washington DC mirrors the Mars anomalies! The secret also includes how both the ‘National Treasure’ films revealed many Masonic clues.
The secret behind the Key of Solomon collection of talismans will hold their own ground and lead to identifying the same star secret also held by both the Templars and the Freemasons.
For now let’s not speculate any further on Dan Brown’s fictional account of The Lost Symbol and rather feast on the exciting material that has previously not been open to researchers since it was deemed ‘forbidden history’. What you are about to read about has important references and is based on reasoning logic and with crucial comparison to something monumental that the ancients obsessed about from the earliest moments when humanity built its first great empires.
Introduction: A divine secret, perhaps once included in the genesis records of many great civilizations, has been hidden for millennia. The origin of the Solomon Seal and the hidden secret within the Solomon Key two invaluable pieces of history’s enigmatic records, have been kept secret for far too long. The same secret you will soon bear witness to, appears to have been encrypted into the legacy of many ancient civilizations. Their most sacred artefacts and monuments invariably show evidence of it.
However, more often than not, collections of historical texts fail to make clear mention of the Solomon Key secret and the meaning of its lost symbol. Why? It included records of something that did not fit into the dogma of war mongering and of the manipulation of societies. It would firstly prove that we are all the children of those that came from above and secondly it condemned war and slavery.
Humanity has proven it has never ever thought along these lines.
For as long as civilization has existed, tradition has dictated what its people should believe without free will. In many instances, from century to century, leaders have taken it upon themselves to influence the interpretation of the sacred records brought to civilization by those that once came from above. Leaders throughout history have commanded allegiance to their dictatorships by creating a God-fearing society. This was the only way these systems of governance could work.
One must wonder how many of the original texts were altered to make them more palatable for their kingdoms. A difficult question to answer! However, if this really happened why should we be forced to follow tradition and pay the price of our ancestors’ misguided intentions and be deprived of this knowledge? More importantly, whatever happened to all the texts upholding the sacredness and sanctity of human life and happiness? With the disappearance, removal and omission of what appear to be many crucial, original and sacred teachings, civilization has been slowly slipping back into destructive chaos.
The Solomon Key and lost symbol secret was probably discovered during an epoch where religion had changed considerably. So much so that the revived knowledge would not fit the tradition of the day and would need to be hidden. Since the time when the Solomon Key was supposedly discovered, the secret of King Solomon has remained surrounded by mysticism. Throughout history, religious figureheads have tried to keep its contents a tightly guarded secret. They needed to devise a means to take firm action against those that were found delving into its meaning. In all likelihood the lost symbol secret was intentionally embedded into destructive manuscripts on witchcraft.
A society governed by religious convictions would no doubt allow extreme action to be taken against any individuals found in possession of forbidden manuscripts.
They would be burned at the stake.
More recently, some exciting new discoveries have been made that will facilitate the deciphering of its meaning. For the first time ever all the mechanisms are in place for the Solomon Key and its lost symbol to stand a chance of being considered as valuable knowledge.
What is more, given the sensitivity of the subject, and its implications to humanity a substantial study is important. No doubt there are powerful and influential elements out there in whose interest it would be for this secret to remain hidden.
King Solomon’s Temple of the Human Form
The source of the Solomon Key parchment with its forgotten symbol is Middle Eastern. It is both sacred and pure. Its encrypted message will challenge everything we thought we knew about our origins.
The message that is revealed from the lost symbol in the parchment will provide theological doctrine with unremitting evidence that every civilization is descendant from those that came from down the heavens, opposing that we are linked to an Earth evolved hominid of any sort. Moreover, it will present a bold new challenge to the ‘Out of Africa Eve’ theory from an entirely new angle. One has to question if it is such an awful thought that we could be descendants of those that evolved in another star system… Angels if you like?
Although there is no historical certainty on the exact identity of Solomon in reference to the legend of The Key of Solomon, it seems highly likely he is the biblical King Solomon, son of King David and hence carries the seal referred to as of the Star of David. Once a king of Jerusalem, he became historically famous for the building in Jerusalem of the original sacred Temple Mount called Solomon’s Temple. A temple that once stood where the more recent Temple Mount stands today.
The grand secret relating to King Solomon has been preserved in hidden manuscripts that have survived the test of time. But nobody to date has managed to decipher the mysticism and secret codes that surround it. Some breaking new discoveries in archaeo-astronomy and the Judas Codex have recently led to deciphering a key aspect of its fundamental star encrypted meaning, and this now freely available to all on this website.
The biblical King Solomon is well-known from the Old Testament account in Genesis. Solomon’s testimony originated from Hebrew texts, and has been carried through legend appearing in many questionable and mysterious manuscripts. Be that as it may, everything speaks for him having been a holy man and a good man who had a connection with those that came from above.
From all accounts, Solomon held the ‘key’ to unlocking a heavenly secret.
King Solomon’s Temple referred to by theologians, as the biblical Solomon’s Temple was once a grand palatial work of masonry. I believe it once replicated a design exactly the same as that seen in Baalbek (below)… so much so that it has got me wondering if this grand ruin is completely missunderstood, and that this is the actual ruin of his Temple itself. The biblical account and the Testament of Solomon both speak of blocks quarried in Lebanon… right here! The Temple of Jupiter at Baalbek is well known as one of the largest temple complexes ever constructed on this planet from the largest blocks of masonry ever produced by humankind. Is this Temple ruin representing the Key of Solomon secret? Why is it facing its message skyward… a message so large that our astronauts can see it! Ponder on that thought because it is the very same thinking… a design plan… as in the layout of all the pyramids and that of Stonehenge and the claim of pyramids on Mars. There has been much speculation among researchers whether the Baalbek ruin represents a man holding a key like the statue of St Peter at the Vatican.
IS BAALBEK DEPICTING KING SOLOMON HOLDING HIS ‘KEY’ ?
IF SO… PONDER WHY ITS ‘MESSAGE’ IS FACING SKYWARD
|The design plan of King Solomon’s Temple encapsulated what some scholars have recently suggested was a monumental representation of the divine nature of the human form. If this is true one has to wonder if both Solomon and the builders of the Temple at Baalbek were trying to make their landmarks visible from a high altitude for religious or other reasons. Its gargantuan size is easily visible from space. Consider for a moment why this could be important. Also, why choose the human form blueprint and why holding a key? Compare the pillar sizes and block sizes with that of the person standing between the bases of the highlighted pillars at Baalbek.
THE SEAL OF SOLOMON – DECODED
The seal of Solomon is the legendary scroll seal King Solomon apparently wore on his ring. It has been reconstructed here. The symbol it displays became The Star of David, a very sacred Hebrew symbol.
It is made up of two independent triangles superimposed over one another. It appears to encapsulate a symbolic meaning: As above in the heavens, so below on the ground. The triangle pointing downwards seems to represent what is sacred in the heavens.
The triangle on the ground with its apex facing the heavens possibly symbolises sacred places on Earth. Or as some new theorists believe, the triangle could be symbolising the secret meaning for the shape of the pyramid itself. One has to ask if this is perhaps another way of suggesting pyramids represent something sacred in the heavens: Stars?
In the image below the most important depiction of the Seal of Solomon of all is portrayed. It is perhaps the earliest version of all and a similar version of it reproduced later in the old manuscript titled Of the Arte Goetia ref
Decoding it as follows… mouse over the image to see it:
The Seal of Solomon is what I propose as the merging of As Above So Below legend where a solar trinity in the sky triangle of the sacred feminine aspect or womb of the Egyptian goddess Nut points downwards. It is placed or merged over the temple obelisk or Pyramid to complete that on Earth below, a pattern I found is most often built as a star map to mirror the sacred part of the sky. Two triangles merged as one.
Hebrew scholars say the seal is made of seven aspects… six points and its center is the seventh aspect.
Here I proposed since 2003 this represents the stars of the Pleiades which I also believe was celebrated with the use of seven candles in a menorah for the sacred seven celestial lights.
The Seventh aspect has what I propose was how the ancient Hebrews believed the Pleiades were complete only with the solar trinity sun stars. It placed the seventh star at the centre but in this version it is replaced with an overlay of what was special about the Pleiades. The seven stars with its three sun stars in the T shape with the two at the top one below it in the correct orientation when viewed from the east. It is the sacred feminine correct orientation as well.
But the label with the ‘T’ symbol explains it all … it was called the TAU ref.
Scholars say the TAU cross ref is where it has its origins and has a lot to do with the normal cross of Christianity that I found represented the Orion constellation. Consider now that the TAU cross might be even older here. It perfectly holds the 3 suns I propose and it is probably so old it has its roots at Gobekli Tepe as seen with the ‘T’ monolith shown.
The ‘T’ monoliths are perhaps the way the ancients believed their dwellings hold up the roof and the heavens. I am now convinced since there are so many ancient cultures using the ‘T’ symbol in their depictions of interaction with star ‘gods’ that this teaching was global.
The Alpha and Omega reference to of the beginning of time and the end of time records of our creator the Elohim just as Tetragrammaton is a secret name of the Elohim, the name given to… “Those that came from above”.
This leaves a small Crescent symbol with another ‘T’ symbol which I propose is the world in crescent of those that come from above. Lastly the letters GALA which is when read correctly anticlockwise is the Hebrew word to make complete… it is done… ref.
There is another Seal of solomon talisman that is decoded after the Key of Solomon is decoded lower down on this page.
|Here are more clues:
Three important talisman seals are shown here from the British manuscript with more: A sacred constellation of Orion actually mentioned, Constantine’s sacred cross the Chi-Rho XP with a pointer showing the way in the heavens, 3 crosses as stars in a row, with four others in perspective with these 3 in a row, sacred geometry found in DaVinci’s paintings and the detail found on the parchment of Clavicules du Roi Salomon.
|The Clavicle of Solomon manuscript
King Solomon’s secret revealed by Ptolomy the Grecian, as seen in the Sloane manuscript British Library, 3847 has one predominant depiction and encoded within it, appears to be the sacred cross that Emperor Constantine saw in the sky. But here, the entire secret is presented with all its detail. Let it be said that the Key of Solomon talisman (the parchment with the orange glow) holds the identical detail but with a different code. The balance of the Ptolomy manuscript is also completely immersed in what seems to be false destructive magic and alchemy used to take acion against those found with this manuscript.
The image suggests that Solomon’s secret symbol secret involves the sacred cross and Jesus the Saviour. Here is important speculation:
The cross that Heretics were crucified on seems to have been carefully chosen symbolic punishment specifically aimed at silencing those who dared preach knowledge about forbidden records of the sacred cross in the sky… the lost and forgotten symbol.
The small talisman next to the prime “Key” of Solomon talisman is one of the first simplified examples of the Sacred Cross insignia, the pattern of Solomon’s secret as seen at the top of this website. This Sacred cross is the “Key” of Solomon… the “key” showing the way to truth.
Its secret can be deciphered only from the way it actually appears in the sky exactly like the lost symbol icon shown in the 10 oclock position of the larger Solomon talisman.
It is one that is also easily visible in the night sky today and has been revered by ancient civilizations from the beginning of time as explored in my book. In simplicity the ancient secret seems to use the three Belt stars of Orion to show the way in the sky to locate the postion of the Pleiades, then using the ‘leg’ shape of the Pleiades as a secondary pointer to find a special star. Ocasionally just the three belt stars are used without reference to the Pleiades using a set distance in the sky… 33 degrees of arc measurement. The codex of the Testament of King Solomon speaks of this measurement, just as masonic texts hint of it. (More on this celestial measurement follows). I found it interesting that virtually all ancient civilizations across the globe worshiped angelic beings that associate themselves with one special star in this area of the sacred bull of the heavens, as seen in many examples of ancient star maps I appears to have deciphered.
Here is the evolution of our religions: Our earliest ancestors worshiped them as ‘gods’ from the stars – The ancient churches revered them as Angels and stars were encoded as ‘demons’. In modern times they are ridiculed as the subject of celestial visitors in flying discs.
|In the collection of records revealed by Ptolomy the Grecian, as seen in the Sloane manuscript (British Library, 3847) there is one very important secret sketch seen below – it has a small note next to the sketch beckoning the reader to remember proportion within the image.
It is still nicknamed today as it was in ancient times:
The cosmic signpost?.
Solomon’ secret of is the “Key” that shows the way… is Orion… Orion’s Belt as a ‘way shower’!
The Key is also the Key of St Peter and the Key of Hiram Abiff!
It shows the way to Tetragrammaton in the heavens.
|Online source of the manuscript
Click here For more on the history of all three Sun-like stars and the origin of the Trinity.
Tetragrammaton An early Paleo-Hebrew word that with unclear definitive interpretation but generally refers to:
“One that is of the highest position in the heavens – the house (place) of the Elohim” (See ref to ‘house’ in the Solomon Testament that follows).
Judas Codex Christ shows Judas Solomon’s secret knowledge as a star pattern in the sky see last few seconds of the documentary preview.
|Constantine’s Sacred Cross – The Chi-Rho|
|For three centuries after the crucifixion of The Christ, his followers were in very small numbers and they worshiped in secret. It was at a time when the Greek religions prevailed. These were primarily based around their ultimate god Zeus, worship of the Sun and the celestial bull of Mythras.
Up until then, Christianity was a forbidden religion and those who were caught delving into it were fed to the lions for the entertainment of a very sadistic Roman population.
What follows here, will initially appear to discredit Christianity, but once more truth emerges in its entirety, the significance of The Christ will become much clearer.
History is about to reveal a great deal about The Christ that will suggest how human he really was, as opposed to being God incarnate. Many writers will no doubt see the opportunity in making a fast dollar in discrediting Christianity. However, it will soon also become clear that in all probability there is a more plausible possibility how one can interpret how The Christ claimed he was ‘God’ in specific texts. It is likely that the Creator of this vast universe spoke through him at important times (just as was the case with other great messengers in history). There is also no doubt that his ‘heavenly’ father was what history has recorded as the Eloheim. Who the Eloheim really were, will also become much clearer in this article. There is more to this messianic story than meets the eye and it will also elevate the significance of many of the other great messengers throughout history, as the truth associated with their lives begins to fit in with the fundamentals of what virtually all belief systems originally claimed before they were altered by mortal hand. In all probability, the new evidence that will be presented on this website will inspire even those who are self-proclaimed atheists.
Around 300 years after the crucifixion of The Christ, Roman Emperor Constantine was the one who introduced Christianity as it stands to this day. Constantine claimed to have had an encounter that would be classed as a paranormal event today. It occurred before an important battle. He was visited by brightly dressed beings that came down from the heavens. The important message to him and his imposing army involved the witnessing of a sacred cross formation seen in the sky. He was told about its significance and that if he celebrated its importance, he would be triumphant. He subsequently decreed that his army’s shields be decorated with the cross insignia that is referred to as the Greek letters XP…Labarum or Chi-Rho.
He was triumphant, and on returning to Rome probably realised that the ‘message’ he received was relevant to something hidden within the ‘original’ gospels of Christianity. The sacred cross secret must have coincided in some way. Why else would he begin to use this sacred Chi-Rho cross of the sky as the title representative of The Christ?
It was also Constantine who would decide that only four out of the entire collection of gospels would be accepted into his version of Christianity. No doubt they were those texts that he believed would be the most palatable to a predominantly Mythras and Zeus worshiping society.
It is interesting to note that although The Christ and his apostles were originally Aramaic and Hebrew, the original four gospels that were chosen from at least 30 or so gospels, were already copies that were written in Greek, the predominant language of Rome at the time. One cannot help wondering what happened to the original Hebrew and Aramaic testimonies that were written around the time of The Christ. Another interesting point that can be made here is that the name of The Christ, who was believed to be the ‘son of God’ was a man born with the Hebrew name Yeshua, yet his name would become the spoken name “I-seous Chris-tus” after the time of Constantine.
The adjustment is not a transliteration. It suggests that it may have been altered by the Romans, perhaps to introduce the greatness of The Christ to its people in a way that would be more acceptable to those of the old tradition of belief. The name Yeshua was changed to: “I-seous”, the pronunciation sounds remarkably close to the old spoken way meaning ‘of Zeus’ (Zeus was the previously accepted ultimate God of the Romans). The pronunciation of the name “Chris-tus” also sounds very close to an old way of describing a ‘criss-cross’ which became the way in English to explain the image of a cross. There are obviously a lot more pagan hidden records here suggesting this way of thinking since there were 12 apostles for the 12 seasons, the rebith of the Sun date of the 25th of December chosen as the ‘birth’ of Christ, as well as the Easter tradition adapted from the pagan tradition. ‘Son’ of God replaced ‘Sun’ of God and so forth. For now, let us assume that these are all just coincidences and due to the sensitivity of the matter, let scholars argue over how it was possible for so many alterations to be made by human hand to all the holy works.
The celebration of the rebirth (rising) of the Sun each year on the 25th of December called Sol Invictus is important and will be looked at as it seems to have been confused with sacred stars that were just like our Sun. This date was chosen for celebration of the birth of the ‘Son’ of God. If this sounds like mere speculation, read on for further corroborating evidence that it is anything but chance.
In many Renaissance paintings, like Leonardo Da Vinci’s ‘Last Supper’, the apostles were often depicted into four groups of three, coincidently like the four seasons of the year. He was born of a virgin mother, like the earlier ‘gods’ and in many depictions shown as being breast fed by his mother, which is virtually identical to how the Egyptian Solar goddess Isis is portrayed.
Some convincing evidence can be found in the earliest written gospels of The Christ story that will allow us to unravel part of the mystery: The birth of The Christ was recorded in the Greek gospel of Matthew without the traditional Sol Invictus “Sun rebirth” depiction in the sky. Instead preference was given to the significance of a special star being visible in the sky.
This sheds light on some very important clues: What possible connection or interpretation similarity could there be between our Sun and another very important star in the sky? Especially in the context of the testimony of beings that came down from the heavens. One must also wonder about the importance of the very early accounts of a worldwide celebration of this star on top of a Yule tree that was especially selected because it has a conical shape? Was it possibly linked to the biblical Jacobs ladder account or was it perhaps inspired by something else? Without a doubt it appears to match the star at the centre of the larger Solomon Key talisman parchment on this web page, with what looks like a conical beam of light or ladder coming down from it.
When it comes to the Matthew gospel, scholars are still at loggerheads over whether the three ‘wise’ Magi or ‘Kings’ who supposedly came from the east, is an accurate interpretation. Many say they were probably not even people at all.
Incidentally, the word Magi can also be interpreted as the study of the stars, probably more in the context of astronomy here than astrology. The word ‘wise’ is another clue when considering stars in this context. What it seems to hint at is wisdom that can be found if one knows the meaning of the strange collective meaning of the Three Magi/Kings.
Everything here points towards a celestial solution… real stars. A possible alternative interpretation of the text also includes Solomon’s secret that ws lost depicting the sacred cross that Constantine appears to have witnessed. It is an interpretation that becomes apparent when one considers the historical reference to the Three Kings ‘of the sky”:
Open a search window in the link to the Morals and Dogma Freemason historical text page below by pressing Ctrl F on your keyboard and word search these words or phrases:
For this reason let us consider the significance of the Three Magi as the belt stars of the constellation of Orion in the Matthew text, which in all probability is also the sacred cross of Constantine.
In the general English traditional version of the Matthew text, in brief:
The Three Kings from the East, ‘follow’ the direction to a special star associated with the birth/beginnings of The Christ.
The three stars of Orion’s belt rise in the East, and if one follows the alignment, the direction one would ‘follow’ (eyesight) would be to a special star associated with the birth/beginnings of The Christ.
In the alternative Matthew text interpretation, what the observer is following is the phenomenon of three stars rising in a row in the east. They direct one’s line of sight towards a star of great importance. The star ostensibly associated with the birth or beginnings of The Christ.
What could be so important about a star one might ask?
There is one thing, and one thing only, that stands out in the context of celestial beings (Messengers/Angels/Cherubim) that came down from above:
What has to be considered is whether the star in question is a record, not only of a real star in the heavens, but also of a star system so to speak, a solar system that may have been the place of origin of the celestial visitors that history originally spoke of, namely the “Tetragrammaton” or the “Eloheim”
This of course begs the question whether the cosmic beings were real flesh and blood entities, which were not only present in the form of spirit beings.
While pointing to a star in the heavens, The Christ says something along the lines:
Behold Judas… this star is also your star to follow”.
Once again this is remarkably similar in tone to the Matthew text, which beckons the Three Wise Men to ‘follow’ (in alignment) to the star of Bethlehem. National Geographic then inadvertently takes this story to a whole new level. The scene is of the night sky in the film footage and it seems to suggest that there is more to this story than scholars are currently prepared to comment on.
The footage ‘coincidently’ depicts three bright stars in a row that align with one all-important star.
(See earlier reference link for National Geographic video and star depiction).
What also seems to be beyond coincidence, is the producer’s choice of showing the star in question with a slight yellow spectrum. This is the same colour spectrum as our Sun!
By now many readers will be wondering what does this seemingly off track Christ story have to do with the Key of Solomon mystery, if anything?
In the images to follow, the secret of a special star emerges in reference to its position compared to deciphered constellations extracted from the cipher puzzle. It unveils the full meaning of the ancient Hebrew Solomon Key pictogram cipher that many agree is the original ‘Key of Solomon’ secret.
Solomons ‘Key’ is… Orion?
Cracking the secret of the Hebrew Solomon Key cipher firstly requires its primary symbol deciphered, the symbol that is being pointed to on the parchment above, the icon referred to here as another forgotten symbol since its meaning here is forgotten!
With my astronomy background and delving into the secrets of the ancient pyramid builders covered in my book, the Orion constellation became a very familiar constellation over the years.
I found himself staring at this Hebrew cipher wondering why so many stars were being used… then it dawned on me!
This is Orion… Orion is the “Key”!
Orion is the “Key”, the forgotten symbol of Solomon
This thought made sense since the “Key” aspect is reasoned because next to it is the other talisman showing how the “Key” is celebrated in the churches! A ‘criss-cross’ symbol is shown precisely how the star constellation of Orion appears in the night sky, and it also appears to be represented in the smaller talisman (with the title ‘Sacred Cross’) where the icon was traditionally shown as a simplified insignia of a cross within a cross.
This smaller talisman depicts the ‘traditional’ sacred cross detail in the larger talisman, with a very tiny star cluster detail comprising what astronomy terms: Orion’s sword. (Orion’s sword is the cluster that appears to be a line of what look like 4 blurred stars in a row where one of them has a red haze nebula around one of the stars). On an exceptionally clear night and with absolute perfect vision one can occasionally make out at least six of the tiny little stars in Orion’s sword. The head of Orion is along the same line of alignment and is also comprised of another cluster of around four tiny stars. In the two sacred cross comparisons that are ringed in grey, the one on the absolute right is an enlargement of the Solomon Key icon where the sword (with 6 dots) is ringed in orange. Compare this with the slight hint of the star cluster detail in the circled image titled ‘Sacred Cross’, where it too has its counterpart circled in orange.
I was certain since I sent this material to Dan Brown through his agent over a year ago, if he is a real researcher he would no doubt have something worth while to say about this key piece of evidence. It is after all, the oldest Hebrew talisman in the most popular Key of solomon manuscript collections in the British Library. But he chose to avoid it.
Could the forgotten symbol of the cross within a cross insignia (labelled ‘sacred cross’ in the image above) be the very same sacred cross seen in the blue icons below it that have evolved as the religiously revered sacred cross in all variations of Christian religion? This is a very sensitive question. Theologians agree that the ‘sacred cross’ is not the cross that The Christ was crucified on, yet no theologian has explained what exactly the historical versions of the cross insignia shown in blue represent. This in itself is a question that has remained unanswered for far too long. It appears to be the very same cross as the Greek ‘Chi-Rho’ pattern that Constantine was shown in the sky, which he then inscribed on his army’s shields. See more here on my findings on the Sacred Cross.
It is therefore quite probable here in the image above that the two encircled depictions of crosses are one and the same. This is an important breakthrough in theology if it turns out to be true and many will soon see that it is also the key to deciphering the meaning of the layout of the Vatican City, especially the St Peter’s Piazza at the Basilica in Rome, which was designed in the form of the forgotten cross symbol, Constantine’s great cross. The strange thing was the choice of inserting a sun worshiping Egyptian obelisk in the middle of it. It is obviously a clue to inspire the interpretation of the secret, but in the context of all the positions of the Egyptian obelisks in Rome. It is not at all strange therefore that the statue of St Peter is holding a ‘key’, while he points down the great causeway towards the east in the direction of the great secret. (Another spectacular clue that will be explored later).
St Peter was crucified on a cross. Perhaps what the Romans were trying to do, was send out a strong warning: All those who speak openly about secret knowledge on the sacred cross would be put to death on a cross. The meaning of the sacred cross was probably a secret only shared among the Elite.
Note how the earliest Chi-Rho symbol in the image above has a ‘P’ with an arrow head on it as if to signify a pointer phenomenon. Note how in the earlier talisman depictions on this web page (the group of three talismans) the Chi-Rho icon is also included in these, together with Orion clues. Now look back also at the animation overlay image of the earlier Clavicle of Solomon insignia and how it too seems to celebrate the Orion constellation showing the way to the location of a star that is associated with Tetragrammaton, that i believe is speaking of beings referred to as ‘the Eloheim’ that are in our form and our likeness!
Note how ‘coincidently’ the Orion shaped icon, the forgotten symbol in the larger Key of Solomon talisman above, has its belt stars in alignment with the star shown in the middle of the talisman that is depicted with four tiny little circles around it.
Even if one accepts there is only a grain of truth to the probability that the Bethlehem star is the very same ‘Judas star’, which can be found using Orion as a cosmic sign post, then one is ready to read further. If not, then in all probability you the reader have not had the chance to click on the all important reference links that elevate this article on to solid ground.
But which way is it that one would need to follow from the three in a row alignment of the belt stars of Orion? Do we follow the alignment to the brightest star in the night sky to Sirius, or do we follow in the other direction towards the ecliptic, (the path of the Sun), towards the area of the celestial bull?
There is a solution and it is concluded from what seems to be a massive collection of hidden records that only a handful of people are presently aware of.
Chinon parchment recently released from Vatican
The Chinon Parchment was treated as a secret document up until recently when the Vatican decided to release it. It documents Pope Clement V secretly forgiving an Elite group of Templars in 1314 saving them from being burned at the stake like all the other Templars. There is a translation here. One could speculate that the incentive of Pope Clement V involved protecting these powerful people if maintaining a greater portion of their weath and securing the treasures the Templars spoke of… a ‘true cross’ and perhaps even the ‘real’ Holy Grail itself. Tradition speaks of the true cross as a piece of wood from the crucifixion cross of Christ. I suggest that the reference is the sacred knowledge of the true cross, the same cross of the heavens seen by the founder of Christianity, Emperor Constantine, because the true cross, the Sacred Cross of the sky is depicted on the Chinon document seen below. It is sketched between two other secret depictions of the sacred cross, one involving what looks like a ‘key’ below it and what looks like some sort of physical ornament above it.
There are now three parchment references to the Sacred Cross and all three seem to interpret Orion specifically with the two star clusters forming Orion’s ‘head’ and Orion’s ‘sword’ seen in the image.
Let us now take a closer look at the larger Solomon talisman on the parchment (below right) and question if there are any clues as to where the most important star of this talisman, (the star at its centre with four circles and a beam of light coming down from it) can actually be found and documented in the heavens.
|What could the square around the star symbolise with two partial curves on either side of it?
Why are the stars around the outer rim depicted with little lines extended from them?
In astronomy these two clues alone speak volumes!
|Biblical references to sacred stars
When it comes to direct references to sacred star constellations in the Bible, there are four distinct references, and two star groups stand out far more than any other. It is as if all the other stars in the heavens are just stars, except for Orion and the Pleiades:
‘Who created Arcturus, Orion and the Pleiades?’
‘Seek the Creator of the seven stars of the Pleiades and those of Orion.‘
‘But ye have borne the tabernacle of your ‘Moloch’ and ‘Chiun’ your images, the star of your god which ye made to yourselves.’
‘Canst thou bind the sweet influences of the Pleiades or the band of Orion.‘
The significance of the alignment of Orion’s belt seems evident here. The use of the word ‘bind’ is clear: To present the stars as sacred knowledge collective groups in their records by joining/binding the important stars together. It is done by joining lines to outline a constellation, or more importantly to highlight a ritual of sacred knowledge using King Solomon’s ‘magic’ ring. This will be reasoned below. Note also usage of ‘star of your god’ in close reference to the Pleiades Orion text in the book of Amos.
Book of Revelation 1:16
“In The Christ’s right hand… seven stars”
The Pleiades: Scholars agree that the only stars generally referred to as ‘seven stars’ at the time of The Christ were the Pleiades. The seven stars are also spoken of in the Bible in two other texts, but here the name of the Pleiades was included. The symbolism, like that of the Matthew text, contains an encoded allegory that only the wealthy minority of the well educated would be in a position to reason. This style of encoding symbolism is repeated in another codex that follows, and more detail will be found here like no other manuscript to date. The Book of Revelation also makes mention of symbolism. Seven candles in the sky with the seven stars: The Hebrew Menorah.
Is this not the answer to the origin of the sacred Menorah?
The meaning of the Menorah could be the celebration in one’s home of the seven sacred celestial lights of the Pleiades.
It is said that the Star of David itself also represents the seven sacred stars in the heavens (six points and its centre seven). Could it be symbolic of the Star of David representing a special star? What has to be researched, if it is associated with the area of the seven stars, are the clues that have been left behind. This can be compared to the Masonic sacred star (later) where a seven pointed star is depicted as the ultimate Blazing Star with reference to the orientation and close proximity of seven other stars (see later). The Star of David originates from King Solomon’s father, King David, and it is said to be comprised of one triangle overlaid over another that is inverted. What does this mean?
This symbolism will now be explored and compared to the American one dollar bill and something important that follows a little later. The secret involves two other nearby Sun-like stars to add to the story, but not forgetting that this story is still focused on the most important Sun-like star out of the three … a Trinity. The triangle in the heavens appears to be the inverted triangle, which will soon be debated if it represents either the holy trinity above, as three spirits in the heavens, or represents three solar deities as a Trinity (see link below). The latter predates the other.
I believe it represents three sun-like stars near the Pleiades in the heavens. Giving extensive references in book and this website I conclusively claim that there are nearby sun-like stars accurately represented in the area of the Pleiades in the records left behind by virtually every ancient civilisation who built grand monuments. My theories will be compared on this website in the context of what follows. I believe the triangle in the sky is formed by joining the three sun-like stars, and on the ground the triangle pointing upward represents the shape of a pyramid or temple the traditional symbolism of: ‘As above so below.’ For more on the history of all three Sun-like stars and the origin of the Trinity… Click here.
In the Testament of Solomon, the Hebrew Menorah of seven candle sticks is clearly quoted by King Solomon in context of its celestial representation as stars. But here the truth seems clear, suggesting seven stars aligning towards the place of those that come from above. King Solomon asks about the secrets and ritual of celebration of what reads as celebration of seven such stars in the heavens that seem to align to the ‘ultimate star’, the ‘Wain’ star of thy ‘house’ in the heavens:
Ref: Solomon Testament Codex. Search the key words using Ctrl F to see in context:
“Hear, O king… light SEVEN LAMPS in a row, thou wilt firmly FIX THY HOUSE…
|“Seven Candlesticks and the Seven stars” – The second coming.
With greatest of respect to the Hebrew and Christian community I propose this hypothesis in the image above. It is just a hypothesis after all, although its human uplifting meaning challenges traditional interpretation due to all the other supportive evidence of this star pattern. The grand meaning of the icon includes ALL of humanity as its chosen race, and not just those of one belief. The triangle of three ‘Sunlike stars’ as a trinity in the heavens near the Pleiades merge over the ultimate temple, the pyramid on the ground to form the Star of David… and yes… a real ‘star’ of David. The seven candle lamps in a row show the way (as a celestial alignment like the belt stars of Orion) to the star of David.
| The One Dollar bill secret star code
The image above should be compared to the seals on the American one dollar bill. If one looks closely at the dollar bill, the pyramid seal has its capstone floating in an illuminated scene just as the grouping of stars in the counterpart seal. One merely has to overlay one illuminated theme over the other to experience its enlightening secret. Not only does it create the Hebrew Star of David, there is more. See the flash image below as one illumination is placed over the other and note also how the wingtips of the eagle, and its feet and its tail touch the letters M-A-S-O-N when the whole seal is carefully overlaid over the other. Are we seeing proof of three stars in the heavens as the triangle pointing down to Earth, while the temple or pyramid is the triangle pointing heavenward thus representing the stars on the ground?
Watch the Flash animation (lower seal) very closely.
‘As above so below.’
A Freemason ring repeats the pattern of the US one dollar bill seal overlay with what appears to be a solar trinity, flanking all three sides of the ultimate monument on the ground, the pyramid. It also forms the Hebrew star of David shape in this way, perhaps worn by one illuminated with the knowledge of the three Sun-like stars of the heavens linking to our beginnings with our Sun, which in this case is set in the middle. It could also be interpreted as the one in the middle is the blazing star and the one at the bottom of the triangle our Sun as in the Pre Christian Solar Trinity historical records.
The Messianic Seal below shows how two symbols that I believe means the same thing as an overlay to form the Star of David. Both symbols seem to represent the Pleiades. The fish is deciphered from the Roman Denari coin dated around pre 300AD and the Menorah as seen above. The coin also places the sacred celestial cross of Orion on the sacred horizon being reborn on a sacred day, as in the Washington secret that follows. A Hebrew Christian following used this combined symbol to show how to remember to find the location of the sacred star in the heavens using two traditions. Click the image for more on the double symbol Messianic Seal of Jerusalem following.
It is important to mention that the most common sacred ancient Sumerian and Persian star depictions and ‘gods’ found on hundreds of scroll seals now in museums across the globe are: The Pleiades. Here is a collection of seals on my spiritual research site on the common grounds of the Crescent and the Cross at oneism.org. (There are 5 excellent scroll seal examples in the British Museum labelled as the Pleiades).
| Sacred geometry in the British 20 Pound note
The 20 Pound note of British currency appears to hold a similar Hebrew star encoded secret to the US note. Look closely at the image below. The building visible is The Bank of England and it has a little more history tied to Rome than many are aware of and by clicking the link here one can see. In th link above press Ctrl F and search these words in context… ‘Temple of the Sun’ and ‘Constantine’
There is what many Dan Brown and Holy Blood Holy Grail fans will insist is the ‘Rose line’ symbol at the centre of the geometry. The building displays many Roman clues, to that encompasing constantine and the previous Sun Temple design code. But the geometry here is a work of art. Even how one of the main points of the symbols pin points from the navel of the statue of an interesting centre mounted deity at the top of the roof. The navel is an important detail in the human blueprint code theory I have found in ancient civilisations and in Da Vinci’s paintings. The roof top statue looks more like the famous Lady Liberty Sun-god deity, but no doubt the same Roman figurehead from the old coinage. One of the four main statues out of view, closer to the entrance is holding keys. (Not visible in the image here). I have found this complex geometry code on the 20 Pound note in some of Da Vinci’s paintings. Note the Hebrew Star of David, and two pentacles. The larger one I believe is very positive and celebrates the sacred star in my star maps but the second one has me a little concerned. The inverted pentacle closest to the roof of the building is probably just coincidence, because this symbol is very negative. My personal belief is that only the two large star symbols are part of the design code of the note, if anything.
The Book of Revelation Return of the Christus
The predominant theme in the Biblical Revelation text is the return of the Christus.
The seven stars he holds most likely symbolise the place in the heavens where he originates from.
He will arrive riding a ‘cloud’ (see the Ezekiel article a little earlier for what is in the cloud). There is also strong symbolism here of a two-edged sword coming out of his mouth in the next line. It suggests he will fight the leaders of destructive society with his words.
A graphic re-enacted image is shown here. Copyright limits the use freely only on a home-based computer as a wallpaper, but it may not be used for any publication without permission. Click the image to save it as a wallpaper or if you want to see more clues encoded inside the image.
See the star positions in the above image to reason the three Magi ‘following’ the way to an important star, ‘the Bethlehem star’.
There is one really special codex (ancient text) to follow, which is going to bring more clarity to the grand secret. One that refers primarily to the Pleiades and Orion and a special star, but this ancient text adds even more: It provides complete decoding of the detail found on the famous zodiac disc at the Temple of Dendera in Egypt that has baffled historians for centuries.
The 1700 year-old Testament of Solomon codex
The Testament of Solomon codex is stored at the Paris Library and a link to one of the translations by F. C. Conybeare with comments by scholar J.H. Peterson will be referenced below with its online source.
Please use the reference links as the key words in bold that follow below are actually highlighted in the sourced Solomon Testament document online.
The 1700 year old codex originates probably as a translation from many earlier versions, and was perhaps rewritten at the same period in time as the Judas Codex was written. Since it is supposed to have been originally written by King Solomon who existed another 1300 years before this date, one wonders how many altering translation interpretations it was subject to. The codex reveals many new secrets about King Solomon. Its tone suggests that Solomon was very typical of the God fearing nations of this epoch and his character here is nothing at all like the greatness with which he is portrayed in the traditional biblical epic. In this manuscript he implements slavery to build his great temple and his interest in many women comes across as obsessive. He is said to have had many wives, and fathered many children. If this is true then his direct descendants today would probably number in the millions.
Another captivating theme one comes across in the manuscript is King Solomon’s ‘magic’ ring given to him by an angel and how he uses it to do something unusual to some magical mythological oddities translated as ‘demons’ (some of which are really not entirely that evil). The latest carefully reconstructed image of the ring is seen here, as proposed by me. The reasoning of its design will follow. As already suggested, the identity of the demons conclusively has nothing to do with spiritual entities at all, and the obvious meaning becomes clear instantly.
An encrypted star code was identified within the Testament of Solomon years ago initially by scholars although very little was said.
Star constellations encoded as ‘binding demons’
What appears conclusive from earlier scholars and my measurable research here, is that this codex contains a dramatised fictional mythological account of how the ancients interpreted secret knowledge of the stars. The description of the ‘demons’ and their so-called ‘binding’ are the means to identify real star constellations. In some cases angels are mentioned and these are probably real celestial visitors who were teachers of the star secret. Their technology seemed to produce miracles that were seen to be magic.
It would appear that the scribes of the Elite have re-encoded the original 3000 year old testament with all its secrets into a dramatised mythological tale to encapsulate the enigma of the heavens, notably the stars. It seems to be exactly the same methodology found in the Clavicular Solomanis manuscript where some hidden cosmic truths of the same theme are present.
The most interesting thing from an astronomer’s point of view is where Solomon speaks of ‘binding’ each ‘demon’.
These form the constellations!
Now if Solomon is doing so with his ring, he is performing something astronomers do today when pointing to the stars. Just like at my star viewing evenings. Astronomers use high wattage laser pointers and re-create the path between the stars visually, and in a sense, also teach of the ‘binding’ of the star constellations. This extreme sounding interpretation is not so bizarre when it is read in the context of the Solomon text.
The ring is most likely an advanced compact lighting device to outline the important star patterns and their secrets while his people watch and learn.
It is therefore highly probable that the angelic beings who visited Solomon gave him this ring as a device to teach his people, of the secret of the stars and the place of the Eloheim.
The interpretations of the codex are still debated among scholars to this day. A scholar J.H. Peterson partly identifies the strange likeness of the so-called ‘demons’ to description of the zodiac constellations. The scholar has also recognised that the Pleiades are mentioned here. See text ref below.
The Menorah mentioned earlier is also in the Solomon Testament.
‘Seven lamps in a row thou wilt firmly fix thy house.’
Ref: Solomon Testament Codex. Search the key words using Ctrl F to see in context:
This sounds remarkably similar to my theory that the Menorah celebrates the stars’ alignment as another cosmic signpost: The Pleiades showing the way to an important star. Just as the belt stars of Orion also show the way, but more refined and in closer proximity to the special star. It is also near the path of the moon (Ecliptic) associated with King Solomon. See reference below.
Here is another very important clue on the talisman and it is easily reasoned. It helps in identifying more coordinates in deciphering the position of the star at its centre which appears to be the objective of the talisman puzzle. The image below is an expanded version of what is within the square on the talisman (compare it to the next image). The Ecliptic (the path of the Sun) is an important celestial coordinate and here is the proof. I noticed the usage of the ancient Egyptian symbolism, a glyph of the Sun on the horizon and I believe it is represented twice here. The Egyptians called it the Akhet and here it seems to represent both Sunset and Sunrise.
Not only that, Orion is about to prove its interpretation with one more little piece of evidence. Orion is placed at the 10 o’clock position on the talisman, and in this exact orientation for good reason.
|Orion matches this orientation above the Western horizonIt also places the sacred star where the ancients consider it sacred… when it is just above the horizon! This is fantastic not only as presenting an ideal match but it is about to reveal the rest of the puzzle clues. It suggests there is another constellation to be deciphered here and one that can reveal its coordinate intersection and orientation on an Eastern Horizon position… above Sun rise.
In the Solomon Testament codex, mention is also made of an important constellation of seven stars that is near to the most sacred star which apears also to be important in ancient Egypt. It is translated as the ‘Wain‘ star near a group of seven other ‘demons’ (stars). It was perhaps the same star near the most sacred constellation that the Egyptians celebrated as the leg/thigh depiction and it was also of the great celestial bull (Most likely Taurus). For years scholars have been guessing that this thigh shape depiction of a cluster of stars had nothing to do with Taurus and they thought it was the Great Bear constellation, (again this interpretation is unlikely because those stars are not near the ecliptic). I had found (depicted in my book) that it matches the Pleiades convincingly, which is thigh shaped, is also in Taurus and is near the ecliptic. Perhaps it also fits the talisman puzzle?
Ref: Solomon Testament Codex. Search the key words using Ctrl F to see in context:
Things in heaven, Pleiades, ring, Seven lamps, seven stars, fix thy house, star, moon, Wain, Great Bear
Furthermore, the star matches its position claimed in the Solomon Testament, which is just below the ecliptic. The ecliptic was mentioned in the text and it seems to match the talisman!
The meaning of the square and the two curves on each side of the star as we have just seen most likely represent sunrise and its path to sunset – the Ecliptic.
The four Hebrew words apparently around the square represent the four most important Angels of the Hebrews. This is to be expected since the star secret can only have come from celestial visitors.
This leaves one more unsolved detail – the outer star ring puzzle.
Earlier we spoke of ‘binding’ the stars and in astronomy one does this creating little lines between the stars forming a group, a constellation. There are little lines on the outer star circle . All one needs to do is sequentially assemble the puzzle and methodically doing so in an anti-clockwise direction, starting from the Orion alignment showing the way to the first puzzle piece.
Here is the solution. The animation below reveals the Solomon Key star secret as the star system of the four angels and most likely the star of the ‘Eloheim’ as it aligns with Orion’s belt, positioned below the ecliptic. Its ingenious methodology is recreated as Solomon ‘binds’ the ‘demons’- the stars.
BEHOLD… THE SOLOMON KEY CIPHER DECODED
Already we have virtual proof with an orientation match where the forgotten cross symbol clearly fits as Orion since it matches orientation and points to the ‘mystery star’ position (centre of talisman) at its most sacred place in the heavens… just above the Eastern horizon. The puzzle is completed with the star icons in the outer ring being pieced together in an anti-clockwise order to form the Pleiades. It is depicting the Pleiades in an exact orientation that can be tested on a computer star atlas.
As expected… Here it is below, matching with similar orientation over the Sun Rise position perfectly East, aligned with the Vatican causeway, seen on a star computer program at a very early epoch. Now here is an interesting experiment. Using a star atlas there is one date where both Orion and the Pleiades have an appropriate match in Rome or Jerusalem where the solomon Key parchment has an exact match.
It occurs on the 25th December and very true as far back as 3000BC… where the mystery star target is perfectly due West on the horizon, and exactly 12 hours later on the Eastern horizon at 7.40pm for the Pleiades where the same mystery star target is also perfectly placed due East.
For those with star programs, log in this date and time on a computer star atlas with Rome as the place of view and see the obvious. The same target position of a missing star is revealed using two different constellation references, one placed perfectly West and the other 12 hours later on the Eastern horizon. This perfect pattern match with the Solomon Key talisman occurs on other dates including around 2000BC as shown in the images and a lot closer to the building date of the Vatican.
I believe the importance here is that the talisman reproduces two unique constellations with accurate orientations perfectly East and West on the same day for one single little mysterious star on the horizon that I had found to be Sun-like!
The same two patterns are visible from Jerusalem but at a slightly different time of the day. These interesting dates will be listed shortly with further reasoning.
Orion is beneath the horizon so the two alignment lines cross… from Orion’s three belt stars in a row… and now the Pleiades as the Egyptian ‘leg of the bull’ constellation alignment placed over the Eastern horizon. The coordinates are multiple and measurable at the very same position near the ecliptic that was found with the Orion alignment! All that remains is to test what star is in this position on the horizon and at what ancient epoch.
Is it just coincidence that Dan Brown used the title “Angels and Demons”,
seeing that it clearly means : “Heavenly Visitors” and “The Stars”?
How do the obelisks and seven hills of Rome fit the star secret?
What is special about Sol Invictus – 25th December at the Vatican?
Does the Dendera Zodiac star disc of Egypt hold the same secret?
How does the layout of Washington DC fit the star secret?
What is unique about the sky in Washington on the 4th of July?
|The Freemason First Degree Tracing board (above)… What great secret does it hold and how does it connect to the Solomon Secret?|
|Testament of Solomon codex reveals star knowledge
Dan Brown did not include the Testament of Solomon’s secret code in his book ‘Lost symbol’. It reveals a star secret and connection to the Solomon Key pictogram and is full of awe inspiring eye opening material that would have kept readers gasping for more if he used it.
Many important star names in astronomy have their origins in the beginnings of great civilisations, especially those that were seen to be most sacred. As was to be expected, some star names in our two sacred constellations coincide with the names of “demons” and fit into the codex in exactly the same positions as they do in the sky. (See references that follow):
The text begins with the prime “demon” Ornias (Orion?).
Followed by Beelzeboul (sounds like the star Betelgeuse in Orion).
Followed by Onoskelis (sounds similar to the star Bellatrix in Orion).
There is also mention of a group of three “demons”:
Bultala, Thallal, Mechal (sounds very close to Mintaka Alnilam and Alnitak, the names of the belt stars of Orion).
The text also generalises a larger place in the heavens as Tartarus (sounds close to Taurus). The reference link below has the key words highlighted in the codex:
Ref: Solomon Testament – Search Highlighted text at link with Ctrl 5 – Ornias, Beelzeboul, Onoskelis, Bultala, Thallal, Melchal, Tartarus
In the recently released Judas codex translation, Christ claims he is about to reveal to Judas the “ultimate secret” about a special star which is also Judas’ star “to follow”.
The same spoken theme appears in the Solomon Testament codex suggesting that one must ‘follow’ towards one particular star on the ecliptic. (This text most likely suggesting the alignment of Orion’s belt showing the way).
How do we know it is on the ecliptic?
Twice the Solomon Testament mentions that a sacred star is positioned near the path of the moon, which is on the ecliptic. So we already have a co-ordinate reference.
In fact it gives a lot more: It claims the star is sometimes seen on the edge of the crescent horn moon so we now know exactly how close it is to the ecliptic path since we know the radius of the moon.
Then mention is made, like in Greek tradition, of the seven sisters of the Pleiades – a group of seven female “demons”.
The reference link below identifies where in the text these points (in bold font) are as key words which are highlighted in the codex:
Ref : Solomon Testament – Search Highlighted text and click Ctrl 5 at link below – thirty-three, cosmic ruler, fix thy house, crescent horn moon, follow, Seven lamps, in a row, seven stars, Pleiades, star
But there is another breakthrough here that will unlock the mystery of the exact place where our theorised mystery star resides in the heavens.
It will also suggest an interpretation of what appears to be the secret of the Masonic ritual ascending up a cosmic ladder to their blazing star.
There is also text in the Solomon Testament that coincidently seems to be identical to the Freemason sacred degree measurement of “ascending” to their highest degree ranking – the 33 degree.
In Freemasonry one has to wonder if the 33 degree level represents the celebration of “the missing” cosmic measurement that has been absent all along. A measurement that would define how far one would have to travel with a cosmic ruler, so to speak, in alignment with Orion’s belt to find what is termed the Freemason blazing star. In old way of speaking: To fix thy house in the heavens – the place of the Eloheim.
The 1700 year old Solomon Testament claims that 33 elements of the cosmic ruler of the heavens are measured to follow to something sacred.
|See the reference link above to find the highlighted keywords in the codex.I believe I have found the correlation. To explain the complicated detail only an image will do justice to this particular breakthrough. Here is a re-created view (below) of how the sky generally appears in the Northern Hemisphere when Orion rises vertically on the horizon in the East at a particular time that will be mentioned further on. (Note – scale sizes of the Pleiades and Orion have been enlarged for clarity). Observing the stars rising on the horizon in the East was an ancient Egyptian ritual to identify sacred stars with sunrise.
The image depicts how one can find the location of what appears to be the ultimate sacred star using only a pair of dividers and a setsquare. The tiny star is catalogued as a class D spectrum Sun-like star.
Coincidently these two instruments form the icon of the Freemasons
The dimensions solved so far:
X = Moon radius from Ecliptic
The dimension Y will be explained further on where it not only fits proportionally in George Washington’s star map, it fits many other ancient star maps that will be referenced at the end of this article.
“We are of the thirty-three elements of the cosmic ruler of the darkness.”
A quotation extract from the codex where an ‘entity’ of the seven stars of the Pleiades speaks to King Solomon of the place of their heavenly ‘house’ (words are highlighted in codex link above for easy location).
Note the usage of the dividers and the setsquare. This is close to the mechanism of how the sextant works for ancient ship navigators… except the angle of 33 degrees is set.
Here is how you find the star with these two instruments. As Orion’s belt rises in the east as seen in the image, set a perpendicular rod into the ground in front of you using a set square or a plumb line so it stands vertically, as you look eastwards. Then set your dividers at 33 degrees and one arm of your dividers with the highest star of Orion’s belt above horizon while both arms of the dividers are pointing through the vertical rod plane in front of you. Now view along the other divider arm heavenwards (thus at 33 degrees from Orion’s belt highest star). Here is where the special star resides although it is too small to see with the naked eye. With a little more initiative, like an astronomer, the same basic process can be carried out using a telescope aligned at 33 degrees above Orion’s belt.
Ever since this ancient epoch, astronomy has always measured in the very same original unit – arc degrees.
Here is an important thought to ponder on:
If it turns out that this secret in the image above is true and was celebrated in ancient civilisations throughout history, then one must wonder if there are any modern monument layout plans that could incorporate this secret when viewed from the heavens? The reasoning:
To attract our advanced ancestors to revisit once again.
It would be quite easy to construct such a landmark. The way to do it would be: In place of the rod/pole that is set standing perpendicular in the ground, perhaps build a massive pillar with an arrowhead pointing skyward but try do it including an ancient style or tradition. But even more to the point, perhaps build one’s official meeting place in an important place so the visitors (advanced human beings that history revered as Angels) are guided where to meet for first contact so to speak.
Such a building or residence would need to be built projecting a clue skywards that the secret is known here, perhaps recreating the point where one would view the event from (in the image above), the area where the eye is shown. One would merely depict the 33 degree dividers on the ground leading towards the meeting place.
This is going to make a lot of sense at the end of the article.
We have just seen that the binding of the heavens by joining stars with little lines, spoken in the text is also the key to unlocking the oldest sourced talismans, and we are now about to see it unlock the secret of another un-deciphered enigma about one of the oldest star records in ancient Egypt.
The circumpunct is found in the beginnings of many ancient civilizations as it was used with their greatest monuments to mark on the ground the place in the heavens of their legendary star ancestors.
A very bold statement perhaps, but it is a theory that is completely measurable.
Stonehenge has previously been found to be quite different to the Pyramids of Egypt? but scholars have missed the obvious. They not only repeat the monument layout of the most important pyramids and obelisk of Abusir in ancient Egypt but it uses the Ra hieroglyph on the ground. It is in the same way Dan Brown suggests the Washington Monument, an Egyptian design obelisk has the circumpunct symbol at is base.
Stonehenge ref you will soon see also repeats the same layout plan as Washington DC and the Freemason First Degree Tracing board!
In fact Stonehenge IS the Solomon Key just made from stone monoliths!
These ancient places all hold the same message of the position of a special star? the star of Ra, the star of Bethlehem, the star of David, the star of the Inca, the Maya and even the Chokwe tribe in Africa. Click the image to see the star comparison that appears to be a global obsession where the ancients worshiped our ancestors who came from the stars.
|There are many talisman depictions of Solomon and here are a few. The Seal of Solomon would also need to be compared to find out if it also speaks of the same message.|
DECODING THE SEAL OF SOLOMON
Mouse over the image above to see my decoded explanation for the Solomon Seal ref.
Using all that I have established in the Orion Pleiades correlation theories since 2003 thus far and the symbols explained as follows I will explaain how this talisman repeats the identical same secret as the Key of Solomon cipher. Lets begin with the obvious and most important symbols and all the clues I added on the right hand side of the main image.
The biggest symbol of importance is at its centre, the Keyhole Menat symbol of the Egyptians ref that I proposed in 2003 as the Sol 1 sun-like star and beam of light also because it is placed at the neck part of the cosmic bull where the Pleiades resides in Taurus ref.
I decode this keyhole symbol as a Sun star with beam of light a lot further identifying it in both the First degree Tracing board of the Freemasons and Egyptian Senmut tomb and Solomon Key cipher ref which is explained in this article ref.
The keyhole symbol is also a dual depiction of the famous Freemason dividers set at 33 degrees of arc to measure the position aabove the horizon above the Earth as a globe or horizon. I explain the measurement ritual of the star above the horizon in the Freemason article ref.
The Keyhole symbol representing the very same Sun star and beam of light or ladder from heaven is a very large piece of the puzzle in decoding the shape of the Japanese ancient tombs referencing the work of Márton Molnár-Göb ref
The 12 o’clock position symbol is of the Kanaga symbol which is another Orion symbol derived from the dogon tribe ref just like the symbol of the 4 orbs in the 9 o’clock position is an Orion symbol in Europe for Orion.
The Pleiades symbol is spread on each side of the Kanaga symbol at the top of the talisman and is a very basic and general correlation. Another three orbs in a row vertical shows another depiction of the act of measuring Orion’s Belt which rises vertically in orientation this way as ‘the blade’ for the chalice as a complete Holy Grail Templar symbol.
The Ra symbol, a circumpunct symbol is a sun star symbol for the Christ star and covered already. The ‘h’ symbol has the well known part of the ‘h’ extended with the Christogram IHS symbol ref identifying the title of this sun star as the Star of Bethlehem and the star of The Christ which is covered in my main article in full with the Grail chalice as the place in the heavens of the womb of Creation in Egypt from the goddess Nut ref.
The holy Grail is present here with the beam of light since in ritual a host disc is birthed from the chalice ‘womb of Nut’ in holy communion with the heavens in Catholicism ref.
In the mouse over the depiction is in its simplicity as the ritual star map measurement at Sol Invictus 25th December and the entire measurement process explained here ref.
DENDERA ZODIAC DISC WITH ORION
The Dendera zodiac disc at the temple of Hathor at Dendera, up until now has had scholars argue inconclusively about its complete meaning.
It has at it centre, what appears to be a clear representation of the genesis of the “Wain”/thigh constellation (Pleiades). The stars’ “birth” created so to speak from the Hippo goddess Tawaret’s womb, and hence the reason for its positioning in the most important place in the disc.
The thigh constellation is represented here most likely as the “Wain” constellation as mentioned in the Testament of Solomon codex. It is fair to reason this interpretation here as the Pleiades because it fits far more perfectly than any other constellation.
The image here presents more on the Dendara star secrets. By clicking the image it will take you to the author’s book website where the full story will be explored… but consider coming back to this evidence later, so as not to break the flow of what follows.
For now, consider the interpretation of the thigh of the bull constellation as the Pleiades, and its correct orientation with the genesis hippo goddess and her womb, and the orientation position of two important sun-like stars. The star cluster orientation match will be measured in the sky further on as it rises above the eastern horizon. As it rises above the horizon in ancient Egyptian tradition, it symbolises its “rebirth” so to speak.
The Solomon Testament mentions all the Zodiac star representations and their mythological characters as seen in the Dendera disc. But there are many other components that need clarifying for it to be considered as a complete match.
The 36 Decans of the sky are in the Solomon Testament and in the outer perimeter of the Dendera disc. The Milky Way diagonal and the Ecliptic diagonal appear to be there too. Both are in the correct orientation if the thigh of the bull constellation is that of the Pleiades. The Pleiades form part of the bull constellation of Taurus.
Ezekiel’s Flying Wheels With Domes of Crystal
The aforementioned very thought provoking statement makes greater sense at the hands of the very ancient biblical epics of Moses and Ezekiel. Like the Key of Solomon, these accounts are also ancient Hebrew accounts that dealt with the presence of Cherubim and the connections here can lead us to a greater understanding of the hidden truth.
In the case of Ezekiel, the Old Testament speaks of four strange flying craft of the Cherubim deities – four ‘wheel within a wheel’ flying discs with domes of crystal on top of them. The earliest accounts of this story speak of the forgotten truth of the dual wheel combination, where one wheel was within the other, and they were BOTH on their sides.
This invaluable record is only found in old print Bibles over 100 years old. The description was indiscriminately changed in the printed editions thereafter, creating the impression of two independent wheels rotating at right angles to one another. One cannot help wondering, which group of scholars altered the original text, let alone who had the audacity to approve the altered version. Was it an attempt to make it different to the old flying discs of the Hindus, Egyptians and Sumerians perhaps?
Here is a recreated depiction with care taken to include as much as possible of what the earliest Ezekiel text refers to, as well as incorporating both the records of very ancient depictions, as well as modern day sightings of what has been consistently seen in the heavens.
Click the image below for a larger depiction. At present the rights are only available for it to be used as a wallpaper or free printable poster.
(Ref: B. Meier sighting and contact with beings of human lineage (that history revered as angels) that said they were from a star near the Pleiades).
Lalibela sacred cross matches the talisman
Lalibela in Ethiopia, Africa, is a valuable historical site where there are 12 churches that were ‘magically’ cut out of solid rock. A mystery that is still today considered a miracle by the Christian priests that protect it.
This ancient site, high above the source of the Nile River is also known for another claim its leaders of the great stone churches have made for centuries.
They say they are the keepers of another Solomon secret.
They claim to protect the original golden Ark of the Covenant from the Solomon Temple when it was destroyed. They occasionally hold an annual procession through the street with a dummy ark and carry many gold and silver sacred cross artifacts. These ornate crosses reproduce another matching interpretation to Constantine’s sacred cross as Orion and a special star. Image follows shortly.
When looking at the layout of Lalibela and its rock churches (highlighted areas below), note how the area highlighted in blue is shaped like a bull’s thigh theorised by me to represent the Pleiades. The most intricately carved church is also the most famous of the stone churches (highlighted in yellow within a circle) and it is located in the celestial position when representing the special star of the heavens. Compare this ancient secret with the layout of Washington DC below. Is the match a coincidence and are there any more ancient sites to compare this pattern with? The answer is yes. See the end of the article links to ancient sites.
The Arkadian Sumerian link and Malik Shah
Another forgotten ancient site in Iran holds more clues to this star secret and what we find at this site will also be compared with Lalibela above as well as Washington DC. It is an area that compares with the largest man made monuments on this Earth. But it will also be compared with what appears to be the remains of some of the largest ancient monuments found on another planet…. Mars.
Malik Shah was explored over seventy years ago by British explorers who were able to fly over it and photograph what they referred to as the remains of ruins like the barrows of Silbury Hill in the UK but many times larger and flatter. One is symmetrically oval and one has the typical bull’s thigh shape. Although they appear like a collection of mine dumps, scholars have concluded they are ancient ruins and should be compared to the pyramid civilisations.
In the image below the leg shape area still needs verification as no scholar has been able to comment but the latest image shows it is a reality in shape and full of what look like excavation marks. Compare the thigh anomaly here with the insert image of the Dendera thigh constellation of ancient Egypt, then compare the oval anomaly with the same “x” monument that marks the spot on Mars. The link is at the bottom of the page. Mars and Malik Shah have the same flat oval design. The remains on one of them resembles a human face.
Vatican Sacred Cross matches the talisman
The star secret has most likely been so well protected over the millennia that only a few centuries ago the new inheritors of the encoded manuscripts obviously did not get a chance to learn how to decode it. Who were the inheritors of the encoded manuscripts?
The Vatican and secret society perhaps?
The Vatican has the largest sacred cross depiction of Constantine ever built. It is designed, just like the Basilica church as a cross to be viewed from the heavens. Ponder on this reasoning.
If it is to be viewed from the heavens, then one has to wonder what the original Vatican City layout looks like, when viewed from the heavens.
There is a great causeway, like the Egyptian causeways, facing east, Taking Solomon’s secret cross visible as the sacred cross in the piazza, and it aligns with a giant star shaped fortress.
(This is the Castel Sant Angelo Star fortress that Dan Brown included in ‘Angels and Demons’).
Why does the main part of Vatican City look like a giant key?
Is it the same “key” secret as the “Key” of Solomon and the “key” of Hiram of the Freemason epic? Is it the same key that the statue of St. Peter holds in his hand at the Vatican while he is pointing to the great star castle down the causeway at the Vatican? These exciting clues can be explored in great detail when walking from each obelisk site to the other. (For more on this story later click the prime Vatican image with the pope or the link at the end of the article).
Solomon’s secret star template of Orion used to locate a special star.
A connection can now be identified between four themes where the stars of Orion seem to be represented as showing the way to a special star. It begins with the earlier animation at the beginning of this article that showed the first example of how Solomon’s secret of Orion’s belt stars seem represented to align with the position of one important star out of a group of important stars, then it was followed with the Key of Solomon talisman. Now these will be compared with two more examples of this Solomon’s secret template pattern.
The breathtaking result above confirms a match with the two earliest examples of the Solomon talismans, as well as artefacts found in Lalibela (see cross in image above), compared to the Vatican layout plan. They all seem to hold the same secret.
Why does the Vatican causeway face east?
Does the sky match the ground on a special day?
Was the ancient solar worship ritual of Sol Invictus on the 25th of December replaced with celebration of the place of origin of the Christus?
All of these secrets have answers that can be well reasoned.
In Rome, all three sun-like stars positions seem to be represented in their right places with the correct orientation.
The Seven Hills of Rome were probably the reason why Rome was built where it is today, because it had a natural pattern match to the stars of the Pleiades.
Look closely at the Vatican re-enacted view of the Pope at his ceremony on Christmas eve. There is no mention so far if Dan Brown is going to include this material and we will just have to wait and see. The position of a third Sun-like star begins to emerge. Please note some ancient depictions have only one special star, some include a second and four examples of the most accurate of all the ancient star maps includes detail of all three sun-like stars. This pattern of three suns… Sun-like stars, seems to be the same triangular formation as seen on the dollar bill and on the Solomon Seal.
The extra detail of the third star now begins to make its mark and can be referenced further at the bottom of this article. Earlier on the solar trinity aspect of ancient sun worship was mentioned. In essence, there seems to be some remnant of the ancient ritual of “Sol Invictus” here. Here is a view close to what the Pope would have seen long before the modern buildings of Rome blocked his view. The ritual appears to interpret the old sun worship solar obelisks of ancient Egypt. A moment when an alignment occurrence with stars in the heavens as they are represented on the ground when looking down the causeway.
For more on this story and how the ground mirrors the sky click the image below or the Vatican link at the end of this article.
Click here for more on the history of all three Sun-like stars and the origin of the Trinity.
Interesting facts here:
The Seven Hills of Rome layout pattern is questionable and I believe since they are just natural hills it is very unlikely they map the exact star pattern of the Pleiades. I am more inclined to accept them symbolically as a cluster of seven hills representing the Pleiades. Here is a more up to date study of the The Seven Hills of Rome, their names and their layout.
An amazing piece of history is revelaed in the link above. The area between the seven hills and the star castle holds a very controversial name:
It is referred to as The Field of Mars!
Is it possible the builders of Rome had ancient records of their star ancestors including a map of the lost civilisation of Mars? Sounds like wild speculation until you test the anomaly layout pattern on Mars that follows. Coincidently the origins of the city name ‘Cairo’ near the pyramids in Egypt originates from the ancient Egyptian word ‘Al-Qahirah’ which duplicates the same description… ‘A place like Mars’… and yes its most sacred pyramids match the same star pattern found right at the centre of the pyramid field! See the link at bottom of page.
The causeway length from the sacred cross piazza (representative of Solomon’s secret template of Orion) is 3.3 stade in distance. (The St Peters piazza is one stade (Roman length measurement).Does this measurement symbolise the sacred length in the heavens of 33 degrees between Orion and a special star?
The Egyptian Senmut tomb is explored in the Masonic article link. Part of its blazing star theme, where the Egyptian gods originate from near the bull’s leg constellation, is reproduced below. The theme is explored further at the Masonic link and how it fits in with the origin of the Pre-Christian Yule Tree.
They all seem to celebrate one thing and one thing only: A beam of light coming down from the star of origin of our heavenly human ancestors. The star map secret as a layout plan “As above so below”.
Stonehenge matches the Solomon Key talisman in two different ways. No historian to date has proposed any matching design plan for Stonehenge. ref . It presents one of the best star map cases.
It is probably the only monument on Earth that matches the prime Solomon key talisman.
Click the image above to get the full Stonehenge article.
FREEMASON STAR MAP OF 1ST DEGREE
The Freemasons base their allegory and celestial symbolism mystery around what is referred to as the secret of Hiram Abif. This originates, perhaps from a time that is either from the King Solomon story itself, or if not, from one that mirrors the Solomon story.
The secret of Hiram Abif is probably synonymous with the once secret foundational first degree tracing board of the Freemasons as referenced at the Bradford University in the UK. (see ref in link below) Here is another interesting occurrence. There is also a Hiram Abif in the Old Testament and he was Solomon’s master mason. Is this just a coincidence?
Click the historically accurately reproduced tracing board image decoded by me below to see the full interpretation. The image has been compiled from two source references. I have been warned to mention here that this is MY own interpretation only. This is because some traditional lodges of old ritual from all over the world have complained that the star patterns I recognised are just a coincidence. They are saying it is just old symbolism and an interpretation of general wisdom of the heavens, and mainly because the star Sirius for them is probably the blazing star.
The full article link follows and will show why Sirius does not fit as the blazing star solution. Sirius is not near the ecliptic, is not Sun-like, does not match the tracing board, does not match Biblical accounts of the sacred bull area, and more importantly does not match the Vatican, or more importantly the Washington DC layout that Dan Brown briefly covered in his book Lost symbol.
Compare the image below to the three sun-like stars near the Pleiades above with the Vatican pattern, Malik Shah, Lalibela, the Dendera disc and more in the linked article here and the Washington image that follows.
Click here For more on the history of all three Sun-like stars and the origin of the Trinity.
In the image above, the Orion constellation is celebrated in two ways… firstly as secret knowledge with the symbols seen on the ladder… the cross of the churches… orion’s belt… the anchor of John Dee’s Monad… orions belt… and a “Key” on the 33 stepped ladder (representing 33 degrees of arc in the heavens) which I deciphered as Solomon’s “Key” … it is Orion showing the way vertically heavenwards up the ladder/Yule Tree… it rises in the East which is an astronomical fact. click the image below for the Freemason article.
Secondly, Orion is celebrated in ritual with the initiate… “three people in a row” (just like the Three Kings of The Matthew Gospel) entering the Lodge with the pattern on the floor as shown.
| In the first degree ritual, note also how the initiate is bound just as it is written in the Solomon Testament… the texts mention that Solomon ‘binds’ the constellations. Here the Initiate is bound and re-living the great secret knowledge perhaps without really knowing what the real secret is, as an initiate… AS ORIONS BELT.
The Sun-like stars are shown in the astronomical image below, larger than life and in precise positions at very ancient epochs where the ancients have told us to celebrate them. Stars all move in position over long periods of time and this is exactly where they were once positioned when they were apparently revered as important. The Pleiades star cluster strangely has not changed that much in its pattern over 200 000 years.
In measuring the old positions on a computer star atlas we have identified a dating method, which is explained in the Masonic article link.
The animation that follows depicts exactly in the sky how Orion shows the way to the Pleiades and its three important nearby Sun-like stars of the ‘gods’ of the ancients as they appear in their positions today.
Click here For more on the history of all three Sun-like stars and the origin of the Trinity.
|Solomon’s secret of Ra – the “x” in Washington DC
The hieroglyph of a circle with a dot at its center – chosen by Dan Brown in his book ‘The Lost Symbol’ has its conclusion mentioning the fact that the Washington Monument, an ‘Egyptian’ obelisk has it marked at its base.
When viewed from the sky as in all the ancient landmark star maps I have found around the world, including the Vatican have the “x” that marks the spot star representation celebrated on the ground as their ‘ultimate’ monument. It is the same template used in andcient Egypt… but is there proof that the heiroglyph for Ra is a star… and not our Sun and that the lost Obelisk that used to be Egypts ultimate monument represents a Sun-like star? The answer is a resounding yes and historians are not ready to refute it. The first piece of evidence is the Senmut tomb proving the Glyph is a star, and the second piece of evidence is the pyramid star map of Abusir and its lost Obelisk.
EARTH’S GROUND ZERO MODERN STAR MAP
Washington DC is built on a chosen site with Seven hills just like Rome believed was sacred as it literally appears to be a site chosen ‘by God’ to mirror the seven stars in the heavens. ref . The layout plan and complete meaning of the city of Washington DC is one that George Washington most likely took with him to his grave. A secret that he ingeniously recorded in an encoded Masonic painting explaining the meaning of the layout of his new city that would be built and the positions of all the secret symbolic monuments – Washington DC.
There is a link to the painting and the full story here ref
Freemasons have now made it clear in many new TV documentaries that they believe that to their knowledge, their society is not holding any earth shattering secrets. They have also with honour revealed all their historical records of ritual and symbolism to universities like the Bradford University in the UK to study.
It has all recently become a valuable part of American history. A lot of their valuable symbolism has also been made public in the block buster two part epic, National Treasure by Walt Disney. Dan Brown perhaps should be credited for creating especially the initial momentum that has encouraged this once very secret society to be out in the open with what many will soon see is priceless history.
I claimed in 2005 the obvious as you will see in the next few images. Washington DC has a pattern and symbolism I have found in the star maps and in Egyptian symbolism and even matching something on another planet!
To compare patterns, here is the Pleiades star map in great detail to compare with Washington DC layout. some buildings use cros design, the main illuminated part is show at its centre of the leg shape of arlington and Rosslyn. The name Rosslyn is no coincidence as we have a Grail link here in Washington to be revealed like at Rosslyn Chapel ref .
If you are not aware of the ultimate proof of the Holy Grail discovery made recently then please view this link first if you want to reason this valuable lost knowledge from every angle. HOLY GRAIL DISCOVERY .
This Washington DC city layout full analysis and comparitive detail follows.
| The Leg of the Bull symbol for Pleiades layout of Rosslyn Arlington area is clear in this reference link ref . It confirmd the shape of the leg of the bull defines the area and the very active bright route at night through its center (illuminated with yellow hue in image) called the Clarendon Rosslyn Corridor ref . .
It follows alignment in its design perhaps in its original sacred knowledge depiction to enhance its cosmic alignment importance as a star spangled leg constellation in the sky to locate the ‘x’ that marks the spot ancestor sun star. But is this building template common with any other ancient famous founding civilisation cities?
|WASHINGTON DC MIRRORS JERUSALEM
If you think the leg of the bull symbol is some sort of weird awkward meaningless shape then one should really compare it to the first leg of the bull fortress. One reconstructed carefully in this satellite image and pieced together by a university researcher in Jerusalem. The City of David how it first appeared. (finding credit Márton Molnár-Göb) ref .
But there is a major breakthrough release here December 2014.
The ‘x’ that marks the spot Washington monument caries the Vesica Piscis portal the Christ steps out of from the heavens. ref
The cosmic Womb of the Egyptian Goddess Nut ref
One that also with the Ra symbol and male aspect of the Egyptian obelisk as Horus as Orion penetrates the sacred feminine holy grail cosmic womb… the three Orion’s Belt stars path rising above the horizon are also symbolic of the droplets of seed from the phallic obelisk of the Earth and sky union… Earth as Geb the Egyptian personification of the Earth.
This is all very complex symbolic reasoning and will only make sense if you have covered the Holy Grail link here ref .
Mouse over the image to see this cosmic representation of the human origin dwelling place, the Vesica Piscis womb of the sacred feminine union with the Masculine, the place of the three Sun Stars as a Solar Trinity ref .
This is the basic theme for one of the greatest global legends of creation of humanity and celebrated in ritual as something very few realise.
The ritual of heavenly communion using a gold chalice. The teaching of the Sang Real Holy Grail ref
The sacred feminine symbol was found in a stunning Sumerian depiction on a scroll seal with Vesica Piscis with Pleiases and Sun stars ref
Also in the First degree Freemason Tracing board with a tiny hand holding the grail is seen from one of the three suns ref .
But the biggest proof of the Holy grail symbolism was at its place where it was discovered at the Sukhu Temples in Indonesia ref .
Now you have seen the meaning of the three suns and Orion correlations in the previous image, compare it to the deeper representation of the grand secret in another overlay.
Mouse over the image to see overlays of all the secret symbolism comparisons and if confused come back and read the links shown here.
|“… Seek the illumination of Rosslyn & Arlington… “
The image below is of Washington DC in the early evening as it becomes ‘illuminated’. Note how the pentacle that I propose represents sacred geometry of the human form is represented at the top of the image. (See the link in the reference list). Note how Arlington and Rosslyn when illuminated at night match the shape of the sacred symbol of the ancient Egyptian thigh of the bull (highlighted blue and white) and how the obelisk is in its rightful position and the Pentagon matches its counterpart monument ruins found on Mars. (Click link at end of article).
Mouse over the image below to see how Washington DC is the blueprint as seen on Mars and its Leg of the bull city complex identical to Jerusalem.
|Washington mirrors the monuments on Mars! Instead of the representation of the special star with an obelisk as it is in Egypt, Mars uses a human looking face monument. Washington DC uses the same human code pentacle geometry as identified in Da Vinci’s Vitruvian Man to encode the human ‘origin’ message (instead of a face) and in Egyptian style, a circular field as a solar disc on top of the human form head.
At first glance the human code might be interpreted as upside down in this graphic but this is not so. The ground is on the level and from the view of the Grand Freemason Lodge between the feet of the ‘star man’ it is upright and sacred. The Obelisk and circular field representing the sun suggest one thing and one thing only being placed next to each other like this…
It suggests our Sun is being celebrated next to the Sun-like star near the Pleiades!
The rising of the Sun at Sunrise on the 4th of July aligns with the circular field position and the stars are in their sacred positons as seen on the 25th December at midnight. Notice also ‘coincidently’ the Sunrise alignment line follows from the roadway and bridge.
The crescent shaped garden suggests perhaps the crescent shape of a world near this star as seen in many sumerian scroll seals and artefacts. The stars of the pleiades fit the Egyptian ‘leg of the bull’ symbol, and on Mars with another stunning overlay animation which will prove this is not just a coincidence. (Click the Mars image below)
GROUND ZERO SITE ATTRACTING FIRST CONTACT?
HERE IS ANOTHER SHOCKING BREAKTHROUGH THEORY:
THE MESSAGE TO OUR ANCESTOR HUMAN ALIENS:
“Land here to follow down the causeway to the crescent shaped headquarters of the world’s most powerful decision makers of our planet”
Or simply walk across the circular landing place highlighted in red to the domain of the world super power leader himself.
(The garden at the Capitol is crescent shaped perhaps representing the world associated with the star obelisk. Another thought here is that the 33 degree viewing secret using the dividers (as explored earlier) is known by the leaders who meet at the Capitol since it is portrayed by the two roads highlighted in yellow, set up where viewing takes place at the Capitol.
Further reasoning here is that the obelisk sits between the dividers arms representing the cosmic measurement (It is closer to 39 degrees here, most likely measuring the arc distance between the lowest positioned Orion’s Belt star and the second most important Sun-like star).
How is it just a coincidence that the Pentagon has its shape match with the Mars five sided pyramid as well as an exact monument theme position match and a unique and very accurate North pointer match?
Both monuments have large North pointers attached to their design.
The human “Da vinci” style Vitruvian man blue print code is represented in the map by the great pentacle (yellow road highlight at top of Washington image). Note also that the small yellow dot above it is the Great Washington Masonic lodge. In 1848, the breaking of ground cornerstone of the Washington Monument obelisk was celebrated … on the 4th July.
The height of the obelisk is 555 ft in height – here is another clue.
Some say this is representative of the ‘one third measurement’ in this case, one third of the square skywards, ie. 33 degrees of arc. Ponder on the meaning of the dividers and the square as a masonic symbol. Just like the causeway of the Vatican is 3.3 stade, it seems designed to represent the same one third of the square cosmic degree measurement as well.
The alignment of the water causeway to the obelisk is about to reveal its ancient secret… the secret of the 4th of July
Seen below is the Washington Monument obelisk when viewing it from the Lincoln memorial.
Orion rises due east on only one day in the year at exactly the same time as the Sun.
It occurs at dawn on the 4th of July.
Here is the enlightening truth.
What is in the sky, is hidden and suddenly becomes invisible as the Sun rises. It celebrates in traditional Egyptian style…
The rebirth of the sacred cross as it rises behind the obelisk with our Sun rising above the great circular field with the Yule Tree in front of the White House. The circular field is shaded red in the ‘illuminated’ Washington DC map below. The human pentacle code (roads shaded yellow) seems to represent human form with a star ‘god’ symbol with a solar disc on its head like the ancient Egyptians, standing with the Washington Masonic Lodge between its feet! Zoom in on Google Earth. There is slight detail of what looks like a forgotten pattern of a face depiction within the head representation. (Human pentacle depiction is sideways in this image perspective).
|Only the trained initiate will know what is hidden in the sky also having seen the Pleiades rise before Sun-rise. This event is easily measured on computer star programs. This special day of the year was chosen for the biggest and most bloodshed battle of the Crusaders… they thought they would conquer just like Constantine in their last terrible war with their sacred cross being reborn so to speak. Dan Brown will no doubt saw the obvious here but chose not to reveal it.|
But there is more.
I wondered why the great Mall with reflecting water causeway was a few degrees off perfect East-West alignment. Would the proud builders guided by the maticulous Masons make a geometric error like this or was there a reason. It all became clear. The slight off set alignment makes it possible to view the rising Belt stars visible and not hidden behing the obelisk while rising perfectly in the East, the sacred point of rebirth so to speak.
The Golden hour of Midnight sounds…
The first Belt star appears on the horizon…
The sacred moment has arrived of the 33 Degree Masonic measurement…
The point in time where their symbolic ladder touches the ground.
33 degrees also in initiation with Jacobs ladder from the first Degree Tracing Board, heavenwards towards the secret of the Blazing star… the Bethlehem star.
He discovers that The ‘Key’ of Solomon is:
The Sacred Cross of The Christ…
the stars of Orion’s Belt…
In minutes all three Belt stars are perpendicular and pointing towards the sacred star in the heavens, like the Washington Monument as depicted in the image above!
There is another famous site where the Belt stars may have been celebrated far more… Rome.
December 25th star viewing event
It occurs over the Christmas period the ancients celebrated, long before Christ on Dec 25th as Sol Invictus – on Winter solstice – starting on December the 21st, reaching close to alignment as seen in the image below. Viewed along the water reflecting sky secret causeway on the evening of December 23rd a little after 6 pm and for a few nights visible close to this position.
|These two great icons, the obelisk and the Christmas Tree tradition have the power to create peace in the world. Since I propose both have their origins in ancient Egypt on the Senmut Tomb mural ref and since both share the very same star visitor human origin secret from our ancestors from 3 sun systems near the Pleiades… is it not strange while the folks celebrating life and families and giving in true spirit havent a clue we celebrate our star of our ancestors and literally:
Earth colonisation day measured on 25th December sol Invictus.
The Washington Monument obelisk has one more piece of evidence to offer. It has the precise Egyptian title for what it represents inside the monument itself in memory of George Washington’s illuminated knowledge:
A Hebrew six pointed star associated with an ancient Egyptian flying disc, in dual representation with a solar disc
Scholars say this is the way the Egyptians present a title for our Sun, yet it has a six pointed star superimposed over it… a very first! A very well thought out way to suggest Sun-like star one could say.
Or… the obvious…
“UNION OF OUR SUN SYSTEM… AND THE STAR OF DAVID”.
The Star of David I have confirmed in my work is the Bethlehm star and the Ra star and all the world civilisations celebration of a great Sun… that is not ‘OUR’ Sun but one near the Pleiades of our ancestors!
An obelisk in position as a Sun-star of the celestial angels matching the star map found with the Vatican in Rome. A dual solar title with a star title… one with a completely Hebrew tone to it fitting our Solomon mystery as a grande finale.
If you think all these star interpretation patterns could just be a coincidence then take a look at all the evidence… here is another modern account said to be the new world place of first contact… some say… the new Babylon…
BERJ DUBAI STAR MAPThis is probably a coincidence but worth comparing nevertheless. The tallest building in the world is now the Berj Dubai building. It resembles a giant obelisk as it tapers heavenwards. It is placed in a circular development project around a man made lake. There is a cluster of buildings seen at the top left position in a pattern and a massive hotel built in the lowest position. Since I have presented evidence of many ancient Sumerian star maps celebrating the same sacred star, one has to question… Is Dubai… built like Washington DC… like on Mars?
The Templars valued the ‘Sang Real’ sacred angelic lineage secret of humanity that they celebrated in communion ritual using a gold chalice on Sol Invictus as Sol 1 rises above Orion’s Belt on Eastern Horizon. It was this gnosis that led me to decode and find the very secret of the Holy Grail itself.
Click the image below to see the article.
The journey led through Scotland to Rosslyn Chapel to see the very same Templar star map and Grail.
Inside the Rosslyn chapel…
It was sensational to say the least.
Click the image to see the article:
The Hiram Abiff secret seems where it all started which became honoured by the Freemasons in their First Degree Tracingboard
Note the star pattern looking above eastern horizon…
the ladder to Sol 1 has a grail and has 3 known symbols for Orion’s Belt measuring 33 degrees…
Click the image to see the article:
The Rosicrucians knew it well…
They showed how our planet had a human arrival from Pleiades Sol 1….
… and how Neanderthal lost his destiny in an ‘alien’ invasion of our celestial ancestors.
Click the image to see the article:
|Some say a Templar treasure from the recently decoded Oak Island star map ref was found around the time of George Washington and it funded the building of his city matching Oak Island and Jerusalem template.
It has the same layout plan as Oak Island.
The Obelisk is the ‘x’ that marks the spot and has more to reveal.
Click the image to see the article:
|This is an actual photograph highlighting three real astronomical referenced positioned Sun stars that I have proposed since 2002 found in the beginnings of virtually every civilisation. Click the image to get the basis of my work here:|
The star map is present in the beginnings of virtually all human civilizations across the face of this planet, and on another:
It is the very same sacred star found in many lost civilisations…
The star of King David and Solomon (this website)
In Part One, we analyzed four key versions of the Ophanic alphabet and discovered the significant impact that seemingly small changes can have upon alphabetic forms.
When one is finally prepared to understand the nature of the Ophanic system, it will be tremendously valuable to work with the Ophanic letters within context. “Understanding Ophanic” means to completely immerse oneself within the letters. Fourteen years ago, in 1995, through the very process of creating the elemental tablets and all the other furniture associated with the Enochian system, I received many crucial insights.
Especially worthy of mention is what unfolded during the process of embroidering the Ophanic letters onto red cloth for the Holy Table. Using golden thread, I worked intimately with my fingers. To ensure I placed my needle accurately, I was forced to slow my pace. While it takes only seconds to reproduce a symbol with a writing implement, it takes many untold hours of intense focus to duplicate the form using needle and thread. So the process of sewing letters by hand was very tedious.
As I became accustomed to a much slower, more methodical cadence, something amazing happened. Time and timing became crucial. As my work progressed, I became aware that I instinctively sewed with natural regularity at a measured pace which began to syncopate with the rhythmical pattern of larger cycles, expanding my awareness and connecting me with what I can only describe as Universal Mind. Working intimately with symbolic forms in this way also tapped me directly into my right brain processes. As a result, I developed a more powerful sensitivity to spatial relationships and my perspective broadened.
If the very process of working with the Ophanic letters increases one’s sensitivity to tempo, time and space, there has to a reason. To uncover the deeper meaning inherent within the Ophanic letterforms is to fathom the larger patterns at work. The purpose of Part Two of this article is to uncover and discover what kind of patterns can be discerned and what kind of meaning can be inferred from those patterns.
Because geometric structures create our world, we can say the foundation of geometry is the universal expression of shape. Different geometric shapes give rise to unique patterns of vibration and resonances within the greater whole. Sacred geometry is a mathematically precise dynamic that organizes matter to take coherent form in space. The study of sacred geometry teaches us to appreciate proportional relationships and allows us to recognize the spatial dynamic of the parts to the whole (refer to Section Four of The Ophanic Revelation book: Basic Ophanic Geometry).
If we divide every letter into their constituent parts and examine each part’s seed forms from John Dee’s perspective, what secrets will be revealed? Applying classical geometric canons that were familiar to Dee to interpret the meaning of each separate shape may prove to be quite edifying.
As in geometry, we begin with one of the simplest geometric concepts: the point. With no length or width, a point specifies an exact location within a given space. Consisting of neither volume, area, length, nor any other higher dimensional analogue, a point is a 0-dimensional object, symbolized by a small dot. The dot represents the beginning, the origin point, the center from which everything is measured. A dot comprises part of the Enochian letters X and Y.
A straight line connects two points via the shortest path, extending forever in both directions. However, a line segment comprises only the part of a line between two points. The Ophanic characters that employ the use of a long horizontal straight line are: C, E, I, Y and Q. Symbolically, a horizontal line implies the horizon which is associated with open possibilities, fresh opportunities and new beginnings.
A straight vertical line carries with it the connotation of ascension and strength. Moving upward towards heaven, Enochian letters with vertical stems are: E, I, Q, Y and Z. Like a tree, a column, or human spine reaching in both directions down to the ground and up to the sky, a vertical line symbolizes life and growth. Within his tome, Monas Hieroglyphica, John Dee wrote (Theorem II):
The circle without a straight line cannot be artificially created, nor a straight line without a point. Consequently, everything, properly, began from the point and the monad. And whatever is strived for by the periphery of the circle, no matter how big it is, can in no way succeed without the ministry of the central point.
Our “line” category also includes the Enochian letters with straight components oriented upon a diagonal, like A, B, F, parts of L and D.
Through association, these letters anticipate the first geometric figure: the triangle.
Straight Enochian letters like E, Q and Y that have both horizontal and vertical elements which connect at right angles also have three points: the beginning point, the ending point and the point of intersection in the middle. Even though the third side would be invisible, the form suggests the geometric figure of a right triangle. Three points also suggest the three-dimensional concept of a plane in space. Inherent within the triangle is the numerical symbolism of three, the nature of which expresses itself in the concept of the triad, or trinity-past/present/future; man/woman/child; thesis/synthesis/antithesis; virgin/mother/crone, mind/ body/ spirit; etc… and can be understood as a key to creativity, versatility and expression.
When two lines intersect at an angle of 90° and share a common point, the figure of a cross is created. The cross connotes balance–the connection between heaven and earth, male and female, positive and negative and other polar opposites. According to Dee, the “Cross is the hieroglyphic sign of perfection.” A and N are the two Enochian letters which include elements composing an equilateral cross. In Theorem XVI within his Monas Hieroglyphica, Dee wrote:
At this point in the discussion of our proposition we must philosophize a little concerning the CROSS. Although our CROSS is composed of two straight lines (as we said), and the lines are of equal length, they do not divide each other into equal lengths. But in the mystical arrangement of our cross we wanted to have both equal and unequal parts, to affirm that in the power of two lines divided in this manner is hidden also (because they are equal in size) the virtue of an equilateral CROSS. For, a certain JUSTICE of NATURE very generally requires that a CROSS is to be drawn with equal straight lines, and in the dividing of the lines cross-ways [that is, in the form of an ‘X’] its lines ought to be equal to begin with.
As described above, Dee dissected the cross into two units. The letters conforming to the way Dee divided the cross is the Latin “L” and the Enochian E, both equal and opposite.
Traditionally, the cross is a 4-sided orientation in space and represents the four basic forces of spin in the universe. We may also call the active forces which move outward, “yang,” and the receptive force drawing inwards, “yin.” Feminine energy is both receptive and active, the latter within the former. Masculine energy is both active and receptive. When the cross is placed within a circle, it becomes the traditional symbol for earth.
Following are Dee’s comments regarding the cross and the four elements (Theorem VII):
The elements that are removed from their natural seats and whose homogeneous parts are scattered, will teach experimenters that the elements naturally return to their places by means of straight lines. Thus it will not be absurd [to say] that the secret of the FOUR ELEMENTS (into which all elementary things can in the end be dissolved) is affirmed by means of 4 straight lines that expand from a single and indivisible point into 4 opposite directions. Here you will carefully note what the Geometers teach: a LINE is produced from the FLOWING OF A POINT. And using this same principle, we point out that this is also the case in our mechanical magic, because the lines indicating our elements are produced by the continuous fall of DROPS (which are like physical points) [moving] as though they are FLOWING.”
Also symbolizing the earth, stability, and foundation is the square. The Ophanic letter form closest to the square, or at least the letter enclosing space with uncurved lines on three sides, would be Q (Q).
The circle is an ancient and universal symbol for oneness, wholeness, unity, completion and sacred space. The strokes and counter spaces of many Enochian letters—B, G, D, H, L, M, N, P, R, Z—are circular in nature. Dee relates the nature of the circle to that of the sun and writes about the line and the circle in Theorem I:
By means of the straight line and the circle, the first and simplest production and representation of things was made in the light, as were non-existent things and those that are hidden behind the veil of Nature.
In Theorem IV, Dee relates the semi-circle to the moon:
Although the semi-circle of the moon is above the Sun, as it were, and comes first, nevertheless the Moon regards the SUN as lord and king; the Moon even seems to rejoice over the sun’s form and vicinity, since the Moon, in one way, emulates the size of the Sun’s radius (or so it appears to the ordinary person) and in another way the moon constantly turns its light toward the Sun. And finally, the Moon so desires to be filled by the SUN’S rays, that it, so to speak, transforms into the Sun and disappears completely from the sky, until it appears again after a few days in the form of a little horn, exactly as we have depicted it.
Lastly, there are curved elements that can best be described as Arcs. An arc is a portion of the circumference of a circle. Those Enochian letters composed primarily of arcs are O, T, S but arcs also appear in B, C, D, F, M, N, R and U.
The arc represents an unfolding of that which is hidden or the promise of something greater. For instance, a rainbow is a colored arc. As symbols, arcs have traditionally been classified as either ascending or descending. The descending arc (downward or shadowy arc) represents an involution of spirit whereas the ascending arc (upward or luminous arc) represents an evolution of spirit. Spirit and matter are fundamentally of one essence only they are at different developmental stages. For our purposes here, the arc represents being in a state of development.
Arcs could also be considered as parts of the spiral, our final geometric figure. Among the many Ophanic letters that have spiral-shaped components are G, H, M, and R. Spirals are associated with the cycles of time and nature. The spiral shows up in the pattern of seeds in a sunflower, in the growing tips of ferns, in the pattern that leaves grow on a stem, in the shape of a nautilus shell, and, as a helix, the shape of the DNA molecule. As a symbol, the spiral represents a spiritual journey, the evolutionary process of growing and learning.
Thus, every one of our 21 Ophanic letters contains some reflection of the basic building blocks of the universe. Meaning can be derived from reading the symbols in conjunction. For instance, the letter B read from right to left can be interpreted thus to mean: the sphere of the Moon (semi-circle) descends into the physical (arc) to express itself dynamically (diagonal line). Put another way, the unconscious processes represented by the moon manifests itself through creative expression. Thus, through the action of creativity, the first letter designated by the angelic beings, B, unlocks and opens a doorway.
What other stories may be hidden within the component parts of the rest of the alphabet?
In our journey of discovery, comparing the Ophanic letters against classic geometric canons moved us a good distance from our starting point. But there are other ways to cultivate meaning besides chopping up the Ophanic letters. If we regard the letters as a collective of interrelated units, it’s possible to uncover the hidden geometric relationships between number, proportion, and pattern.
The angel Raphael introduced the Ophanic alphabet in a very specific, peculiar, but important order. In Quinti Libri Mysteriorum Dee reports that after dictating the letters by name, that “there cam two lines and parted the 21 letters into 3 partes, eche being of 7.” In other words, moving right to left, the angel divided the letters into 3 rows containing 7 letters each. Raphael then pronounces: “The Number, O most perfect, One and Threefold, Glory be to you.”
The importance of this particular sequence has been the subject of much speculation. However, easy answers have never been forthcoming, even up to the present time. In 2007, a Nottingham University English scholar, Martin Findell, decided to try his hand at deciphering the mystery and noted the following:
The division of the alphabet into three produces another noteworthy feature which might be the result of deliberate organization. Within each group of 7 letters there is one which occupies the same ordinal position in both the Roman and angelic alphabets. These are D (group 1, position 4), I (group 2, position 2), and U (group 3, position 5). These three letters together spell the Latin word diu “by day; for a long time”. If the pattern is intentional, diu could perhaps be a reference to the coming of the day of redemption after long ages of mankind’s suffering; though this connection is tenuous at best. A more promising alternative would be to construe the “stationary” letters as D and the Roman numeral IV – D being the fourth letter not only of the Roman and angelic alphabets, but also of the Greek and Hebrew; and, of course, Roman D is homophonous with the philosopher’s name.
But after pursuing several areas of inquiry, Findell ultimately gives up:
Entertaining as it is to speculate that these letters (DIU) form a key to the ordering of the alphabet, I have had no success in identifying any way to use this hypothetical key to link the 7-letter groups either to one another or to their corresponding groups in the Roman alphabet. If the patterns identified here are genuinely involved in the construction of the angelic alphabet (and I doubt that this is the case), I am forced to admit defeat, at least for the time being, in my efforts to determine the method used.
The author then concludes that the alphabet, having emerged from Kelley’s subconscious, would bear striking similarities to other known alphabets without possessing any coherent structure of its own and that there is no meaning to be deciphered. My own conclusion is simply that the pattern has yet to be discovered.
Whatever the Ophanic pattern may be, it prominently involves the number seven. Associated with the number seven are many interesting things: the 7 days in a week, the 7 planets in astrology, the 7 metals of alchemy said to be governed by 7 angelic intelligences; not to mention, of course, the 7 deadly sins. So I’ve become extremely sensitive to sevens.
Synchronously, during the writing of this article, I encountered an image (redrawn left) which gave me pause. I had seen images of piano keys before, only this time I recognized the numbers 5, 7, and 12 as very meaningful. Suddenly, the idea occurred to me that our three groups of seven letters could simply be indicating the levels of three octaves. Since I know next to nothing about musical notation, I had to quickly familiarize myself with the basics.
The best explanation I found of how the number 7 relates to an octave (8) in music came from Douglas Hofstadter’s Metamagical Themas:
On a piano there are twelve notes (some black, some white) from any note to the corresponding note one octave away. Playing them all in order creates a chromatic scale, as contracted with the more familiar diatonic scales (usually major or minor). These latter involve only seven notes apiece (the 8th note being the octave itself). The seven intervals between the successive notes of a diatonic scale are not all equal. Some are twice as large as others, yet to the ear there is a perfect intuitive logic to it. Rather paradoxically, in fact, most people can sing a major scale without any trouble, uneven intervals notwithstanding, but few can sing a chromatic scale accurately, even though it “ought” to be much more straightforward-or so it would seem, since all its intervals are exactly the same size. The chromatic scale is so called because the extra notes it introduces to fill-up the gaps in a diatonic scale have a special kind of “bite” or sharpness to them that adds color or piquancy to a piece. For that reason, a piece filled with notes other than the seven notes belonging to the key it is in is said to be chromatic.
An octave comprises seven fundamental notes: do-re-mi-fa-sol-la-ti. The eighth note, do, is a repeat of the first but with the pitch frequency doubled. It is also the first note of the second octave. Accordingly, the eighth note of the second octave–again, do –is the first note of the third. Comparing the musical notes on the diatonic scale, to the letter arrangements, each row of letters represents one octave. The letters in each column and row bear a unique relationship to one another in terms of their mathematical properties.
Some appealing arithmetic principles correlate with the particular geometric arrangement of three septenaries. William S. Burkle refers to this arrangement as the “3 X 7 tableaux” and illustrates a number of interesting mathematical phenomena . For instance, when the numeric of any two vertically adjacent numbers in any given row are subtracted, the difference equals seven. When the values of first and last numbers in each row are subtracted from the central number in that same row, the difference is always three. Furthermore, the numbers in the center row will have a value equal to the mean of the two numbers immediately above and below. There are many more examples of this strange interactive influence between the geometric arrangement of the numbers and simple arithmetic. If John Dee knew about the mathematical properties of the 3 x 7 tableaux, he would have appreciated their simple elegance.
What is pertinent to our discussion is that Burkle also reveals the little-known correspondences of the 3 x 7 tableaux to musical notes. Apparently, Paul Foster Case as well as some members of the Golden Dawn figured out the relationship of the Tarot trumps to music. Since only the pattern is my primary interest, I freely adopt this model as a starting point. But before we proceed, let’s first consider the 3/7/12 system of modal music as it pertained to music in the 15th century:
;We complete our assessment … by investigating the other worldwide esoteric system available to the Renaissance Magi that was operated via a 3/7/12 model. I am referring here to the 3/7/12 system of modal music, which the Renaissance magi took great interest in for healing purposes. To be brief, the “three” (as in Mother Letters) are the three genera of the Greek musical Modes, the chromatic, the enharmonic, and the diatonic. The “seven” is the seven notes that make up any scale, octave to octave. The twelve is the number of intervals of division available within the octave, from which a scale is selected. Twelve is the number of mathematical zones or slices into which the octave is divided, seven of which will be picked to make up the notes in the scale. So twelve represents the number of mathematical decisions that have to be made to define an octave, any octave, out of the infinite glissando of rising and falling notes available in nature.
This 3/7/12 idea turns out to be common between the Hebrew, the Greek, and the Hindu canons of music. The model of tonal correspondences I borrowed to correlate the Ophanic letters with musical tones originated from Alan Bennett (1872-1923). Initiated in 1894, Alan Bennett was a member of the Hermetic Order of the Golden Dawn and also a friend, mentor and associate of Aleister Crowley. Robert Wang (creator of the Golden Dawn Tarot Deck and the Jungian Tarot Deck), one-time secretary to Israel Regardie, said he’d gleaned the information himself from one of Bennett’s notebooks.
Music is vibrational physics sensed through the ear/brain combination and has existed in written form as far back as ancient Sumeria. The old frequency for middle C seems to have been about 256 hertz, a doubling of 128, which is 64 doubled, which is 32 and so on. Physics describes “Harmonics” as proportional frequencies at inversely proportional amplitudes. If we play an “A” (440hz), harmonically we will not only hear the 440hz tone, but also an overtone of 880hz at half the volume (first harmonic), a 1320hz tone at a third the volume (second harmonic), a 1760hz tone at a quarter of the volume (third harmonic), etc., until the frequencies get too high or the volume gets too low to be detected by the ear. The musical scale is a natural consequence of pure mathematics and nature. It was not invented, but discovered–one good reason why music can be regarded as the true universal language and why it is appropriate to our discussion here.
All objects have a frequency or set of frequencies with which they naturally resonate. When an object is forced into resonance, whether struck, plucked, strummed or otherwise disturbed, it vibrates at one of its natural frequencies in such a manner that a standing wave is formed within the object. The standing wave pattern represents the harmonic frequencies established within that object. Everything to know about a quantum system can be discovered through the calculation and analysis of its wave function. The model of Quantum mechanics is merely another way of to describe the harmonic structure of space. What if each Ophanic letter can be associated with one or more standing waves?
The students of Buckminster Fuller (b. 1895 – d. 1983) and his protegè Dr. Hans Jenny (b. 1904 – d. 1972) dipped a spherical balloon in dye and pulsed it with pure sine wave sound frequencies. As a result, a small number of evenly-distanced nodes connected by thin lines formed across the surface of the sphere. In 3D, these standing waves produced structures corresponding to the platonic solids. A tetrahedron is formed from four evenly spaced nodes. Six evenly spaced nodes form an octahedron while eight evenly spaced nodes form a cube. Twelve evenly spaced nodes form the icosahedron and twenty evenly spaced nodes form the dodecahedron.
This experiment confirmed that within the atom (the basic building block of matter) the platonic solids are formed in a vacuum by electromagnetic waves. Dr. Jenny’s work marked the beginning of the new science of modal phenomena or “Cymatics,” the study of visible sound and the patterns made by certain sound frequencies as they vibrate from the surface of a plate, diaphragm, or membrane. People interested in viewing the original results of this seminal study are encouraged to read Jenny’s 1967 ground-breaking book, CYMATICS, A Study of Wave Phenomena.
Light is a wave form, a frequency which operates in the same spectrum as sound, but only at a much higher vibrational rate. The DNA of all living things emits photons (Refer to the entire Section 3 of this book). All living plants and animals possess a faint bio-luminescent glow in the small and compartmentalized spectrum of visible light from infrared to ultraviolet. Scientists, such as Mitsuo Hiramatsu of the Central Research Laboratory at Hamamatsu Photonics in Japan, theorize the light “is a kind of chemiluminescence,” a luminescence based on chemical reactions, such as that which make fireflies glow.
In 1988, Dr. David Deamer collaborated on a project to measure the vibrational frequencies of the four DNA base molecules to translate them into sound. Deciphering DNA frequencies into sound led to unusual insights into the harmonic fabric of DNA. In her abstract, “The Infrared Frequencies of DNA Bases as Science and Art,” Susan Alexjander wrote:
The questions of ‘translating’ light into sound is more a philosophical one. Sound sped up can of course never be light, since the former depends upon molecules to push around while the second derives from electromagnetic radiation. One could argue that what is important here is not so much the medium but the ratios involved; the relationships between frequencies. The ears can detect about 10 octaves of sound, while the eyes can only perceive a little over one octave of light, or color. An octave in light is the same ratio as an octave in sound… 2:1. A perfect fifth, or a relationship of 3:2 is the same proportion in light as sound (and can be continued into the world of geometry, architecture, movements of the planets and so forth; anywhere there is a periodic or regular vibration). By discovering patterns of ratios in light, we are simply translating into a sound medium to “hear” what information they might contain and how they relate to each other. It could also be argued that both light and sound refer back to a common archetype which, as yet, is unknown to us, not unlike cousins who relate back to a common relative.
Again, four base molecules were measured: adenine, cytosine, guanine and thymine. Each base molecule after being subjected to light yielded about 15 or 18 frequencies; 60 in all.
We will return later to the subject of how the Ophanic letters may relate to the above-mentioned sixty sound frequencies detectable within our DNA.
Thus far, we’ve examined Ophanic against the classic geometric canons and considered the meaning behind their arrangement on a 3 x 7 grid which pointed to a possible relationship with musical scales and octaves. We have assigned tonal equivalents to the letters giving us such interesting concepts as wave-length, vibration, frequency and harmonics to mull over. We’ve discovered that the standing waves produced by sound will create the platonic solids and noted the possibilities of translating light-emitting DNA into sound. Let’s now revisit the Ophanic letters and regard them abstractly–as 3-D objects moving freely in space.
One of the primary features of the Ophanic letterforms is the relationship between the thick and the thin strokes. What is the reason for the thick strokes? The thick/thin ratio could suggest a spatial relationship. If the thick strokes are closest to the viewer, would the thin strokes indicate the parts of a letter that are being stretched the furthest through out space?
My favorite explanation is that the Ophanic letters are merely shadows of different flows of energy. The existence of the 16×16 grid (refer to Section 6: The Complete Ophanic Handbook) with its four different symmetry sets, or vantages of the 8×8 grid suggests that each letter’s proper spatial orientation is a key factor.
Let us begin with the simplest letter: “T.” In 2-D, the letter is a three-sided shape containing only three points. Essentially, it’s a triangle. The 3-D representation of a triangle is a tetrahedron, but if the surface of the solid is curved, a cone is produced. The cone has a flat round base and its sharp, pointy end is called the vertex or apex. Mathematical equations defining conic structures usually imply the existence of the cone’s reflection through the apex: the double cone. The double cone is familiar to us because it is usually the model that illustrates Einstein’s concept of Space-time. When considering the letter T in 3-D as a conic shape, its Space-time association may end up being an integral aspect of the letter’s dynamic function.
John Dee himself was very familiar with three-dimensional conic structures and referred to them in his treatise, Monas Hieroglyphica written 12 years before he encountered the Ophanic beings. In their discussion of Dee’s Theorem VI in a 2007 article published in The Journal of the Western Mystery Tradition, Burns and Moore elucidate Dee’s mastery of geometry as applied to letterforms:
Dee invites us to visualize the cross in terms of conic sections. First Dee asks us to picture a diagonal passing through a rectilinear cross; basically, a third line running through the point where these two intersect. His references to “V” and light also suggest the shape of a cone, if one imagines this in three dimensions. Then he tells us five (V) is a circular number, alluding to the circle as one of the four conic sections. If one makes the diagonal an axis for two cones sharing the same vertex, or point, and let that point be the intersection of the lines of the cross, we now have two cones and a plane. The plane can intersect the cones in one of seven ways, and makes one of seven figures: a circle, an ellipse, a parabola, a hyperbola, a point, a line, or a cross:
If the plane is running through the vertex, as Dee describes, then we can have only a point, line, or cross.
Wouldn’t it be second-nature for Dee to apply these higher 3-D geometries to the form and structure of the letter shapes presented to him by the angels?
So far, the study of this angelic alphabet has always been from a limited human-centric point of view. Instead, let’s choose to take the long view and see things from the much broader angelic perspective. If we suspend disbelief and become open to the thought that Ophanic is honestly an angelic language, we quickly move out of our depth and comfort zone. It’s useless to debate whether or not Ophanic is “natural” (it is not) and just asking this question completely misses the point.
Could there be such a thing as a powerful, non-physical, symbolic logos existing simultaneously in all dimensions of time and space? Simply acknowledging the very existence of a vibratory language stretches the definition, as well as the possibilities and ultimate purpose of a sacred language.
What a daunting task it would be for an angelic being to translate 4-D information into a 2-D alphabet simple enough to be understood by human beings existing within the dense gravity-well of physical reality. Ophanic is so unique, it’s in a category by itself and therefore must be examined using criteria beyond 2-D that opens up some fascinating areas of study.
Along with visualizing Ophanic letters as 3-D shapes, what if we broaden our point of view to include movement? Adding the energy of rotation to a cone will produce a form that spins, like a tornado. The T shape, for example, can be perceived as a shadow of one spinning 3-D funnel shape. The letter O is composed of two non-touching spinning vortices. If all the letters are actually dynamically moving forms whirling in space, the only thing we would be able to perceive in 2-D would be their cast shadows. These shapes would change if the shadows of the whirling forms were viewed from different angles. Their specific orientation in space (or position on paper in 2-D) seem to be an important factor.
The reason to introduce the science of how energy flows in an article about letters is because the Ophanic alphabet is an integral part of the geometrical structure that creates a bridge between the “zones” or dimensions. We at least owe it to ourselves to investigate this aspect. The shape of energy is the only thing that could pass through the gap between the physical and non-physical. Waves and frequency also play their part. When examining the letter shapes, it would be well to keep in mind the dynamics of energy’s movement.
A “spiral” and a “helix” are often confused but represent different objects. A spiral defines a flat, planar curve that emanates from a central fixed point, its curve progressively getting farther away as it revolves around the point, like the grooves on a record disc. Conversely, a helix is a three-dimensional coil that runs along the surface of a cylinder, like the threads on a pipe or a telephone cord. A cross between a spiral and a helix is known as a “Conic Helix.” An example of a conic helix is the tapered spring used in remote controls to hold and make contact with batteries. In nature, the tendrils emerging from the vines of grapes or squash define this shape. A conic helix also happens to be the shape that best describes how energy spins in a vortex.
Using the model of a spinning tornado as guide, the general movement of the energy swirls upward towards the wide part of the funnel. Some of the letters seem to possess multiple-vortices, something not unknown to tornados. There are multi-vortex tornadoes that contain two or more small, intense sub-vortices circulating around the center of a larger tornado complex. There are also satellite tornados, weaker tornados that form very near a large, strong tornado but are contained within the same meso-cyclone. Although satellite tornados appear to “orbit” the larger tornado (creating the appearance of one, large multi-vortex tornado), they actually have a distinct funnel, much smaller than the main funnel. The energetic properties of a vortex are phenomenal. As can be seen in the illustration at left, a toroidal shape is created by the way the energy of a vortex moves. It seems as if the Torus is our best 3-D model to understand the primal structure of the universe.
A Torus is a flexible doughnut-shaped vortex of energy that is constantly turning itself inside out. Just like a rotating smoke ring, the Torus is a self-organizing and self-sustaining sphere of energy constantly spinning out from its center. The illustration at the top of the next page shows that a 3-D oscillating vortex ring creates standing waves.
Likewise, the energy movement of subatomic particles—such as the illustration of an electromagnetic model (above right) of the electron—can also be described as toroidal. These tiny toroidal loops of energy continually unfold outward from their centers and then fold back inward in rapid succession. Although the energy waves of subatomic particles appear to be traveling along a linear path, they are actually concentric waves of larger loops of energy. The electromagnetic model of the electron (above) shows only a portion of its electric and magnetic lines of force but still indicates the energetics of even the smallest of particles are basically toroidal.
The letter that most resembles a Torus Vortex would be the symmetrical letter H (H). However, the essential structure of the 3-D letter would be revealed only when sliced in half with its bottom partially cored. The letter’s energetics are definitely centrally focused.
As mentioned earlier, one of the most distinctive features of the Ophanic alphabet is its thick, bugle-shaped serifs. Without exception, each letter begins and ends thickly. Thinking in terms of sound, perhaps the fat terminals indicate the some of the different tonal qualities already mentioned. From this point onward, the serifs are referred to as energy portals, or flows. The following study reduces the Ophanic letters into conical projections. The differences between the letters reflect the many ways different cones connect and interact with each other.
The flow mechanics of the Ophanic alphabet involve Helixes, Conic Helixes, and Toroidal Vortices. For the sake of simplicity, each cone’s flow properties are basically described as flowing in one direction, like water spiraling through a pipe. However, it must be understood that the complete energetics are as complex as our model of a spinning tornado. For instance, when tilted properly, the simplest form would represent the probable energetics of the Ophanic letter form T.
Single Vortex curves are secondary strokes which start from a single point somewhere within the main stroke. Vortex Pairs are essentially two cones connected by the main stem. There are several types: pairs which connect gently through a curve, pairs connecting through a straight path and pairs that connect at right angles. The inference is that the energy flow (and resulting sound?) would differ depending upon the letter’s specific structural properties, such as shape and angle. There are also letters containing Conic Helixes that pierce and interpenetrate the main channel, changing the flow properties and, most likely, the tonal qualities.
Were it not for one important consideration, skeptics might have been tempted to dismiss this entire line of inquiry. But the truth—the undeniable proof of its correctness—can be observed in Raphael’s triumphant words given in Latin after dividing the letters into three groupings of seven. Let us recall what Dee recorded:
Then he lay down before it: and there cam two lines and parted the 21 letters into 3 partes, eche being of 7. He sayd, Numerus o perfectissimus, Unus et Trinus. Gloria tibi, Amen.
The translated Latin reads: “The number, O most perfect, One and Threefold. Glory be to you. In the diagram below, notice that within the first column corresponding to the first line, there are three letters containing five cones, one letter containing four cones and three letters containing 2 cones, totaling seven. . The second and third lines likewise contain the one and three pattern, thus providing us with the following: line one, 3 – 1 – 3; line two, 1 – 3 – 3; and line three, 3 – 3 – 1. Because the pattern could just as easily have involved 2s, 4s or 5s, I contend this “one and threefold” pattern referred to above is Raphael’s way to indicate we are on the right track.
If this is the case, it would only follow that sixty, being the total number of flows, would also be significant. And so it is. Let’s recall another earlier discussion in which “sixty” was found to be the number of frequencies that happen to be detectable within our DNA.
By comparing all 60 pitches, we can find all of the precise ratios found in the first 16 harmonics of the overtone series: octaves, P5th, P4ths, Major and minor thirds, Major and minor 2nds and 7ths; even a ‘flat’ seventh. According to Susan Alexjander: “Mathematically, the odds of this happening at random are almost non-existent.” This information is made more phenomenal in consideration of discoveries directly connecting the substance of DNA with the syntax of language.
In their ground-breaking book, “Vernetzte Intelligenz,” two German scientists cite the work of the Russian biophysicist and molecular biologist Pjotr Garjajev and his colleagues who explored the vibrational behavior of DNA by modulating certain frequency patterns (sound) onto a laser-like ray and discovered it influenced DNA frequency and thus the genetic information itself. Their conclusion: “Living chromosomes function just like a holographic computer using endogenous DNA laser radiation.” The authors, Fosar and Bludorf, go on to say that according to their findings:
…our DNA is not only responsible for the construction of our body but also serves as data storage and communication. The Russian linguists found that the genetic code -especially in the apparent “useless” 90%- follows the same rules as all our human languages.
To this end they compared the rules of syntax (the way in which words are put together to form phrases and sentences), semantics (the study of meaning in language forms) and the basic rules of grammar. They found that the alkalines of our DNA follow a regular grammar and do have set rules just like our languages. Therefore, human languages did not appear coincidentally but are a reflection of our inherent DNA.
If the proper frequencies of sound are used, the DNA substance (in living tissue, not in vitro) will always react to language-modulated laser rays and even to radio waves. Or one can simply use words and sentences of the human language directly since the basic structure of DNA-alkaline pairs and language is of the same structure and no DNA decoding is necessary. They have effectively proven that it is entirely normal and natural for our DNA to react to language.
No one knows how sound, the raw stuff of creation, impacts our being; our consciousness. Mysteriously, we decode meanings which come to us through sonic carrier waves, perceiving these waves as a full-body experience not only through the ears but directly through the bones, tissue and matter of the body. The body mass feels sound as pressure. We know that the body is constantly piezoelectric, translating pressure into electrical signals, such as the way in which the inner ears send signals to the brain. Sound, therefore, impacts the many realms of the molecular world directly and somehow finds its way to the parts of us that make meanings.
Part Two’s search for meaning led us directly to the understanding that a profound relationship exists between the Ophanic alphabet, the geometry of sound/music, and DNA. When investigating how DNA connects with music, Dr. Larry Dossey claims there is no reason in principle why DNA needs to only be described using the terminology of organic chemistry:
It could be described using many symbols, even musical notes. If we were imaginative enough to think musically as well as alphabetically, this just might permit us to hear the music of the body. This experience could provide us with nobler visions of the body, and might allow us at long last to escape the tyranny of machine thinking.
From the latter half of September until the end of 2009, as a part of my quest to comprehend the fuller implications of the Ophanic letters, I submerged myself wholly into the depths of a prolonged creative expedition. Only a few days into the New Year, I return from the holidays with a more detached perspective.
As more objectivity returns to balance out the subjective parts of my experience, I conclude this article. In Part One, I objectively analyzed the physical characteristics of the alphabet. However, in Part Two, I approached the subject matter differently and am aware of having been guided. How many times did I just “happen” to run across the very threads I needed to arrive at a dynamic glimpse of the truth? Throughout the entire creative process, I received many hints in the form of numbers, signs and symbols. All I needed to do was to remain centered enough to notice and follow the guidance of synchronicity. Because Part Two was written at the same time breakthroughs were taking place, it becomes an accurate record of one artist’s creative process.
After reaching the stage of envisioning the letters as conical projections, I began to recall my collective experience of the Ophanic beings that I shared with a handful of other people on an Arizona mountain in 1996. Comparing notes afterward, everyone agreed these Higher Dimensional Intelligences appeared as individual whirling tornados descending from the sky on a luminous corridor best described as “Jacob’s ladder.” Like transparent spinning energy tops covered with thousands of eyes, they spun up and down the brilliance stretching down from the heavens into our circle. They were not scary, but awesome and beautiful and too numerous to count.
Already being familiar with the “Whirling Ones” made me confident I could recognize their energetic signature on a visceral level if I could but reconnect with them intuitively. This informed my decision to approach the meaning of the Ophanic letters with the sensitivities and sensibilities of an artist. If I was less open in my approach, I may not have covered as much ground. Luckily, the creative process allowed me to skip gently along spiral pathways where my attention would be pulled towards certain key nodes or intersection points. In those places, I would linger long enough to obtain momentary but insightful glimpses of the hidden relationships existing between seemingly unrelated concepts.
It was easy to regard the Ophanic alphabet as 3-D energy shapes in constant spin and flux. In meditation, I could “see/feel” parts of the letters dynamically moving in and out of physical reality. The energy seemed to emanate from the thinnest parts and disperse towards the thick parts. With no visible source, I imagined the energy originating and emerging from a different dimension to interpenetrate the fabric of our reality at the thinnest points within the main stem. Then I began to think in terms of sound. Since the inherent geometry of sound is a vibrational frequency which effects our reality, why couldn’t sound act as a catalyst, a conduit that moves information from one phase into another?
We have already glimpsed how our world, the whole fabric of our reality in this dimension, is created by sound. The geometry of sound expresses itself through waves of energy. Energy waves, constant or at least standing in the same place for a little while, builds forms and shapes. Soon I wondered what types of sounds could be produced by each letter. Perhaps the “F” is actually a peculiar type of flute capable of five different tones, the “G” a strange type of clarinet and the “P” a resonant drum. The problem: I only had the vision but did not know the science. My solution entailed locating images resembling what I “saw” within my mind’s eye and allowing synchronicity to help me find them. If this describes lateral thinking, Part Two is ripe with examples.
For the purposes of this article, figuring out all the specifics is not as critical as the general sweep of the information. Whatever the exact correlations may end up being, it’s initially enough for me to understand that probable relationships exist without having to specifically define them. Intimated are interesting affiliations between such diverse things as: sound and vibration as universal building blocks; bonds between harmonics, sacred geometry and symbols; how our DNA resonates with 60 specific frequencies; spinning toroidal structures casting shadows that form an alphabet symbolic of the way DNA responds to syntax; letter sound combinations that promise to trigger the next stage of evolution locked within the human genome, etc… Sound engineers, musicians or those with discerning ears are invited and encouraged to continue the work that unlocks the door to understanding the correlations between the Ophanic letters and their correspondences with the tonal harmonics of DNA.
In closing, the best way I can describe the whole of my experience over the last three months is as a “spiral journey informed by intuition.” The intuitive clues I chased moved me quickly across vast distances, progressing me ever closer and inward to experience minute glimpses of the Truth. As I ponder the beauty of trusting the process, another Truth emerges.
I suddenly realize just how indispensable “the Artist” archetype actually is to our Ophanic work. The Artist archetype embodies the passion to express a dimension of life that exists just beyond the five senses. Artists hold within themselves (or have access to) the unknown quotient capable of bridging two or more worlds. Through their artistic endeavors, spiritually attuned artists serve as “Openers of the Way” by supplying the creative spark that crosses the gap from one state of being to another. The role of the artist as a spiritual bridge also explains how and why art can be transcendent.
Artists born with the necessary inner resources to discern subtle energies need to be honored for cultivating their sixth sense. Within the Ophanic context, painters, poets, and musicians easily portray “The Artist” archetype but this archetype can also extend to physicists, mathematicians, magicians, dowsers, architects, singers, shamans, linguists, dancers—or anyone especially sensitive to stimuli beyond the reach of linear thinking. People who think laterally/spatially are also more likely to possess the “unknown quotient” mentioned above.
How staggering it is to fully grasp the extent of the awesome power locked within each human being. The potential for self-healing as well as planetary healing is phenomenal. But even more phenomenal is that we’ve been given a direct means to communicate on a fractal level with the intelligence of our own DNA. And this is happening at a key moment in time, just as the Earth completes its 26,000 year cycle.
Judging from many ancient petroglyphs found within every corner of the world, it would seem that from very early on, humans have always held an unique relationship with this higher form of consciousness.
Perhaps this logos is the very one mentioned in the biblical text of John (1:1):
In the beginning was the Word, and the Word was with God, and the Word was God.Slightly rephrased, we could say:
In the beginning was the Word. And with the Word came sound. And through Sound came form.&rdquo
Or to be more precise:
In the beginning was the Word, and the Word was with DNA and the Word was DNA.
We have the means to affect our future in a positive way. All we need to do is to understand and communicate with the awesome God fractal contained within each of us.
Journal of the Western Mystery Tradition – No. 18, Vol. 2. Vernal Equinox 2010
(Note: This article is a chapter from the forthcoming The Ophanic Revelation, available in English from Aethyrea Books and Italian from NewLife Ediziona in May.)
If you only knew the magnificence of the 3, 6 and 9, then you would have a key to the universe.
– Nikola Tesla
Excerpt from the New York World
Telegram, July 11, 1935
Nikola Tesla revealed that an earthquake which drew police and ambulances to the region of his laboratory at 48 E. Houston St., New York, in 1898, was the result of a little machine he was experimenting with at the time which”you could put in your overcoat pocket.” The bewildered newspapermen pounced upon this as at least one thing they could understand and Nikola Tesla, “the father of modern electricity” told what had happened as follows:
Tesla stated, “I was experimenting with vibrations. I had one of my machines going and I wanted to see if I could get it in tune with the vibration of the building. I put it up notch after notch. There was a peculiar cracking sound. I asked my assistants where did the sound come from. They did not know. I put the machine up a few more notches. There was a louder cracking sound. I knew I was approaching the vibration of the steel building. I pushed the machine a little higher. “Suddenly all the heavy machinery in the place was flying around. I grabbed a hammer and broke the machine. The building would have been about our ears in another few minutes. Outside in the street there was pandemonium. The police and ambulances arrived. I told my assistants to say nothing. We told the police it must have been an earthquake. That’s all they ever knew about it.”
Some shrewd reporter asked Dr. Tesla at this point what he would need to destroy the Empire State Building and the doctor replied: “Vibration will do anything. It would only be necessary to step up the vibrations of the machine to fit the natural vibration of the building and the building would come crashing down. That’s why soldiers break step crossing a bridge.”
“On the occasion of his annual birthday celebration interview by the press on July 10, 1935 in his suite at the Hotel New Yorker, Tesla announced a method of transmitting mechanical energy accurately with minimal loss over any terrestrial distance, including a related new means of communication and a method, he claimed, which would facilitate the unerring location of underground mineral deposits. At that time he recalled the earth-trembling “quake” that brought police and ambulances rushing to the scene of his Houston Street laboratory while an experiment was in progress with one of his mechanical oscillators…”
From My Inventions: The Autobiography of Nikola Tesla
Chapter 5—The Influences That Shape Our Destiny
As I review the events of my past life I realize how subtle are the influences that shape our destinies. An incident of my youth may serve to illustrate. One winter’s day I managed to climb a steep mountain, in company with other boys. The snow was quite deep and a warm southerly wind made it just suitable for our purpose. We amused ourselves by throwing balls which would roll down a certain distance, gathering more or less snow, and we tried to outdo one another in this sport. Suddenly a ball was seen to go beyond the limit, swelling to enormous proportions until it became as big as a house and plunged thundering into the valley below with a force that made the ground tremble. I looked on spellbound incapable of understanding what had happened. For weeks afterward the picture of the avalanche was before my eyes and I wondered how anything so small could grow to such an immense size.
Ever since that time the magnification of feeble actions fascinated me, and when, years later, I took up the experimental study of mechanical and electrical resonance, I was keenly interested from the very start.
Nikola Tesla WAITED 37 YEARS to brag of the earthquake incident in 1898, but THE VERY NEXT YEAR in 1899 he dropped everything an went out west to Colorado Springs. IN A TRANSATLANTIC RACE TO BROADCAST AND RECEIVE RADIO SIGNAL, ON THE WORLD STAGE, HE DROPPED EVERYTHING THE NEXT YEAR…AFTER MAKING EARTHQUAKES AND WENT WEST?
He wanted to send power not signal and SEND POWER HE DID. THIS IS WHY MARCONI WAS ABLE TO PILFER HIM OF RADIO IN THE FIRST PLACE AND WHY THE U.S. SUPREME COURT REVERSED MARCONI PATENTS IN 1943 RIGHT AFTER TESLA DIED WITH…
YOU GUESSED IT…
U.S. SUPREME COURT DECISION #369.
What are the chances it would be decision # 3 – 6 – 9 ?
At least one in three hundred an sixty nine. RIGHT?
Nikola Tesla caused the September 1899 Cape Yakataga and Yakutat Bay earthquakes in Alaska from Colorado Springs.
September 3, 1899 [ 9, 3, 9]
September 6, 1899 [ 9, 6, 9]
September 9, 1899 [ 9, 9, 9]
“If you only knew the magnificence of the three, the six and the nine… then you would have a key to the universe.” -Nikola Tesla
(AFTER CAUSING THREE EARTHQUAKES)
Perhaps selecting 3, 6, 9 for the dates was just to pay respect to the 3, 6, 9 Rule…
Please Read below
A recently discovered set of original Nikola Tesla drawings reveal a map to multiplication that contains all numbers in a simple to use system. The drawings were discovered at an antique shop in central Phoenix Arizona by local artist, Abe Zucca. They are believed to have been created during the last years of Tesla’s Free Energy lab, Wardenclyffe. The manuscript is thought to contain many solutions to unanswered questions about mathematics.
The Sketches were hidden in a small trunk with numerous other drawings and manuscripts ranging from hand-held technological devices to free-energy systems, many with notes scrawled all over them. Some of the pieces are already familiar to the public, but a few others are not. Most notably is the Map to Multiplication or the Math Spiral. Zucca made a few copies and showed the drawings around to different thinkers, dreamers, and mathematicians.
A few days later a Local High School Mathematics Instructor, Joey Grether, had been working on deciphering the system and had a few breakthroughs. Grether suggests that the Spiral not only explores Multiplication as an interwoven web, but that it, “offers a comprehensive visual understanding of how all numbers are self-organized into 12 positions of composability.”
“This device allows us to see numbers as patterns, the formation of prime numbers, twin primes, Highly composite numbers, multiplication and division, as well as few other systems, I imagine, that are yet to be discovered.”
The diagram itself is very intuitive, allowing students to see how numbers all work together based on a spiral with 12 positions. 12, or 12x (multiples of 12) is the most highly composite system, which is why we have 12 months in a year, 12 inches in a foot, 24 hours in a day, etc. 12 can be divided by 2, 3, 4, and 6. So can all multiples of 12. For every 12 numbers there is a chance of 4 numbers being prime. They happen to fall in positions (think clock positions) 5, 7, 11, and 1.
Tesla is known for the quote “If you only knew the magnificence of the 3, 6 and 9, then you would have the key to the universe.” It turns out that when the device is examined, the digital roots of the numbers in positions 3, 6, 9, and 12 constantly repeat the same sequence 3, 6, 9! Is this what Tesla was referring too? The self-organization of numbers and their digital roots?
Its hard to say, but Grether seems to think so. “This breakthrough is phenomenal. If we could get students all over the globe to use this technique, to play with it, and help figure out how to use it, we could overcome our cultural aversion to Mathematics. Instead of memorizing the multiplication table, we could learn the positions of numbers and have a better understanding of how they work.”
Juan Zapata, One of Mr. G’s students believes so as well… “I used to say I’m bad at Math… because that’s what everyone says, but now, I’m like, dude, this is too easy.”
There’s one other fact about the Tesla Spiral that make it interesting. The diagram is dated 12/12/12! 1912. Grether and his students want to turn December 12 into a national holiday. So grab a 12 pack, get a dozen donuts, and celebrate the power of 12x ( via cbsnews.com.co ).
Thanks to Disclose for this article
With the zero being regarded as Heaven and the all or nothing this now leaves us 9 numbers within our base-ten system. 1, 2, 3, 4, 5, 6, 7, 8 and 9. These nine gods were celebrated by the Greeks and Egyptians in the Ennead. The Ennead was nine gods that represented the archetypal principles that regulated and ruled the cosmos through the laws of number. This company of nine has shown its face many times throughout the world. In Norse mythology, the god Odin hung on the Yggradsil tree for nine days. Benjamin Franklin was Grand Master of the charitable Nine Sisters Lodge. In the European Middle ages we see the Nine-Worthies, semi-legendary figures who personified the ideas of chivalry. We have all heard of Cloud Nine, being dressed to the nines, the nine lives of a feline and a stitch in time saves nine. The Christian’s mythologized the power of these nine numbers in the Christian Angelic hierarchy with those angels being the (9) Seraphim, (8) Cherubim, (7) Thrones, (6) Dominions, (5) Virtues, (4) Powers, (3) Principalities, (2) Archangels and (1) Angels. Even the ancient Mayan venerated the principles of nine. One of the most well-known Mayan pyramids is the pyramid at Chichen Itza. Chichen Itza is nine-level pyramid with a celestial observatory at the top. For a few moments on the solstices and equinoxes, the light and shadows on this pyramid forms a snake that travels down the side of the pyramid to the base, where the head of this great snake, called Quetzacoatal or Kukulcan is carved into stone. The Hebrew letter “Teth”, transcribed as a “T”, meant serpent, or the secret intelligence of all spiritual activities, and was designated by the number nine. The number 9 shows up quite often in the metrology of our universal architecture as well. The diameters of the Moon, the Sun and the Earth using decimal parity all reduce down to this number of spirit.
ZERO, ONE, TWO, THREE, FOUR, FIVE, SIX, SEVEN, EIGHT and NINE: These ten principles united represent completion, the perfection of all being and the harmony that exists within the demiurgic word of the creator, once again, apparent on the two hands that lay right before you. These ten principles are the living thoughts of a great creator being, a great mystery or grand architect who is within all things and without which, all things would cease to exist.
The ancient Vedic peoples, responsible for the oldest of Hindu scriptures, reiterated the supremacy of this base-ten system by placing nine numbers around a circle/zero and performing their math in this way. By placing 9 at the top and moving clockwise around the circle, these 9 digits encased the wholly / holy zero with the zero performing its magic as the placeholder for the rest of the digits (We will see the use of this mathematical template again later on in the text).
There is more to numbers than the mere quantities we assign them. Numbers are alive. They structure our waking reality. All the great mystics and philosophers throughout the ages understood this numeric universe. It won’t be long until we are able to manufacture energy and reshape our world the way nature intended, through implosion rather than explosion.
The principles of Vortex Math and the underlying ideologies of this forgotten science are resurfacing. This lost numerical art is a portal to understanding the nature of reality, and the psychological implications gained from such introspection are paramount to the evolution of the world soul.
Dark Matter, the vibratory essence of all that exists, is no longer on its elusive hide and seek trip — it has been found! With the introduction of Vortex-Based Mathematics you will be able to see how energy is expressing itself mathematically. This math has no anomalies and shows the dimensional shape and function of the universe as being a toroid or donut-shaped black hole. This is the template for the universe and it is all within our base ten decimal system!
You have entered a place where Numbers are Real and Alive not merely symbols for other things. You will discover that the relationships between numbers are not random or man-made but that numbers are actually elementary particles of which everything is composed. This lost knowledge was well known to our ancients and is now being uncovered for us today. Gradually you will come to see numbers in a simple yet profoundly perfect three-dimensional matrix grid pattern that forms the shape of a torus. The number grid reveals the calibration and timing for an engine that can take us throughout the universe and solve mankind’s energy needs. Interested? Delve in…
Want to find the answers to the unknown?
Want to see a man-made black hole?
Using a new math that shows that numbers are not man-made symbols, but are actually real, you will see and understand the answers to these questions.
Our base-ten decimal system is not man made, rather it is created by this flow of energy. Amazingly, after twenty years of working with this symbol and collaborating with engineers and scientists, Marko discovered that the 1,2,4,8,7,5 was a doubling circuit for a very efficient electrical coil.
There was still one more very important number pattern to be realized. On the MATHEMATICAL FINGER PRINT OF GODnotice how the 3, 9, and 6 is in red and does not connect at the base. That is because it is a vector. The 1,2,4,8,7,5 is the third dimension while the oscillation between the 3 and 6 demonstrates the fourth dimension, which is the higher dimensional magnetic field of an electrical coil. The 3, 9, and 6 always occur together with the 9 as the control. In fact, the Yin/Yang is not a duality but rather a trinary. This is because the 3 and 6 represent each side of the Yin/Yang and the 9 is the “S” curve between them. Everything is based on thirds. We think that the universe is based on dualities because we see the effects not the cause.
In 1970, Vitaly Efimov was manipulating the equations of quantum mechanics in an attempt to calculate the behavior of sets of three particles, such as the protons and neutrons that populate atomic nuclei, when he discovered a law that pertained not only to nuclear ingredients but also, under the right conditions, to any trio of particles in nature.
While most forces act between pairs, such as the north and south poles of a magnet or a planet and its sun, Efimov identified an effect that requires three components to spring into action. Together, the components form a state of matter similar to Borromean rings, an ancient symbol of three interconnected circles in which no two are directly linked. The so-called Efimov “trimer” could consist of a trio of protons, a triatomic molecule or any other set of three particles, as long as their properties were tuned to the right values. And in a surprising flourish, this hypothetical state of matter exhibited an unheard-of feature: the ability to range in size from practically infinitesimal to infinite.
Efimov had shown that when three particles come together, a special confluence of their forces creates the Borromean rings effect: Though one is not enough, the effects of two particles can conspire to bind a third. The nesting-doll feature — called discrete scale invariance — arose from a symmetry in the equation describing the forces between three particles. If the particles satisfied the equation when spaced a certain distance apart, then the same particles spaced 22.7 times farther apart were also a solution. This number, called a “scaling factor,” emerged from the mathematics as inexplicably as pi, the ratio between a circle’s circumference and diameter.
“It’s like layers of an onion,” Hulet said. “You see molecules at one layer. Peel the layer away, and you see that there’s a molecule there 22.7 times smaller. Every time you peel away a layer, you find another molecule.”
Efimov trimers are states of matter that theoretically come in an infinite range of sizes. Experimentalists recently observed consecutive trimers, verifying the strange theory.
Read the entire article at the source: https://www.quantamagazine.org/20140527-physicists-prove-surprising-rule-of-threes/
In mathematics, the Borromean rings consist of three topological circles which are linked and form a Brunnian link (i.e., removing any ring results in two unlinked rings). In other words, no two of the three rings are linked with each other as a Hopf link, but nonetheless all three are linked.
The mystery of the Christian Trinity is expressed in the Athanasian Creed: we worship one God in Trinity, and Trinity in unity; neither confounding the Persons, nor dividing the substance. Trying to depict this triune nature without leaving oneself open to attacks of polytheism was problematic, and geometrical symbols became popular. The equilateral triangle, consisting of three equal parts, equally joined, was used as an early symbol of the Trinity. It was often inscribed in a circle, a symbol used to stand for God for many centuries. For the Greeks, the circle symbolised perfection; its never-ending form also encapsulates the idea of eternity.
Today, the Borromean rings are commonly used as a symbol of the Trinity. The earliest source for this that we are aware of was a thirteenth-century manuscript in the Municipal Library at Chartres. It contained four diagrams, one of which is shown above. In the centre, inside all the circles, is the word `unitas’; the three syllables of `tri-ni-tas’ are distributed in the outer sectors. Unfortunately, the manuscript was destroyed in a fire in 1944. The copy shown here was reproduced in a manual of Christian iconography [Didron-Didron], along with descriptions of the other three. The labels on these other figures are shown below. They are:
If you take the square root of the fist 7 prime numbers :
2^2 + 3^2 + 5^2 + 7^2 + 11^2 + 13^2 + 17^2 = 666
Take the 6th power of the first 3 digits, and subtract the first from the second, and add that to the 3rd :
1^6 – 2^6 + 3^6 = 666
1+2+3+4+567+89 = 666
123+456+78+9 = 666
loose the + sign, and notice the sequence : 123456789
9+87+6+543+21 = 666
There are many other connections with 666, like for instance by calculating them as ‘degrees’ with sin and cos functions, but for the sake of simplicity, we will only mention this fact. Take a calculator and play with those functions, Mr. Anderson, to find them for yourself.
666^6 = 872 660 613 456 236 16
There are 6 6’s in the result. No 9 in the result.
6×6=36=9 -> the 3, the 6 and the 9
If you then take the other digits from the result, and reduce them, the result is 36, or 9.
-> the 3, the 6 and the 9.
Notice the middle sequence is 876 543 210.
Vertically you also see the sequence 147258 once more. The sequence of life within the Matrix.
(see our previous post about parity where we explain this sequence in more depth)
The result is 999 666 333, and vertically it reads 369 throughout…
Again we see the sequence 147258 progressing within, with 369 RIGHT NEXT TO IT, but hidden from view because it is 1 level off the axis of sequence 147258. Here you see that with the 0, knocking the 369 sequence 1 level up.
The entire sequence occurs within the start and end of 9, and the result reads 123 456 789. Vertically in the result you see again 147258 369
Taking the last result of the previous sequence, 78 :
78 + 9 = 87
87 + 123 = 210
87 + 234 = 321
87 + 345 = 432
87 + 456 = 543
87 + 567 = 654
87 + 678 = 765
87 + 789 = 876
87 + 890 +10 = 987 -10
Again, perfect symmetry.
horizontal -> 123 234 345 456 567 789 890
vertical -> 12345678 23456789 34567890
horizontal -> reversed it is 987 876 765 654 543 432 321 210
vertical -> column 1 : 23456789 column 2: 12345678 column 3 : 01234567
Notice there are only 8 steps within the sequence. The same symmetry within a sequence only reaches up to 8 steps. Beyond it, other symmetries are formed, still containing the original symmetry, but additional symmetries are added to form a higher complexity.
8×8=64, is one unit of symmetry. In other words 7×9 digits is 63, and upon 64 additional complexity is added to the original symmetry by normalisation (the higher you go, the more difficult it gets to ‘see’ the symmetry.
(notice the +10 -10 in the last step of the sequence. That is the normalisation we talked about in earlier posts).
Another sequence reveals fibonacci numbers. We will not be showing the + and – normalisation happening because it would look to complicated to understand. Our goal here is only to reveal the numbers within :
Do you see the fibonacci numbers, Mr. Anderson ?
There are many steps in between, repeating each number several times, and more times as you go up. We are showing only some, all having fibonacci numbers as the building block for the result.
The finonacci sequence is in the middle vertical column of the results.
Beyond 999 we go to 1332 (the next unit), which is 1 level up from 333 (1+332 -> 1332)
1875 is 1 level up from 876 (1+875 -> 1875)
2196 is 2 levels from 999 (1+998, 2+996 -> 2+1+96 -> 2196)
etc…you see Mr. Anderson, no matter how complicated it seems at first, when looking underneath, we ALWAYS find the same simplicity, AND the same symmetry.
Another nice one for the Neo that calls himself ‘BackFromTheFuture’ :
3.33×6.66×7.77×11.11×14.44 = 27645.263
Distance to the centre of the galaxy is roughly 27000 light years.
The exact distance is notoriously unknown to science, and they estimate it at 27-28000ly. It’s exact centre, the big loophole, should be very close to 27645.
Star system Sirius is estimated little over 27000 AU from the Sun.
The average temperature on Sirius B is about 27000K.
We would bet they are very close to 27645.
The problem with science is that it doesn’t accept such non-traditional methods for calculations…allthough they always work when used correctly.
Tonight we will reveal lots of hidden code within the number PI, the number of the ONE. More specifically translated into BASE-26, revealing the letters asigned to the numbers.
We will be looking more at the SCRAMBLED words deep within this undefinable matrix within the Matrix, and showing many connections in the between the words that go far beyond coincidence, as we will be showing it all from within a few thousand letters, so only a little snapshot…
Considering the 147258 circuit, it is every digit except 3, 6 and 9.
Incorporating both to comprise the complete system of 9 digits, we find more clues to the symmetry portrayed within The Matrix :
So we have 3 pairs of 3, forming a 3×3 matrix :
Allready we are seeing something :
Notice the vertical symmetry (123 456 789)…
We can verify the symmetry over and over, in all directions :
147+258 = 405
369-147 = 222
369+36 = 405
258-36 = 222
258-147 = 111
369-111 = 258
147-36 = 111
222+36 = 258
258+111 = 369
111+36 = 147
147+222 = 369
369-222 = 147
789-456 = 333
456-123 = 333
654-321 = 333
987-654 = 333
789-123 = 666
987-321 = 666
Also diagonally, the symmetry is still retained :
357-159 = 198
456-258 = 198
951-753 = 198
852-654 = 198
357+159 = (0)516
456+258 = (0)714
(notice vertically in the result: leftside is 5+2->7; rightside is 6-2=4)
654+852 = 1506
753+951 = 1704
(notice vertically in the result: same symmetry, only 1 and 0 have switched places)
456×258 = 117648
357×159 = 56763 = 11 76 48 (56=11; 3=48)
Going even further, we verify the symmetry in other ways :
248+268 = 516
359+157 = 516
248-157 = 91
359-268 = 91
987-963 = 24
369-321 = 48
684+624 = 1308
957+351 = 1308
684-351 = 333
957-684 = 333
We are showing here how 1308 and 333 are connected. Remember the movie 1308, Mr. Anderson ? How they showed reality shifting upon that number ?
It is the 333 guardians working together with 666…
642×2 = 1284
1284 + 24 = 1308
If you split 1308 into 13 and 08, subtract, and we have 5.
5 is at the centre of our matrix :
13-8 = 5
13×8 = 104 = 5
104-5 = 99
13+8 = 21
13×99 = 1287
1287+21 = 1308
1308 / 666 = 1.963 963 963 963 963…
1308-963 = 345
1308-639 = 669
1308-396 = 939
1308+333 = 1641
1308-333 = 975
1308+666 = 1974
1308-666 = 642
1308-975 = 333
1641-975 = 666
1974-975 = 999
975-642 = 333
1308 is an interlock within the Matrix, defined by 3’s and 6’s working around a centre-point. Together they form other patterns in between a FIXED pattern of 369…
Quote:0 is the overlap. That happens twice per cycle.
The overlap of maximum volume (5.26) was reached on 12-21-12.
We will show you how it is connected.
And thanks to your 333 / 11.11 thread, Neo, we spotted something else :
Not gonna spoil with too much words this time, Neo.
Very interesting correlations though. The year 2057 popped up, and we will briefly explain why…
111 +333 =
444 +333 =
777 + 333 =
1110 + 333 =
1443 + 333 =
(Vertically, 147 is repeated…)
5 x 333 = 1665
(Vertically : doubling and halving…)
(After the 8th step, the level always increases by 1 level: to the left, 0 becomes 1, then 1 becomes 2,etc… )
(Vertical: Fibonacci…Only divison of 444 and 111 do not result in a Fibonacci number…)
Notice the symmetry in the divisions…
Again, after every 8th step, upon the 9th, complexity increases with 1 digit to the left.
4.111…, 41, and 444 are the only results that are not a Fibonacci integer.
Between 4.111… and 32.888… are also 8 steps.
Between first and second recurring 142857 are also 8 steps.
142857 occurs every last step before the level increases.
142857 occurs exactly 2 steps before and after 197.333…
1776 / 14400 = 1233.333…
About 1233, 12.21.12 and 11.11.11 :
We can tell you for certain that 2057 will be an important date, Neo…
After a google search :
The next double solar eclipse in the same year will be 01/12/2252 and 12/31/2252
We will now show you that those dates are correct…
First thing to notice : 2252 = 11
01.12 an 12/31
14400 / 112 = 128.57142857142857… = 20.57 142857 142857 (12+8=20)
20 / 57 = 0.3508 77 19298 245 614 = 0.7 77 11 11 11 (3+5+0+8=7; 1+9+2+9+8=11; 2+4+5=11: 6+1+4=11)
11.11.11 represents the point of overlap. We are on the right track…
Now that we have determined the right sequence, we incorporate the correct year :
2252.7 77 111111 x 7 = 15769.439 777777 = 15769.7 777777 (4+3+9=16=7)
15769.439 777777 – 0.432 = 15769.00 7777777
15769.7 777777 / 112 = 140.801587 3008 92 857142 = 140.11 11 11 857142 = 140.12 (0)1 11 857142 (0=neutral)
15769.439 777777 / 112 = 140.798569 444 4375 = 140. 8 12 (0)[b]1[/b] (0=neutral)
15769.00 7777777 / 112 = 140.7947 12301 580357142857… = 140.9 1231 1 142857…
Also notice :
2252 x 7 = 15769
15769 – 14400 = 1369
15769 / 1369 = 11.29 5845272206303 724 92 83 667 621 78 = 11.11 11 4 11 11 7
4+7=11, and 4/7=0.57 142857 142857
If we look again at the pattern of the doubling and halving sequence :
We allready mentioned it is the symbol of infinity aswel. But there is much more, Mr. Anderson :
Look at the ancient symbol of the cross
If you still think they got this symbol only from the so-called “crucifiction”, then think again :
Follow the path from the “father” to the “son”, to the “holy spirit”, to “amen”, to the “father” again, etc…
You have now successfully “recreated” the pattern of the doubling sequence !
But there still is more :
All digits are contained within the cross :
1 and 4 :
3, 6 and 9 :
2 and 5 :
7 and 8 :
[quote=’Back From The Future’ pid=’5165192′ dateline=’1360282149′]
All comes back to 9. Top is always sum of the base.
First let’s look at your drawing from a flat 2D perspective :
The top 9 is split into 5 and 4.
Sum of the base equals the top:
They form the top triangle :
5 is split into 6 and 8.
4 is split into 3 and 1.
They form the two following triangles :
Considering this becoming a 3D pyramid, and imagining an x, y and z coordinate, we see that the 8 and 1 actually coexist on the same perpendicular z line (so from this perspective they fall together on the same line).
The bigger triangle formed now still equals 9 :
The base of the bigger triangle is 6 and 3.
But even by counting all numbers within it, we still get 9:
The sum of 8+1, still 9, is now also the TOP of the upside down triangle in the middle, with 5+4=9 as the bottom base :
6 splits further into 7+8=15=6
3 splits into 2+1=3
They form these triangles below :
Now to get it right with all digits included :
If we consider 9 as the projector, then the base of 4 and 5 defines the angle, or width, of projection.
The first triangle thus gets projected through this angle.
Below the first triangle the division complexifies along the sides, but at the same time the FIRST projection of the triangle is created again inside, but upside down and elongated.
Here you have your doplet upside down…I think…
So all triangles match up to 9.
Top triangle :
Base : 5+4=9
Sum : 4+5+9=9
5-> 6 + 8 = 5
Big triangle : 7+9+2=18=9, 7+6+5=18=9
These are the triangles formed :
The red small ones, the bigger blue ones, and the big green one.
All sides and bases add up to 9.
But this is a 2D representation of something projected into more then 2 dimensions, so that is why in this picture the bases and tops at the bottom seem to fall together.
There is actually an extra coordinate there, but we cannot distinuish it on this 2D pic.
Because of that, the relationships between the numbers may not be crystal clear in this manner.
So what about this in 3D then ? Well, then, it becomes ‘crystal’ clear !
Let’s try and do this with a 3D view, the only one we can truly understand :
We start with the same thing: a triangle.
But now we will go along a top-down view, so we can see 3 dimensions instead of 2 :
The 9 is split into 5 and 4. The sum of all sides is 9.
But this is the 2D “side” view of a 3D object. What actually happens when the 9 splits, is it splits into 4 sides instead of 2. Why ? Simple, because otherwise there is no symmetry to hold the object together !
A side of 4 and one of 5 are assymetrical to each other, and without this symmetry, you simply cannot extrapolate one object into extra dimensions.
So nature comes up with this solution to provide symmetry :
Remember, this is the top view, and we are seeing it from the top. The extrapolation happens simultaneously.
We see a perfectly symmetrical pyramid, with each side symmetrical to it’s opposite. This is the only way to provide a continuus and orderly extrapolation of the same boundary.
ALL sides equal 9. Also the sum of the sides which form the entire base, equals 9. And the sum of both base and top also equal 9.
So the ENTIRE projection from source to here is still exactly the same as the initial source, only bigger and MORE detailed.
You can consider this to be a fractal in every sense or purpose: the pattern of 9 being projected according to a degree of magnification. The sum of the smaller parts is a BIGGER projection of the WHOLE, with more detailed complexity. This is God’s looking glass. It is how the creator looks upon his creation !
Still not convinced this is a fractal ? Still not convinced this is how matter “projects” it’s ‘centre’, it’s ‘source code’, into space ? Look at this animation for a moment :
This is our 9, the source, from which the projection expands outwards.
It is an infinitely small object in space. It is being projected downwards into a “bigger picture” of itself. Both are exactly the same, but only differ in scale, so as the projection grows bigger, more “details” of it’s boundaries become VISIBLE :
(appologies for the crappy animations…)
The pyramid is only a bigger projection of it’s absolute centre.
We extrapolate further :
The 5 splits further into 6 and 8 :
We connect the sides again, and have now defined 4 more pyramids.
Notice they are ALL at a perfect 90 degree perpendicular angle to the previous pyramid at the centre… :
If you look closely, you can see the swastika symbol here. Not referring to you know what, but the ancient meaning of the symbol. This is the true origin of the swastika. The meaning though, has been tainted.
The swastika is an equilateral cross with four arms bent at 90 degrees. The earliest archaeological evidence of swastika-shaped ornaments dates back to Ancient India, 3300 BC.
The word “swastika” comes from the Sanskrit svastika – “su” meaning “good”,” “asti” meaning “to be,” and “ka” as a suffix. The swastika literally means “to be good”, but a more accurate translation when knowing the ‘context’ of the meaning can be made: “swa” is “higher self”, “asti” meaning “being” or “existing”, and “ka” as a suffix, so the translation can be interpreted as “being/existing with higher self”.
So we have here a symbol formed from taking the most basic geometrical shape in existence, and extrapolating it with an added dimension at 90 degrees perpendicular, or in other words, by adding a higher complexity to the original boundary.
And 6000 years ago they knew that, because they knew this symbol AND it’s true meaning of “being/existing with HIGHER self”.
And also the infinity symbol is there, once again (the bow-ty in the middle).
We see this appearing in numerology as one of the basic iterations between digits.
To verify the unity of 9, we can see that the 4 newly formed pyramids are STILL equal to 9 :
If you add the bases with the tops you see that each one is still equal to the initial source of 9 :
Notice 18 and 27. They are multiples of 9.
They represent the degree of complexity, being 2 and 3 times the complexity of the initial source of 9…
And the entire thing is ALSO still equal to 9 :
Notice 63 here. VERY important, because 64 is the MAXIMUM possible iterations for ANY complexity we see in nature. After 64, you end up where you started, back at your initial source. In the next picture you can visualise this :
We still have to add the last two digits of 7 and 2 to complete our conduit.
We add the 7 and 2, again AT 90 DEGREES perpendicular to the previous projections :
And what do we see ? We have again a bigger pyramid, but this one sits at the exact same angle as the starting point, and encompasses the entire whole this time :
Remember the 63 just before…
We have now completed 64 iterations from the 4-5 pyramid to here, and the projection has completed one cycle.
Notice 9×7=63 -> 9 is the top, 7 the outer edge.
All it’s sides still equal 9, so does the sum of the entire thing. It still represents exactly the same as the initial source of 9, BUT much more detailed and magnified.
This bigger pyramid is not only a complete replicated projection of the source, but also sits at the exact same perpendicular angle, which means it sits back in the SAME DIMENSION as where it started ! Coincidentally we have now also completed a cycle of all 9 digits, and we are now back at the starting point regarding the numbers.
We can see in this last pic something else very peculiar when noticed, because it refers back to why we cannot see these other dimensions which we have partially plotted out here : All visible pyramids in our last picture sit noticably at the same perpendicular angle as the big one.
So where are the other ones we plotted out ?? Suddenly they are gone…
No, but they are very obviously hidden from our view !
One last strange remark :
If you take the outer pyramid, and multiply the top with one of the base edges, you get exactly the number that is at the base in between :
…again referring back to the 64 iterations within ONE unity.
If we take a look at the ‘tree of life’, or what is known as the ‘Kathara grid’, it teaches us that matter is manifested in 4 different layers of existence, or densities (actually 5 if you count the state of the singularity itself), divided over a 15-dimensional time matrix, each density consisting of 3 spacial dimensions and one direction of time, and each density having it’s own amount of space- and time separation.
The lay-out is like this :
If we consider the way matter expands and contracts in space and time, then the structure of this grid should contain the same principle of contraction and expansion into and from it’s source of origin.
This is actually already described as Partiki Phasing in the ancient Keylons. It is a single ‘Partiki Unit’, or unit of consciousness. It is a single unit of electro-tonal pulse emanating from the original source. It gets projected into a 15-dimensional structure, and when intercepted by each dimensional layer, it undergoes a process called fission, and seperates into two separate units, a particle and an anti-particle at the same time. One goes to our universe, and one goes to the parallel universe. Then they go back to the original Partiki unit through a process called fusion (reunion of particle and anti-particle), and create a backflow of energy that return to the original source. This “ON/OFF” process creates a pulsating rhythm that is very very fast. We see this rhythm everywhere in nature, also the stars and planets, but because of the scale we perceive the same thing as very very slow. The reality of the speed is however the same as the spinning atoms and such.
So can we see this “breath” when looking at the grid ?
If we consider the grid being a multi-dimensional pattern of a single unit, then yes indeed, we can conclude this movement from the image itself. It is a harmonica which replicates and fuses each unit upon itself :
A closer look shows us the following process :
(Look at the first pic to compare where the densities separate and see how the units separate into the different densities !)
The 1 is replicated into the 3 and the 4.
3 in density 1 and 4 in density 2.
Both are opposites at a 90 degree angle perpendicular to the 1.
3 and 4 feed back unto each other and merge back into the 1.
That’s the first replication and feedback of the singularity into density 1 and 2.
Second replication (from density 2 into density 3) :
The 3 and 4 both get replicated into the 2 and 5.
2 for density 1 and 5 for density 2 (see first pic).
They are the opposites of 3 and 4, and again at a 90 degree angular perpendicular to them and the one. All four are replications of the 1, and all feed back unto the 1.
Now the 2, 3, 4 and 5 ALL get replicated again, making each 2 sides split into 4 sides.
For instance, the 5 gets replicated into 3, 4, 6 and 7.
(the three has now replicated into 4, from density 1 to density 2, and the 4 into 7, from density 2 into density 3).
3, 4, 6 and 7 now also feed back unto the 5, and the 5, 2, 3 and 4 go back into the 1.
The 3 gets replicated in the same manner, into 3, 4, 5 and 6, but doesn’t yet reach into density 3.
The 4 on the other side gets replicated into 3, 5, 6 and 7.
(Also the 2 replicates like this on the backside…)
The entire picture, I think, is like this, but extrapolated ANOTHER 16 times, which is a bit too pecky to show in a 2D image. We would need a 3D rendering for this, and even that would be an incomplete view…
All of the above mentioned, ALL happens in one single breath, with all extrapolations of the one, feeding back unto each other throughout all densities of matter.
From the top down, it would look like this :
One point (black) repeating into 2 with 2 opposties each (blue), so 4 times in ONE density. Each replication then repeats further into the next density (red), and so on… :
Right here and now, where the ONE point splits up into four, is when TIME becomes necessary. Why ? Because for the singularity to split into 4, a DIRECTION is needed, in other words, consiousness NEEDS to KNOW in which direction the one gets split. That direction is TIME.
Envision this like a flat laserscan, one planck length thick, scanning a tetrahedron from the top one point down to the four points below, one planck length at a time, stacking all the layers on top of each other. Remember, ‘planck length’ is just a name for ‘one unit’, or in this case, one slice of the plane. Time is need to determine all the planck lengths at a time. A certain time dilation is needed to go from a to b to c.
Allthough a seems to move to b in four directions, the four arrows may be deceiving. The progression from a to b happens within a 3-dimensional space, but to “see” all 3 spacial directions at the same time (like we see our 3D), a direction of time is needed.
In other words, for matter to be able to replicate, we always need 3 spacial directions, and one of time.
All matter has 5 densities, each within a 3-dimensional space and all matter within that 3D space moving in one direction of time. All creating a 12-dimensional space within a 15-dimensional time matrix.
Now a little bit more on the numbers themselves :
When you compress the numbers like each unit is supposed to compress, we see interesting patterns. Compressing the numbers can be done by using number reduction. It reduces a number into one digit by adding a number’s digits each time untill only one digit remains.
When adding 9+6+3 (left), 10+7+4 (right), 2+1 (bottom), and 11+12 (top)…and reducing the numbers to it’s core digit…
Further compressing them gives :
The trinity of 3, 6 and 9, with 7 in the centre. Why is this special ?
1. The holy trinity of the Father, the Son and the Spirit
It is also known in numerology as the trinity of 3, 6 and 9.
It is the 3 and the 6, the Father and the Son, governed by the 9, the Spirit :
And also as such hidden in the Yin Yang symbol :
The number 7 is in the centre. the number 7 is special, and connected with sacred geometry : The rose pattern in sacred geometry is created by a series of concentric circles. The rose uses a geometry of SEVEN. 7 cannot be divided equally to create a lower number, nore multiplied equally to create a higher number under 10.
It is the Virgin number.
7 is what lies in the womb of the rose, and has always been connected with the womb of Mary Magdalene in Christianity. It’s meaning is fertility, and creation from the womb.
If we compress the numbers further this meaning for the number 7 is undeniably confirmed :
When we compress them further : 3+6+9+7 = 25 = 7 !!!
The virgin number, that what lies in the centre of the womb.
If we take the multiplication and division table of 8, we see the same rhythm, but counter clockwise :
1×8= 8 (8)
We say here that 8 is the receptacle of 8 when multiplying or dividing by it.
And again, this is also the case when adding or subtracting by 8.
So in this first rhythm, 1 and 8 are receptacles of themselves, which create these this pattern in opposite directions.
Another rhythm :
Here there are other receptacles for creating this rhythm in opposite directions.
Here we multiply by 2 and divide by 5 to create the clockwise rhythm.
2 is the receptacle of 5 and vice versa.
1×2= 2 (2)
2×2= 4 (4)
3×2= 6 (6)
4×2= 8 (8)
5:5= 1 (1)
1+2= 3 (3)
2+2= 4 (4)
3+2= 5 (5)
4+2= 6 (6)
5+2= 7 (7)
6+2= 8 (8)
7+2= 9 (9)
8+2= 10 (1)
9+2= 11 (2)
We also multiply by 7 and divide by 4 to create the counter clockwise rhythm.
7 is the receptacle of 4 and vice versa.
Counter clockwise :
1×7= 7 (7)
We can again follow the pattern by adding or subtracting the receptacles, or 2 or 7 :
Going one further :
To create the clockwise pattern of this rhythm we multiply by 4 and divide by 7.
4 is the receptacle of 7, and vice versa.
1×4= 4 (4)
2×4= 8 (8)
7 is special as it creates an infinite series in each outcome. The outcome is always 9, and you can add any number to 9, the outcome will always be the number without the 9. Same way in reverse you can multiply any number by 9, and the outcome will always be 9. More about this later one…
To create the counter clockwise rhythm, we now multiply by 5, and divide by 2.
5 is the receptacle of 2, and vice versa.
Counter clockwise :
1×5= 5 (5)
Again by adding or subtracting 4 or 5, we can follow the pattern in the figure above.
NOTE: division by 7 is a special rhythm. It’s outcome is always an infinite series :
This division table shows another relationship :
1:7 = 0.142857 142857 142857 142857 ….
2:7 = 0.285714 285714 285714 285714 ….
….each reiterating into infinity. Every series is once again defined within the circle. This can be backwards verified by reducing the repeating series (for instance 142857, or 285714). The sum is always the whole of the circle, being 9.
If you notice here, if you take what happens in between the numbers you get the 3,6 and 9.
They form the archetype symbol of a sacred enclosure, the lateral triangle, since space cannot be bounded by fewer than three lines.
The triangle is thus the first closed figure to emerge from creation. In this aspect it is known as the root of all manifested nature, and is also known as the trinity of 3, 6 and 9.
The trinity : 3, 6 and 9
Something very special happens when applying this rhythm :
To create the clockwise rhythm, we multiply by 3, and divide by 6.
3 is the receptacle of 6.
To create the counter clockwise rhythm, we multiply by 6 and divide by 3.
6 is the receptacle of 3.
Counter clockwise :
1×6= 6 (6)
The outcome is only 3,6 and 9. No other numbers appear.
With 9 being most special, because no matter whether you add, substract, divide or multiply by 9, the reduced outcome is always 9 when dividing or multiplying with it, and dissapears when adding or subtracting by it.
This makes 9 not only a receptacle of itself, but also a receptacle for all other digits, which explains the special behaviour of 9 at the top of the triangle (fig below), and as both beginning and end.
It is the divine number, and all subsequental patterns are governed by this number (as you can also see in all the previous mentioned relationships : they always begin and end with 9…and 9 becoming the beginning again).
Here you can see the three pattern groups once more, and the way they are formed :
5 and 2 are each other’s receptacles, so are 7 and 4.
8 and 1 are receptacles of themselves, and so is 9, which is also a receptacle for all other digits at the top of all triangles.
The work of Marko Rodin shows something called “Vortex Based Mathematics”.
It is based on this source code alone :
What we see here is a doubling sequence (again you can verify the numbers with the pattern created) :
Double 1, we get 2
Double 2, we get 4
Double 4, we get 8
Double 8, we get 16, which is 7
Double 16, we get 32, which is 5
Double 32, we get 64, which is 1 again
Also the other way around, as a halving sequence, we get the same thing in reversed order :
Both go on to infinity, and we can even ‘see’ the infinity symbol formed inside the circle.
Now a nice comparison to think about :
Computer language uses this exact doubling sequence (1-2-4-8-16-32-64-…). Computers are artificial, they are man made.
Nature uses cel division. It uses the exact OPPOSITE, the halving sequence, to divide cels into more cells. Nature is not artificial, not man made.
Ancient cultures always keep telling us to look inward for the truth, not outward. Inward we find the cell dividing halving sequence. The infinite divisions down towards the singularity. The creation of life.
Outward we find the expansion of space, the doubling sequence. The artificial computer language.
Science still looks outward for all answers, the radiating matter, the very destruction of life, and uses expansion and explosion tech in all of it’s ‘man made’ creations.
All these connections are no coincidence, and they show us a very simple truth which we blatently keep ignoring. Imo this is one of the strongest indications of our current wrong doings in science and technology. Implosion tech is the solution. It exists in forms like the energy from emitted sunlight, and other non poluting non explosive energy. Only reason why we don’t use it is because your govment wants the money and the power instead. By introducing implosive renewable energy they would loose everything they have in their control.
Going back to our picture, the dotted line is an iteration upon doubling from 3 :
…and halving from 3 in reverse direction :
Again, both go on untill infinity, but they keep iterating from one to other through the 9.
Again, the 9 is very special, because it governs the iteration and also everything in between.
This iteration creates also an infinite rhythm: 396693
So whe have 3 rhythms here, going on at the same time : the doubling and halving between 1248751 forward and reverse, and the doubling and halving iteration between 396, with 9 governing the movement of all.
This figure shows the same rhythm, but here showing them in relation with their flow. Everything is governed by flow, angular momentum. This flow is a double torus vortex which is, as shown here, also apparent in the number rhythms themselves :
These flows then, are actually all thin lines, or ‘threads’. They can be immensly long, and because of this “re-iterating” vortex flow they could go on forever (if necessary). Where do we see such threads which seem to go on forever ?
DNA. We know it forms in a spiral fashion, but the spiral flows according to patterns. These are the exact patterns that DNA builds upon, seemingly endless iterations upon iterations.
It is allmost inconceivable that a pattern this simple can get so complex when iterated again and again, but that is exactly what happens.
An example of a layout pattern for DNA structure :
+4 -2 +1 -5 +7 -8 +4 -2 +1
-3 +9 -6 +6 -9 +3 -3 +9 -6
+8 -7 +5 -1 +2 -4 +8 -7 +5
Halving (-) <——— +4 -2 +1 -5 +7 -8 +4 -2 +1
Special (0) <——— -3 +9 -6 +6 -9 +3 -3 +9 -6
Doubling (+) <———- +8 -7 +5 -1 +2 -4 +8 -7 +5
+4 -2 +1 -5 +7 -8 +4 -2 +1
-3 +9 -6 +6 -9 +3 -3 +9 -6
+8 -7 +5 -1 +2 -4 +8 -7 +5
Always grouped in a certain way. 4 and 7 always connect, so do 5 and 2, and the 1 with the 1, and the 8 with the 8 (remember the receptacles in the above rhythms !). They all have a positive (yin) value, or a negative (yang) value.
What is shown here is part of the actual skin of the apple.
If you look at each square, the cross-section follows another pattern, going on for as long as necessary to complete a full sequence of DNA.
This represents the ‘life’ pulsing through the apple, and goes throughout the entire sequence :
This is about roughly the same thing we see when measuring our heart beat.
The middle, special 369 strand is not visible in our universe, it is the creating force in between that governs all yin and yang. Off course, energetically, it is not there (read: it is not being projected through energy in our dimension).
If you look closely, you can actually see where the third strand is supposed to run :
Now, how much a lot may call BS, look at the way we know DNA is structured :
It has 4 different Basis : Guanine, Cytosine, Adenine or Thymine.
The 2 strands we see however form 3 times 4 combinations, or 4x4x4=64 combinations of those 4 basis between only 2 positions (respectively from position 1, and then two times from position 3 (????) ).
Off course, science has it’s ways of explaining the illogical, but the 4x4x4 coming from actual 3 positions seems (in this logically structured system !), a far more reasonable explanation.
64 is exactly the number we see in the doubling and halving rhythms:
64 upon each unit of 1.
The I-Ching for example, has 64 possible hexagrams:
A chess board is divided into 64 fields:
There are 64 combinations for DNA, and there are 20 amino acids formed from those 64 combinations :
We see here again the doubling sequence. The 20 amino acids are further doubled into molecules and such, untill 64 is reached again, which is another unity of 1, and doubles again from one untill 64, etc…
Hope this further solidifies the previous interpretations in this thread.
Everything is connected, from the smallest to the biggest, and all are connected through the simplest of numbers in an infinitely complex way…
I only recently found out about the connection between 144, 432 and the speed of light.
Me and BFTF have been particularly busy finding what the connection actually is.
Various calculations kept pointing it out :
Speed of light : 299 792 458 m/s
3.33 / 11.11 = 0.2997 2997 2997 2997…
27 x 111 = 2997
9 x 333 = 2997
666 / 0.222… = 2997
9×9 = 81
81 – 14.4 = 66.6
9x9x9 = 729
729 x 4.111… = 2997
6x6x6 = 216
216 x 111 = 23976
This is the framerate standard for video.
216 + 144 = 360
2160 + 1440 = 3600
216 x 6.666… = 1440
81x81x81 = 531441
531441 / 369 = 1440.21951 21951
53144.1 / 123 = 432.065
1440 / 3.33 = 432.432 432 432…
4500 x 666 = 299 700
299.7 x (333)² = 33233433.3 -> 2 and 33+33+33 and 4+3 = 2 99 7
299.7 x (111)² = 3692603.7 -> 2 and 3+6+9 and 6+0+3 and 7 = 2 9 9 7
299.7 x 1.444 = 432.7668
299.7 x 432 = 693.75
299.7 x 33.3666… = 9999.989 999…
299.792458 (true speed of light) x 12 = 3597.509496 (=very close to a full circle and a full hour in seconds)
299.792458 x 12.008307427133473784720761721097 = 3600
We kept seeing 144, 432, 369, 360 and 299.7, but couldn’t understand the connection really…
I think I accidentally stumbled upon the connection :
A guy named Bruce Cathie figured it all out :
Quote:Light travels in a circular, three-dimensional wave, a wave that spirals to a certain height and a certain depth. You could graph this in two dimensions as a regular “sine wave,” with a horizontal line for its midsection.
Quote: The wave spirals out to maximum height and “lowers” to the median again as it reaches the sphere’s equator, forming the first hemisphere. Then, the second hemisphere is formed the same way, as the wave “lowers” to its lowest point and again rises to the median. See the diagram for support in visualizing this.
The numbers at the bottom represent the harmonics that Cathie discovered as being associated with this movement.
See one of my previous calc’s (729 x 4.111… = 2997 = speed of light)
It explains 411, and my continuus babbling about 3’s and 6’s. Seeing now for the first time this confirmation about the importance of those numbers is refreshing.
Now for the most interesting part of the article :
The HARMONIC speed of light
Quote: We have now determined that Cathie set up a basis for measuring time using a system of “grid seconds,” where the normal 86,400 seconds in a day based on a harmonic of 8 are expanded into 97,200 seconds, based on a harmonic of 9.
In so doing, one day of Earth’s rotation was split up into 27, or 9 x 3 “grid hours.” The number of “grid seconds” per day comes out to be the extremely harmonic number of 97,200. This is how Cathie achieved the first step towards putting the Speed of Light in grid terms; getting a time measurement based on grid seconds.
The Speed of Light as we now express it is measured in miles per second. We have already seen how Cathie converted the value of a second into its harmonic ideal, the Grid Second. We now also need to convert our regular system of miles into a grid-based measuring system.
As we remember from the discussion of the work of Aime Michel and the UFO tracklines that were symmetrically spaced apart from each other, Cathie used the system of “nautical miles” to determine where the “grid lines” were placed.
We also know that one nautical mile is equal to one minute of arc on the Earth’s surface, and that there is a “grid line” every 30 minutes. So, what we need to do is change the miles in the speed of light equation into nautical miles, or minutes of arc, as the two are interchangeable.
Therefore, the “grid speed” of Light would be expressed as (x) minutes of arc per grid second.
The incontrovertible truth of Cathie’s findings is that the “Grid Speed of Light” is EXACTLY 144,000 minutes of arc per grid second in free space.
Quote: As we look into this even further, we can see that the fundamental, harmonic [u]value of 144,000 for the speed of light is precisely the same as the fundamental harmonic values for many different things[/u], including:
– the Mayan Calendar’s baktun, at 144,000 Earth days;
– the Bible number of the 144,000 souls who will Ascend;
– the fundamental “building block” of all sound vibration frequencies, 144;
– the fundamental Gematrian “frequency number” for light, 144;
Meaning of 144 in gematria = LIGHT
144 really is light. I’ve babbled about 144 being ONE conciousness a lot. This is the connection: one conciousness, which is 144, is light.
Quote:There are 86,400 seconds in the Sun’s 360-degree arc, representing one day of time. So, to get the amount of relative movement between one second in the 360-degree clock face and one second in the Sun’s apparent 360-degree movement, we divide 86,400 by the number of seconds in one 360-degree circle, or one minute, which is 60 seconds.
The ratio that we are left with is 1440, which represents our current perception of time:
in other words, one second of our time is 1440 times faster in its movement through its arc than the movement of the Sun through the arc it traces in our sky.
This is the first time I truly understand WHY 144, 432 and the 360 cycle are connected…
369 pops up everywhere, and in numeric reduction, or paritising of numbers, the 9 is ALWAYS dicardable, or equal to 0. So 369 really is 360.
Quote:One of Cathie’s most impressive “harmonic” renderings of the Earth as a CU is the distance from the center of the earth to the average height of the atmosphere. This value is given as 4320 arc-minutes, which reduces down to 432, the number of “Consecration” and the fundamental vibration for the sixth node in the octave.
So, it would appear that the arc-minutes are indeed vital in demonstrating the Earth’s harmonic proportions. Now that we have solved for the speed of Light in harmonic time and arc-minutes, we can see why; it comes out to an exact harmonic of 144.
Tesla once said : “If you only knew the magnificence of 3 6 and 9, you would know the key to the universe”.
What if he meant the sound ? the vibrations ?
Because, when you take the Solfeggio frequencies :
01 = 174 Hz
02 = 285 Hz
Ut = 396 Hz
Re = 417 Hz
Mi = 528 Hz
Fa = 639 Hz
Sol = 741 Hz
La = 852 Hz
09 = 963 Hz
You can see the symmetric position of 3 6 and 9.
Also, there are 111Hz between every frequency.
Also, when going one step further DOWN in frequency, we have 63 (174-111=63).
The last frequency, 963, when adding 111, goes back to the lowest, 174 (963+111= 10 + 7 + 4)
But there is more to this :
If we reduce the numbers :
This also correlates perfectly with what I’ve shown before :
They are the patterns formed by sequences 124857 and 369, and 142857 and 369.
Notice how the used digits are the same as in the Solfeggio frequencies.
These sequences must be representing the frequencies, and the patterns are formed by the frequencies.
Now, we know sound, vibration, is pressure waves pressing DOWN in a certain frequency.
I’m beginning to see that gravity is sound. It is the downward pressure of vibration. But at the large scale of things, like the solar system, that for instance produces very long wavelengts, very low sounds well below the middle C-note. We cannot hear or feel such low vibrations, but they create the gentle but continuus pressure, and that pressure causes clumping together of certain patterns of energy, and at those very low frequencies sollidifies into matter. I think it’s how the formation and structure of planets arrises.
David Icke once mentioned this aswel I believe, but I can’t find the reference.
Matter is hold together by gravity, and as we can see in vids like this :
…matter is also hold together in patterns, by sound vibrating at certain frequencies.
I can only conclude the logical conclusion, that gravity is the pressure wave caused by vibration, holding matter together.
However, I can’t provide a more detailed explanation yet. Just pointing out the correlations.
Another peculiar thing :
Some more things I found regarding these numbers which are just very interesting :
The inner core of the earth measures 1440 miles in diameter.
But apparently there is also a core within the inner core, measuring 360 miles in diameter.
Quote:Engulfed in the inner core, like a pit in a peach, lies a 360-mile-wide inner inner core.
They found an obvious change in anisotropy, or wave speed with direction, in an area 360 miles in diameter surrounding the very bottom of the world.
This core within a core within a core makes up one 10,000th of the Earth’s volume.
In the innermost inner core waves travel most slowly at a 45 degree angle to Earth’s axis, as opposed to an east-west direction in the rest of the inner core
The solid iron sphere sits in the path of jets and currents roiling the outer core fluids like a big rock in a flowing stream. These patterns of flow might have been altered after the inner core reached a diameter of 360 miles.
So basically we have a core of 360, and around that a core of 1440 miles. The composition of the inner inner core changes at 360 miles. The normal inner core then, changes at 1440 miles.
If we look a bit closer at this, we see, once again, the same correlation between the 360 degrees in a full circle and the natural harmonics ratio of 144 and 432 :
360 x 4 = 1440
1440 / 432 = 3.33
As pointed out before, the frequency defines the pattern, and the correlation between this and the ratio’s of the natural frequencies are apparent:
Solfeggio ratio’s show us :
…with 111Hz between each, and they are a series of 369.
528Hz (the 5th frequency) is considered the divine frequency and has the surprising ability to heal DNA :
528Hz corresponds to the middle “C” note.
If we spread 432Hz with the same ratio :
Same series of 369, and 432Hz is the 5th frequency in the scale, as we would have expected. However the natural spread is not like this, that is why the Solfeggio scale is called a “pseudo-science”.
If we take a look at the way the frequencies are correctly spread in nature :
108,216,432,864 (= 9,9,9,9)
Simply look at the symmetry, and look at the 3′, 6’s and 9’s.
Same symmetry is portrayed in the patterns we see formed from those, and the numbers coded within the patterns…
108Hz = 9 x 12 = (3×3) x (3+3+3+3)
216Hz = 18 x 12 = 6x6x6 = 6³ = [(3×3)+(3×3)] x (3+3+3+3)
432Hz = 216 x 2 = (9+9+9+9) x (3+3+3+3) = [(3×3)+(3×3)+(3×3)+(3×3)] x (3+3+3+3)
864Hz = 432 x 2 = (3x3x3)+(3x3x3)+(3×3)+(3×3) x (3+3+3+3)
These are all A-notes, spread in perfect symmetry.
108 = divine source, the christed conciousness.
432 = a symmetrically shifted vibration of the divine source.
144Hz = 12 x 12 = (3+3+3+3) x (3+3+3+3)
288Hz = 24 x 12 = [(3+3+3+3) x (3+3+3+3)] + [(3+3+3+3) x (3+3+3+3)]
576Hz = 48 x 12 = [(3+3+3+3)x(3+3+3+3)]+[(3+3+3+3)x(3+3+3+3)]+[(3+3+3+3)x(3+3+3+3)]+[(3+3+3+3)x(3+3+3+3)]
These are D-notes, again perfect symmetry.
The other notes all convey the same similarity, all compressed 3’s, 6’s and 9’s.
Quote:Also, the diameter of Jupiter is 144,000 miles.
The Great pyramide of Gizah was originally encased with 144,000 cover stones.
Our Sun travels around the centre of the galaxy at a speed of 800,000 km per hour. One cycle takes about 1440 years (1400 and a bit).
Our galaxy travels around the central point of the local group at 144,000 km per hour.
The local group sears through the universe at 1,332,000 km per hour.
144,000 = 12 x 12 x 1,000
800,000 = 6.66.. x 12 x 10,000
1,332,000 = 111 x 12 x 1,000
144,000 = also 432 x 333.333…
(9)^9 = 387,420,489
We will go on to another part of the subject, showing some other peculiarities and strange correlations between 432, 111, fibonacci numbers and the Mayan counting system and how even their own method of counting has some hidden similarities with all of the above mentioned.
First notice :
432 x 60 = 144 x 180 = 25,920 years = The Great Year.
As opposed to our 10 base counting system, the Mayans counted with 5 different bases, and counted from right to left. It was written down from right to left as 5 coordinates.
The system comprises of five wheels operating within each other. The inner smallest wheel (the number to the right) was from 1-20, the one to the left of that from 1-17, the next from 1-19, then from 1-19 and the last outer wheel from 1-12.
The first coordinate to the right was a multiple of 1, second multiple of 20, then 360, then 7200, and finally the outer wheel, the biggest cycle, a multiple of 144,000.
11 x 144,000 = 1,584,000
5 x 7,200 = 36,000
17 x 360 = 6,120
4 x 20 = 80
8 x 1 = 8
/365 = 4,455.36438 years
Now here are some peculiarities when counting like this, and then looking at the corresponding numbers converted into our year-count. Remember, in themselves the numeric patterns don’t mean much, but look at the big picture, and notice AGAIN that they emerge always in correlation with fixed numbers, dates, frequencies, celestial patterns, etc…here once more, this time in the counting system of the mayan calendar.
Remember, right to left…
11 x 360 = 3,960
11 x 20 = 220
11 x 1 = 11
/365 = 11.482191 78082191… years.
11 x 144,000 = 1,584,000
11 x 7,200 = 79,200
11 x 360 = 3,960
11 x 20 = 220
11 x 1 = 11
A few peculiar things about this date :
1,667,391 / 11 = 151,581
151,581 / 9 = 16842.333 333 333…
1,667,391 / 9 = 185,265.666 666 666…
1,667,391 / 99 = 1669.0600 600 600…
1,667,391 = 114 (6+6+7=1; 3+9+1=4)
1,667,391 – 151,581 = 1,515,810 = 1 11 9
1,667,391 + 151,581 = 1,818,972 = 9999
I don’t know what the hell it means, but this is beyond coincidence…it’s all way beyond chance imo…
6 x 360 = 2,160
6 x 20 = 120
6 x 1 = 6
/365 = 6.26301369 86301369…
9 x 144,000 = 1,296,000
9 x 7,200 = 64,800
9 x 360 = 3,240
9 x 20 = 180
9 x 1 = 9
/365 = 3737.61369 86301369
22.214.171.124.0 (= The 13th bak’tun) -> 12/21/12 allignment !
13 x 144,000 = 1,872,000 (1+8+7+2 = 9)
/365 = 5125.36 years (5+1+2+5.3+6 = 13.9 -> ?)
-> ? = 13 / 9 = 1.444 444 444…
5125.36 x 13 = 66,629.68 (6+6+6+2+9.6+8 = 11.14)
If we now look at the first 12 fibonacci numbers :
This is a rotating spiral, circling within a perfect square : 12×12 = 144
1x1x2x3x5x8x13x21x34x55x89x144 = 1,570,247,078,400
1,570,247,078,400 / 299,792,458 (speed of light) = 5237.78
5237.78 years – 5125.36 years = 112.42 years = 111 + 1.11 + 0.1 + 0.1 + 0.1 + 0.01
More correlations with 360 and 144,000 :
360 x 400 = 144,000
400 / 3 = 133.333 333…
400 / 6 = 66.666 666…
400 / 9 = 44.444 444…
-> 133.333+66.666+44.444 = 144.444…
400 x 1.11 = 444 (=3)
400 x 2.22 = 888 (=6)
400 x 3.33 = 1332 (=9)
-> Sum is 2664
400 x 4.44 = 1776 (=3)
400 x 5.55 = 2220 (=6)
400 x 6.66 = 2664 (=9)
-> Sum is 6660. There are also 3 sixes in these results…
400 x 7.77 = 3108 (=3)
400 x 8.88 = 3552 (=6) (3108+3552=6660)
400 x 9.99 = 3996 (=9)
-> Sum is 10656 (1+5=6)
There is one more oddity that I’d like to show you guys :
Quote:144,000 / 111 = 1297.297 297…
-> 144+297 = 441
Quote:144,000 / 222 = 648.648 648…
-> 648-144 = 504
-> 1440-504 = 936
Quote:144, 000 / 333 = 432.432 432…
-> 432-144 = 288 = 144×2
Quote:144,000 / 444 = 324.324 324…
-> 324-144 = 180
Quote:144,000 / 555 = 259.459 459
-> 1440 – 459 = 981 = 81 x 12.111 111…
-> 1440 – 59 = 1381 = 111 x 12.441 441…
Quote:144,000 / 666 = 216.216 216…
-> 216+144 = 360
Quote:144,000 / 777 = 185.328 185 328 185…
-> 185-144 = 41
-> 1440/185 = 7.783 783… (Shoemann…)
-> 185/111 = 1.666 666…
Quote:144,000 / 888 = 162.162 162…
-> 162-144 = 18
Quote:144,000 / 999 = 144.144 144…
More fibonacci weirdness…
I found the same sequence of 3 6 9 in the fibonacci sequence.
The first 25 fibonacci numbers :
In fibonacci, every next number is the sum of the two previous ones…
Appart from that, no obvious correlations…or are there ?
Multiply every two following numbers, and keep reducing them. So multiply 1st with 2nd, 2nd with 3rd, 3rd with 4th, etc… :
We see again the same thing we have been seeing all over the place, this must be the hundredth time over I stumble upon the same sequence : 124578 and 369. Always hidden in the numbers.
But, as usual, there is more :
From these results, add them upp two by two :
Add them up again and we see something strange again :
3+3 = 6
9+6 = 6
6+9 = 6
Now looking back at the first sequence :
Considering the 45 being at the centre of the spiral (fibonacci nubers produce a spiral), we can see once more the digits pair up as they spiral outward : 4+5, 6+3, 7+2, 8+1, and then just the 9 without a suitable ‘pair’ (9 pairs with itself before collapsing), which is when the full circle is reached, and is the end of the first rotation of the spiral. 3 and 6 always sit closest outside the centre of the spiral.
You need to look at it like this : Everything expands and contracts from the centre like a sine wave, but in 3D (+time as a projection in the 4th to make progression of the spiral possible through 3D). 4 and 5 are where the centre bond is strongest. 4 and 5 are also the digit-pair closest to each other. The 3 and 6 form the first boundary beyond it. The pairs further from the centre have expanded further, resulting in a larger wave length, but weaker bond to the centre. As you go outward, you can also see the digit pairs becoming further from each other (6<->3, 7<->2, 8<->1, 9<-> ?)
I placed a “?” with the 9, because this point is significant. At the outer edge, where the 9 is, is where the spiral reaches a full circle (full 360 degree rotation), but it is also where the bond to the centre becomes so weak that the wave collapses back unto the centre by rolling over. The “?” is to point out that, as opposed to all other digits, the 9 has NOTHING to bond with (0 doesn’t exist as a digit, only as a marker of transition/normalization). So it bonds with itself (9<->9), and then collapses. 5 has 4 as digit-pair, 6 has 3, 7 has 2 and 8 has 1. As the wave expands, the bond to the centre becomes weaker and the digits grow further apart, until the 9 is reached, and there is nothing more to bond to. So the bond with the centre becomes ‘nill’ and the wave collapses back onto the centre point, and this process starts again.
The result of this is indeed the ‘double torus’ that drives all energy from ‘within’.
The spiral then goes on to the second rotation, and the exact same pattern is repeated but with more complexity (higher numbers, but same root digits). At the same time, the underlying pattern becomes less obvious, but it’s still there. Where ever you look, you see the same thing in the numbers. Same design, same patterns. Combinations of 124578 and 369.
124578 can be seen as the visible energy (normal matter and energy), 369 as the ‘hidden’ part (anti-matter and anti-‘energy?’). 369 seems to be the driving force and the ‘glue’ that both drives and maintains the spiral, but is hidden from normal view.
Another strange one :
Golden numbers are 1,1,2,3,5,8,….
The ratio between them is PHI : 1.61803399
When you do this :
1.61803399 / 1.12358 = 1.4400…
The 142857 sequence Oddities :
142857×1 = 142857
142857×2 = 285714
142857×3 = 428571
142857×4 = 571428
142857×5 = 714285
142857×6 = 857142
142857×7 = 999999
Vertical and Horizontal result, same digits and same pattern.
x7 = 999999
142+857 = 999
Sqrt(142857) = 20408122449
20408+122449 = 142857
(1.61803399)pwr144 = 1242282148003351441363799150992.3
(1.61803399)pwr11.2358 = 222.91
222.91 x 1.61803399 = 360.6759…
1.61803399)pwr11.17144 = 216.11896923954189097299909936372
216 + 144 = 360
(1.12358)pwr11 = 3.60283…
1.12358 x 99 = 111.2344
1.61803399 / 1.114 = 1.414365…
1.61803399 / 0.144024 = 11,234474740321057601510859301228
1.61803399 x 111.2344… = 179.98… (half a circle)
Quote:The Maya knew the exact length of the solar year (365.24 days) but retained 360 as the tun, a time period
embedded into the Long Count Calendar.
3.14 isn’t exactly ‘the’ square root of 186,000. It is more like dividing by the 10th power of 3. But still, it is beyond coincidence.
186,000 / (3)pwr10 = 3.1499…
There are even more correlations when dividing 186000 by 3’s, like you described :
186,000 / (3)pwr2 = 20,666.666…
186,000 / (3)pwr3 = 6888.888… (like you mentioned)
186,000 / (3)pwr5 = 765.432…
186,000 / (3)pwr6 = 255.144…
186,000 / (3)pwr10 = 3.1499…
If we take the speed of light in km/sec, rounded to 300,000 :
So 300,000km/sec + 144,000 = 444,000
444,000 / 1414 = 3.14…
666 / 212 = 3.1415…
Some more brain candy :
If you look at dimensions simply from a spacial perspective, you also get cool things :
If we take a 3D 6-sided cube :
It is 1 cube, 6 sides : 1 and 6
If we draw this cube out into 4D, we have to consider that each side of the cube is extrapolated into another cube, which would give us this :
It is 7 cubes (1+6). This shape is 30-sided (5×6).
But if we then extrapolate this shape further into 5D, we have to exptrapolate each side again. By extrapolating 6 sides again, we get this :
But the 4D shape, however, does not have 6 sides…it has 30 (5×6), so we have to extrapolate every 30 sides with the 4D shape :
This pic is not complete, I kinda lost track. Simply mental…
The full picture is 217 cubes (7×30 + the 7 cubes allready in the middle). It is 120-sided (30×4).
If we would extrapolate that further into 6D, we get another eary conclusion :
26257 cubes,…and 360 sides !
The relationship would be as follows :
cubes -> 1
sides -> 6
cubes -> 1×6 +1 = 7
sides -> 6 x 5 = 30
cubes -> 7 x 30 + 7 = 217
sides -> 30 x 4 = 120
cubes -> 217 x 120 + 217 = 26040
sides -> 120 x 3 = 360
(important thing also : 26040 / 360 = 72.333… -> one degree of arc)[/b]
In even more simple words :
Take the amount of cubes X the amount of sides + the amount of cubes (the one(s) allready in the middle), and you have the volume of cubes in the next dimension up.
for surface, the sides go by a multiplication of 5->4->3 as you go up…
A more visual way to see the correlations :
To get from 3D to 6D, for surface area, you need to do 3 extrapolations of 6 (=666 )
Not really sure however to which extend it would add up in real time though…a skillfull algebra freak however could work out the correct formula, because the correlation is clearly identical throughout…
But weirdly enough, while you cannot create a mandelbrot fractal by ‘inputting’ pi into the equasion, pi can always be deduced from the number of iterations resulting from redefining X into a smaller value (1, 0.1, 0.01,…). The number of iterations (n) will show you ever increasing approximations of pi :
Also notice that both pi and the speed of light are approximations to a number, but cannot be reached in reality :
PI is an irrational number, and no matter how many decimals you define, you can never define the exact number. You can never reach the exact approximation. It tries to define a circle, or better yet, in 3D, a sphere, but a perfect sphere can never be reached. If you zoom in enough into the smaller parts of the circle, or the sphere, you would see that they are actually nothing but a bunch of straight lines. When zooming out, they form the curve.
The speed of light is a speed which is allmost 300,000,000 m/s, but not quite. It is 299,792,458 m/s. Weirdly enough, the actual speed of light can never be reached, because the mass of an object will become infinite while getting ever closer to the actual speed. You approximate the speed of light to 99.9 or 99.999999999…% but you can never reach 100%, because of the exponential increase in mass.
Light expands in all directions at once. In 3D, it expands in a sphere. But knowing pi, we know that a perfect sphere can never be reached. I think that is exactly why the speed of light is also an approximation, and the exact speed can never be reached. I think even phontons, allthough thought to be massless, can never reach the true speed of light, but they approximate indefinitely.
You got how the dimensions work wrong.
Watch this and it will open up your theory even further.
This information gives rise to what most don’t see and tries into known quantum effects.
What we perceive as a total reality is just a fraction if infinite possibilities piled on top of each other.
Don’t get hung up on the numbers, you mind already interprets reality and all those mega long calculations and waveforms perfectly. The mind is ten dimensional.
Once you hit 5d the the law of association is no longer valid as you go up the dimensions the rules of mathematics all start to fail. At higher dimensions you cannot exclude any number than is not Zero also being Zero simultaneously. Using simple mathematic you will never be able to make Higher dimensional computations…but you don’t need to as your mind already does this as a part of it’s nature and existence.
Most of this kind of mathematics has put people on the lonney bin Godel for one. Trying to compare One infinity with another of different size has been seen to be necessary for mathematic but no-one has cracked it. Ask yourself why they need to be able to do that function……only a short jump form there to classified Military projects involving levitating objects.
I like Marco Rodin but he is only demonstrating Russel cubic waveforms in transition as the form of all Matter, Walter Russel had already thought of that.
Brucie Cathie at least understands the ancient mathematics of adding, subtracting and Multiplying waves but the Egyptians were doing that thousands of years ago using geometry and vectors.
Unless Marco makes some devices that do what J.Hutchinson can do and show the practical applications of his mathematic/philosophy then he will never be taken seriously by mainstream science.
Actually dimensions are not arrising from the numbers at all. The posts above try to show PATTERNS and SYMMETRY in the numbers and how they RELATE to dimensions, and what can be done using numbers…But when trying to show how dimensions themselves work, you have to look somewhere else. They arrise from sound. Study the chromatic scale and musical harmonics, number parity and it’s hidden symmetries, then study the works of haramein and Johan Oldenkamp, and then the work of melchizedek…then come back and we’ll discuss it…
Cathie mentions vibrational sine waves, but she actually doesn’t even incorporate more then 2 dimensions, cause then she would have represented them as vorteces…so she’s right regarding the number patterns, but her theory can’t even apply to explain multiple dimensions…
btw, forget the 5th, because you’ll have to learn how to move into and through the 4th first. If you allready did, you wouldn’t be here…
Wanna see something cool ?
My family was involved in the occult stuff, unknown to me until recently, after I had a remission from brain cancer.
I have this series of photos taken of me in a church, during a lunar eclipse 3 days after my birth, you can see the full moon through the oculus in the church roof.
No coincidence that the radius of the moon is 1080 miles, and my full name = 1080
The moon is 27% the size of the Earth
Dividing 72 by 27 gives you the same number you get by dividing 144,000 by 540 ( The real number of the beast )
266.6666666666667 ( Only the decimal place changes )
My last name = 540
My middle name, ” Isaac ” meaning ” he will laugh ”
Isaac = 33
1080/33 = 32.272727272727273
Of course, the harmonic series itself is in my name as well
1080 = 1
540 = 1/2
Last name ( 3rd of name ) = 1/3
1, 1/2, 1/3
What was in the beginning ?
Words are spoken with overtones
How did they pull that off ?
Don’t ask me how I came up with these numbers…LOL
Area of Circle 186,282
487.012 = Diameter of Circle
487 Ht of Pyramid x PI = 1530
1530/2 = 765
765 x 4 = 3060
3060 Sum Sphere Math = 77.7
77.7 x 78.7 = 3058
Pretty darn close….don’t know if it’s relevant or not.
Seemed cool though.
777 = Light
Cotton Balls….your 1080 is the Base Diagonal number
I showed it as 540 x 2
Want to know something you probably didn’t know ?
You have the secret of 369 embedded in you :
1080 = 1
540 = 1/2
Last name ( 3rd of name ) = 1/3
1080+540+360=1980 = 18 = 9
266.66×9.9= 2639.934 -> carry the 2 -> 639.936
266.666 + 99 = 365.666 (1 year + 666)
266.666 / 99 = 2,69359…
144/33 = 4.36
540/33 = 16.363636… (and 16 = 4×4)
1080/33 = 32.727272…(and 32 = (4×4)+(4×4) ; 72 = 36+36 )
->do you see the symmetry hidden there ?
In case anyone is interested.
Here are the Corresponding Sound Notes
B 4 = 487
G 5 = 765 Sound is 768
G 6 = 1530
G 7 = 3060
Sphere Sum 3060 = 77.7
G 5 = 777
A little story in those there numbers….LOL.
[quote=’CyberCyrus’ pid=’5323364′ dateline=’1362446597′]
Tesla once said : “If you only knew the magnificence of 3 6 and 9, you would know the key to the universe”.
What if he meant the sound ? the vibrations ?
Because, when you take the Solfeggio frequencies :
01 = 174 Hz
02 = 285 Hz
Ut = 396 Hz
Re = 417 Hz
Mi = 528 Hz
Fa = 639 Hz
Sol = 741 Hz
La = 852 Hz
09 = 963 Hz
You can see the symmetric position of 3 6 and 9.
Also, there are 111Hz between every frequency.
Also, when going one step further DOWN in frequency, we have 63 (174-111=63).
The last frequency, 963, when adding 111, goes back to the lowest, 174 (963+111= 10 + 7 + 4)
But there is more to this :
If we reduce the numbers :
This also correlates perfectly with what I’ve shown before :
They are the patterns formed by sequences 124857 and 369, and 142857 and 369.
Notice how the used digits are the same as in the Solfeggio frequencies.
1980 = 9
1/9 = 0.111…
sqrt(1980) = 44.4971… (representing 444->movement into higher reality)
my first name = 17
last name = 1246112 = 71 or 17
17/71=0.2394366…->carry the two= 0.396366
5+28=33 = 6
33×17=561 = 3
33×144 = 4752 = 9
Here ya Go Cyber Cyrus
I made this chart a while back
It’s The Sphere Sum Values
I almost never do any Math with cross referencing this to see if any of the numbers are significant.
There is so, so much to see in this.
Dates, Atomic weights, Frequencies, Units of Measurement, etc.
My Holy Grail to Numbers…LOL
a little more on 72 and 27
The 72 disciples sent by Jesus. (Lk 10,1)
The 70 ancients accompanying Moses that received an outpouring of the spirit, plus the 2 absent ones which had remained in the camp, Eldad and Medad. (Nb 11,25-26)
The 72 races resulting from Noah. They are enumerated in chapter 10 of the Genesis. There are fifteen descendants by Japhet, thirty by Cham, twenty-seven by Sem. The list is arbitrary since the descendants of Peleg are not taken into account, and that the fathers are counted at the same time that their sons.
The 72 languages confused to the Tower of Babel.
In the Gospel according to Philip and in the Gospel of the childhood of Jesus, it is written that one day, while he was youth, Jesus entered in the dyeing of Levi. He took 72 colors and threw them in the cauldron. Then Levi was in anger, but Jesus “take out them all white and tells: ‘It is thus indeed that the Son of the Man is come as dyer'”.
Osiris was enclosed in a coffin by 72 disciples and accomplices of Thyphon.
The life duration of the ovule is 72 hours.
The mass of the Moon is the 72th of that the Earth.
The volume of Saturn is 72 times of that the Earth.
It is the average number of cardiac pulsations of the man per minute.
Percentage of water of which the human body is composed.
The number 72 is used 4 times in the Bible.
In the Bible, 72 numbers written in their cardinal form are multiple of twelve.
The word curse is used 72 times in the Bible: 66 times in the OT and 6 times in the NT
66+6 = 72
The above( and more ) from the website ” riding the beast ‘
and for 27
Number of generations from David to the Christ according to the Gospel of Matthew. (Mt 1,1-17)
The New Testament of the Bible of Jerusalem contains 27 books.
The 27th (3x3x3) book of the Protestant Bible edition contains 3x3x3x30 verses. The 3rd book contains 3x3x3 chapters and 3x3x3x3x3x3+130 verses. The 3 first books of the Bible have 3x3x13 chapters.
The last book of the New Testament, is the 27th, the feast of the John the Revelator is celebrated on December 27.
The number 27 is used 6 times in the Bible.
The book of the Acts of the Apostles in the NT uses on the whole 27 different numbers, which are numbers 1 to 12, 14, 15, 20, 40, 70, 75, 120, 200, 276, 400, 450, 3000, 4000, 5000 and 50000.
The number 500 is used 27 times in the Bible.
Among the 365 different numbers found in the Bible, 27 of them are prime numbers, counting the number one.
The above also from ” riding the beast ”
Just tossing it out for thought, there’s definitely some stories to the numbers.
I know offhand that 1080 ( number of the holy spirit derived by dividing 144,000 by 666 ), also radius of the moon in miles, aprox ) is a product of 27*40, and accordingly, the number 40 is used in the bible quite a few times.
So, 15 times, the number 40 is used in the bible
lo and behold:
1080/72 = 15
1080/27 = 40
40/15 = 2.666666666666667 <–that’s a familiar number
Guess I’ll have to compile a list of the numbers and frequencies the numbers are used in the bible and play around with them for a few days
wisdom, 222 times
Elohim , 33 times
number 7, 137 times
etc, etc, etc
well have to look for series, infinite series, divergent series, etc.
Those are where physics constants will probably start to show up, I’m guessing.
The atomic number of the highest allowed element on the periodic table allowed by the Bohr Model and the Dirac equation….
…is 137 the Golden Angle
Read More – [SOURCE : http://lunaticoutpost.com/thread-295917.html ]
They’re all pyramids
Some mind expansion for the pyramid lovers out there…
These structures are of a single global race, or even a single mind, and most are much older then the lies they always ‘make’ believe…
Semir connects them all, no matter where on the globe, and explains the hidden connections…
And 144,000/432 = ?
That should be related to our calendar year vs Speed of Light.
Points to a date of 12,000 BC
Again Time is involved… a frequency of 432 was a good catch on your part.
I find it simply amazing that they knew so much about the Physics of Time, Light, Sound, Gravity, Electrostatic Energy, Spherical Inverse Propagation, etc..
Just mind melting…..therefore I put nothing past them as far as how advanced they could have been.
Time Travel Bio-Location portals included.
And to think, the entire World knew of this at one time…wow.
Let’s expand on it a bit
144,000/432 = 333.3333333333333
144 = F_12 ( The 12th number in the Fibonacci series )
This is interesting for several reasons
The 33rd prime in pi is 137
144-137 = 7
How many times is the number 7 used in the Book of Revelation ?
137 is a number representing the Alpha Constant, among other things..
The Alpha Constant is a combination of : e – electron charge, h – Planck constant, c – speed of light.
e ” = ~ 2.71828….
What’s the first self-locating string in pi ?
32+79 = 111
111 = the constant in the Babylonian magic square with a total of 666
First 144 digits in pi = 666
144-33 = 111
etc, etc, ad infinitum
Like you, I have noticed some strange things
Here’s Gizah, top-down :
I drew two lines to show the angle like the three stars of Orion.
So from first to second is a straight line, then from second to third, there’s an angle.
I’ve considered only two things :
1. the length from the tip of the 1st to the tip of the 2nd pyramid is 36mm from this height. The length from 2nd to 3rd is also 36mm. So the distance in between all three tips is the same.
2. The angle (from 2nd to 3rd) is 12°.
By doing this, I noticed something :
If you continue this trend, by going on to a 4th point following the same length and angle of 12°, and keep doing that over and over, you will end up with a full circle.
Moreover, with an angle of 12°, layed out exactly ! 30x over a length of 36mm from point to point, you get back to the same point, the tip of the 1st pyramid, with a full 360° circle made…
Notice that this isn’t the golden mean. It’s a relationship of PI. (The PHI spiral is supposed to originate somewhere near to Abu Gorab and Abusir, and crosses the 3 main pyramids and the red pyramid at Dahshur…)
I didn’t even bother with the underlying math right now, cause it’s obvious it’s a relationship of pi, and I wanted to show you this. Also, I’m having trouble getting a bigger image to extend it fully round.
Don’t know if this is what the builders also intended, but still, quite a nice property hidden in the structure, no ? Don’t think this has been discussed b4, and maybe deserves some deeper study ? ….
Another interesting bit, and I’m not trying to steer this into a religious discussion.
137 atoms in both Hemoglobin (carries O2 in Human blood ) and chlorophyll ( a molecule that captures light and extracts energy in reaction centers with and just happens to be shaped like a 5-pointed star, iow, a pentagram ) So, kinda neat that turning light into charge separation by way of something called ” Förster resonance energy transfer ” happens in little pentagram-shaped molecules.
They also differ by one ion ( hemoglobin/chlorophyll ) afaik.
I’ll just add this because it is a curiosity that seems related.
In the Babylonian magic square, each row adds up to 111, the whole square totals 666.
In the magic square associated with the moon, the constant is 369( Tesla’s favorite numbers, remember ? )
9 rows that add up to 369
369*9 = 3321
33*21 = 693 ( The same 3 numbers used in the constant of the magic square )
The interesting thing here is that Thoth supposedly gambled with the moon to add 5 days to our year, by taking 1/72 of the light from each day, to make our year 365 days.
360*72 = 5
The same way we make a pentacle/polygon inside a circle.
1080, the approximation of equatorial radius of the moon in miles.
666, the sum of the Babylonian magic square, also sum of the first 144 digits in pi.
1080/666 = ~ Phi ( The Golden Proportion )
Of course, those numbers are in the infamous Bible too,lol.
Where light is turned into charge separation in chlorophyll molecules:
And if you overlay Orion with it, you get this (it’s not measured out, but it is proportionate, so forgive the slight inaccuracies. It was done quickly) :
That’s Betlegeuse at the centre of the circle :
Some correlations :
See if you can place the diagram for deriving Euler’s number from a circle, just for fun, because it starts with 2.7.
The moon is 27% of the size of the Earth
27 and 72 are both numbers that seem to have great importance, so I decided to divide them by each other, out of curiosity about mirroring and boustrophedonics.
72/27 = 2.666666666666667
So, knowing a little bit about things, how the moon is associated with many deities, but also this silly antichrist business, AKA Allister Crowley’s ” Moonchild “, etc, I looked up the word ” beast ” in Hebrew, which as it turns out has a value of 540, and not 666 like everybody spouts. ( I am aware there are many different methods of gematria leading do differing results, this is just one I found )
The thing that people don’t seem to grasp about the verse in the bible about ” number of the beast ” is that there would be no point to giving the riddle and the answer to the riddle at the same time.
It’s like the biggest puzzle of all time
So, if you divide 144,000 by 540 ( The real number associated with the Hebrew word ” beast “, which is ” Tanniyn ” spelled slightly differently sometimes ) you get ?
144,000/540 = 266.6666666666667
So, the skinny here is that these numbers are not by mistake.
144,000/666 = 216.2162162162162
216*5 = 1080
144,000/1080 = 133.3333333333333
133.3333333333333*5 = 666.6666666666667
Notice that 27 is given in the end of two numbers above, 1080 , the number associated in Greek with the Holy Spirit, and 666, the number associated with the devil, lol.
But the real number of the beast is started with 2, and ends with 7, plus it has all those little 6’s everybody is afraid of.
” Holy Spirit ” divided by the ” devil ” = God’s own fingerprint.
The bible even states many times that ” God made ” good and evil ” , but show most Christians these things and their brains short circuit.
1080/666 = ~ Phi
All about Phi
It has also been noted that the Tetragrammaton occurs 153 times in the Book of Genesis. ”
This is interesting because the alphanumeric relationships of the letters in the Tetragrammaton also seem to point to Phi again !
What after reading the Wikipedia page and seeing this:
Well, first, if you subtract the last number of the 4th factorial pyramid, which is 33, from the last number of the 5th factorial, which is 153, you get 120.
If you multiply 120 by 3, you 360 ( The number of degrees in a circle )
The square root of 153 (i.e. 12.369) is the amount of full moons in one year. (Sent by James Furia by email dt 16th June, 2009) ”
^^^ That’s interesting because of the constant of the magic square associated with the moon is 369 ^^
” The length of the grand gallery inside the Great Pyramid is 153 feet. (Sent by James Furia by email dt 16th June, 2009)
Binary presentation i.e. 10011001 and hexadecimal presentation i.e. 99 of 153 are palindromes. (Sent by Lauri.Kukko@ilkka-yhtyma.fi by email dt 29th May, 2010)
Within the Great Pyramid, from the King’s Chamber floor up to the summit platform there are 153 courses of masonry (From the Pyramidology Book #1 by Adam Rutherford). (Sent by Joe Biddy by email dt 1st October, 2010)
(11 + 55 + 33) mod 1000 = 153 (Sent by M Sihabudin, from Indonesia)
If you add the highest and lowest number from these six
135 + 531
153 + 513
315 + 351
you will get 666 ”
There are some other fascinating properties of the number 153 here:
It was interesting, but it was hard to accept the presenter’s theories after ~ 16:30 when he describes a vehicle above an entrance of a pyramid in Honduras, I just don’t see it.
Lol, it’s this one :
It’s the shape of a vehicle (rightside is front, leftside is back).
Notice the cabin in the middle, and the engine at the back.
In the cabin there is a Mayan (the mayan face).
The red swirl represents the solar system, the white swirl represents the galaxy. The entire pic represents them going from our solar system through the (centre of the) galaxy, by means of some kind of ‘vehicle’.
It reminds me of this one :
Also with the cabin in the middle with the Mayan, and the engine at the back…
If you go into the numbers, then it’s all about the underlying symmetries :
Do you see the fibonnacci sequence ?
1, 1, 2, 3, 5, 8, ….sitting right in front of you at the beginning of each iteration.
But there is more, Mr. Anderson.
Count which series each number appears in :
Iterations 1, 2, 3, 5, 8, 13, … again showing the same golden series of numbers.
This is the structural plan that the matrix follows to replicate it’s code upon. It has, as you can see, a reverse ‘self-check’ inside it’s programming structure.
This is the wave to ride upon, Mr. Anderson…when the time comes.
Understand opposites, Mr. Anderson. This reversal inside the code will become important soon…when the time comes…
In the bible, Mr. Anderson, there are also hidden matrices of both words and numbers, both in the Hebrew and English texts.
Some texts reveil the existence of source, in the words, but also in the numbers…
Exodus 13-12 :
That thou shalt set apart unto the LORD all that openeth the matrix, and every firstling that cometh of a beast which thou hast; the males shall be the LORD’S.
12 / 13 = 0.9230769230769230769230769…
reduce all numbers in between 69 :
0.369 369 369 369… (reduced = 9) -> SEQUENCE 1
Exodus 13-15 :
And it came to pass, when Pharaoh would hardly let us go, that the Lord slew all the firstborn in the land of Egypt, both the firstborn of man, and the firstborn of beast: therefore I sacrifice to the Lord all that openeth the matrix, being males; but all the firstborn of my children I redeem.
15 / 13 = 1.153 846 153 846 153 846 153 846…
153 = 9
846 = 9
153 + 846 = 999
846 – 153 = 693
846 / 153 = 5.5294117647058823529411764705882…
reduce all numbers behind the truth (1) :
1.153 846 153 846 153 846 153 846…
reduced = 1.9 9 9 9 9…. -> SEQUENCE 2
Divide both sequences :
1.999999999999999999999… / 0.369369369369369369369 =
5,41463 41463 41463 41463 41463 41463… -> SEQUENCE 3
We also previously talked about the meaning of 144. It is truth, accompanied by the symmetry of 44. The emergence of the conciousness of ONE.
144 = 441 = 414
(= 441144 = 441441 = 414414)
This is the same symmetry of 4’s, guarding the truth at the centre. The conciousness of ONE, containing the truth within, diguised as coming from the source (414 = 9). That is why the matrix cannot directly distinguish the ONE inside the Matrix, Neo. It can only detect the changes in flow the ONE generates. Become the source, but realise that the source is not the Matrix, so “becoming the Matrix” is impossible, and a misinterpretation of the mind. The Matrix is the result of a program created by the source. The sum of replications coming from the source. When looking at your code, the source only sees you being part of it.
5,41463 41463 41463 41463 41463 41463…
Reduce the numbers in between the 63 (63=9), and it becomes :
5.963 963 963 963 963 963
Which is 369 reversed, and also 9. Let us explain 369. 9 is the source, and is guarded by 3 and 6.
The 3 is the guardian of the first sub-level. Always between groundlevel and first sub-level. The 6 is guardian of ALL sub-levels, all the way down untill the 6 becomes the 9 again. The 6 provides the last connection with the source, and allows the source to start a new iteration…we can even derive the expansion and contraction of the source from this number alone…
It is locked inside the number 369 itself.
With 9 as source, 36 or 63 is one of the first replications of the source (36=9;63=9). As being among the first, they have a special purpose, to guard the main gateways to the source.
source – top levels = 9 – 3 = 6 (= guardian of the sub-levels below)
source – sub-levels = 9 – 6 = 3 (= guardian of the top levels)
The 3 connects the top levels with the sub-levels.
The 6 connects the top levels with the source.
In this manner, the 3 is also connected to the source.
With 9 at the bottom of the vortex, as startingpoint, it goes : 9->6->3->36->369 (=expansion of the Matrix), then 369->63->3->6->9 (=contraction of the Matrix). Both guards always conceil the source. The 3’s for top levels, the 6’s for bottom levels…
The depiction of the vortex is not completely accurate, because actually the 363636 and 3693693693 intertwine on the same top-level. But the sequence is correct. In your mind, try to see it 360 degrees around the 9, and in a 3D confined space while within a confined direction of time. See the truth, Mr. Anderson…
Another way to see that 3 and 6 is always directly connected with 9, and 144 with 369 :
123 x 3 = 369
456 x 6 = 2736 = 936
679 x 9 = 6111 = 63 = 9 (639) -> (679=123+456 ; 9=3+6)
369 = 9 x 41 -> 41 are the digits of 144, without the projected symmetry
441 / 41 = 10.75609756097560975609…
reduced = 10.369 369 369 369
411 / 41 = 10.02439024390243902439…
reduced = 10.639 639 639 639 639…
414 / 41 = 10.09756097560975609756…
reduced = 10.936936936936936…
144 / 41 = 3.51 219512195121951219…
reduced = 3.639639639639
411 / 369 = 1.11382113821138211…
reduced = 1.11411411411411…
114 / 369 = 0.30894308943089430894…
reduced = 0.114114114114114… (11=2)
414 / 369 = 5.529411(=4) 764705(=11) 88235294(=41) 11764705(=4)…
reduced = 5.4 11 41 4
441 / 369 = 1.1 95121 95121 95121 95121…
reduced = 1.1 963 963 963 963… (1.1 = 11)
To see that 1 is truth, just divide 41 (= truth without the symmetry of 4’s) by 369 :
41 / 369 = 0.11111111111111111111111…..
Divide naked truth by 369 :
1 / 369 = 0.00271002710027100271…
…and truth will remain, but tainted by the Matrix Source of 9 :
However, didide source by 369 :
9 / 369 = 0.02439024390243902439
reduced = 0.0639 639 639 639… (= still ONLY source)
Source is also 666, as we allready know too well :
666 / 369 = 1.80487 80487 80487 80487…
reduced = 1.9 9 9 9… (= still ONLY source)
369 is also the magic constant in the 9×9 magic square of the moon, which reveals the Moon as a seal, locked down by the 369. These are seals put into place by the architect, Mr. anderson…but there are loopholes that lead outside of the Matrix…
Once you understand the basic mechanics of wheels within wheels, Mr. Anderson, as shown in the previous post, you will start to see the meaning of 369.
369 is, also NOT coincidentally, the number of free possible Octomino’s.
An octomino is a polyomino of order 8.
8 signifies infinity, but as we allready pointed out, the Matrix creates the illusion of infinity, finite cycles working as wheels within wheels to simulate an infinite system. That is the meaning of 8, Mr. Anderson.
If you study octomino’s, Mr. Anderson, you will quickly notice something that defines the nature of the Matrix, and that which exists within it :
Within the 369 free octomino’s, you will see that :
316 of the free octominoes have NO SYMMETRY. Their symmetry group consists only of the identity mapping. This is a blueprint for the LIFELESS Matrix, Neo ! More accurately, the artificial conciousness and construct of the Matrix.
23 of the free octominoes have an axis of reflection symmetry aligned with the gridlines. Their symmetry group has two elements, the identity and the reflection in a line parallel to the sides of the squares.
(Do notice that all HUMANS have 23 active chromosome’s, Mr. Anderson…)
5 octominoes have an axis of reflection symmetry at 45° to the gridlines. Their symmetry group has two elements, the identity and a diagonal reflection.
18 octominoes have point symmetry, also known as rotational symmetry of order 2. Their symmetry group has two elements, the identity and the 180° rotation
1 octomino has rotational symmetry of order 4. Its symmetry group has four elements, the identity and the 90°, 180° and 270° rotations
4 octominoes have two axes of reflection symmetry, both aligned with the gridlines. Their symmetry group has four elements, the identity, two reflections and the 180° rotation.
1 octomino has two axes of reflection symmetry, both aligned with the diagonals. Its symmetry group is also the dihedral group of order 2 with four elements.
1 octomino has four axes of reflection symmetry, aligned with the gridlines and the diagonals, and rotational symmetry of order 4. Its symmetry group has eight elements.
Together, these 53 octomino’s form the sum of LIVING things inside the Matrix.
THIS is a blueprint for LIFE within the Matrix, Neo ! More accurately, the conciousness of true LIFE within the Matrix. It is only your mind living within it, Neo !
Together these 369 octomino’s form the basic construction of the Matrix and everything within it.
The set of octominoes is the lowest order of polyomino set in which all eight possible symmetries are realized.
The architect had to construct the Matrix from this set, for two reasons : 1. because he cannot gain the same control if the source existed at higher orders of construction. The source must be contained within the lowest set for maintaining control over it’s devellopment and progression. And 2. because the octomino is the lowest order that realises all 8 symmetries within. He needs those 8 symmetries to be able to maintain conciousness inside the Matrix, and simulate the real word artificially.
Still, Mr. Anderson, this is only from one viewpoint and actually only represents one part of the entire blueprint, and we could also include discussing the higher sets of polyomino’s. We will leave that to your own discovery, Neo, or discuss it at some later time.
We will leave you with this, Mr. Anderson, and let this sink in in your mind…
Here is another number for you…for me too actually.
Where is it at within the Matrix?
If my theory is right, it should be everywhere within the Matrix.
196.966569 x 0.11 = 21.66632259
And it’s source is reveiled…but is it ?
Seem a little too apparant to us, the 666 is reveiled to quickly and it’s path too short. There is more going on, we suspect…
We allready discussed the disguised path of the ONE throughout the code of the Matrix, after it’s conciousness emerges, and the symmetry of 22 reveils this possibility in between the 369…
Reduce all but the 6 and 9 :
21.66632259 = 3.66699 (= 3, 6 and 9)
Still source, so we look backwards a little deeper yet :
If we divide this partially reveiled code (incl. 22) by 369 :
21.66632259 / 369 = 0.058716321382113821138211382…
We allready see the truth within (11 11 11).
Reduce in between the truth, and we see what it conceils deeper down :
The initial code is a result from ONE conciousness, Mr. Anderson, along the way disguising as if it originated from the Matrix source, and yes, by now it is everywhere within the Matrix. The true ONE is undefined, Mr. Anderson, and the Matrix cannot distinguish it from an artificially produced 1. Something that is undefined within the Matrix is discarded untill it reaches the source, because it cannot be defined anyway. Only when it reaches the source, can it’s various parts be assymilated and re-inserted in a new iteration…
And 2 usually conceils the perfect symmetry of 11, so even deeper it is also 0.11111411411411…
Symmetry when coming from the Matrix always results from asymmetry on a lower level, but coming from the ONE, the symmetry is true and is conceiled deep within the undefined core of the ONE. When trying to define it, Neo, it will keep reveiling symmetry no matter how deep you go.
CyberCyrus Wrote: (02-20-2013 06:28 AM)
Where did you learn/find out all this information anyway??
It is hidden in the construction of the Matrix itself, Mr. Anderson.
I’ve been trying to follow this thread, but numbers are a constant source of vexation to me.
Aside from that, something has rubbed me wrong about this thread from the beginning.
I simply don’t believe it’s up to me or any other human being alive at this time to “save the world”.
Jesus said “It is finished”. I believe Him.
Look around you, Mr. Anderson. All the hate, violence, death and suffering you see in your ‘reality’, do you really think this is Jesus’ idea of it being ‘finished’ ?
You see love also and caring, and other good things within the Matrix, Mr. Anderson, and that is MOST definately the ONE at work within the Matrix, but the ONE is still not freed from it.
For the true Creator it is allready finished, as stated just a few posts before, but for YOU, Neo, it is NOT. Not as long as the Matrix has you living inside it. The final result is STILL a fluctuation, Mr. Anderson, and awaiting the outcome of your CHOICES.
If you take the 23.69, Mr. Anderson, and know the 2 is also 11 :
113.69 x π = 357.16766878662359328081792624505
357.16766878662359328081792624505 + π =
Which is very close to the 360 degrees of a full circle.
But the circle is still inside a square. Notice the 144 within…
Also notice the 1.69 in the top left of this very post (temporarily).
Convergence is key, Mr. Anderson…
Quote:Golden ratio :
1 1 2 3 5 8 …
11 113 58 …
(take the left (11), and shift it to the right : 58+11=69)
If we take a subdivision of ONE conciousness in reverse : 0.441 (144 reverse)
and add a division of 196 to it :
0.441 + 0.0196 = 0.4606
multiply it with a subdivision of 369 :
0.4606 x 0.369 = 0.169 961 4
(= 169 and 961 which is 169 reverse. Mind the 4, and where it is coming from…)
0.1699614 + 196.966569 (YOUR NUMBER) = 197,136
197,136 is also the 444 square !
444 x 444 = 197,136
444 – 234 = 210
210 x 210 = 44100
CyberCyrus Wrote: (02-21-2013 10:48 AM)
Wheels within wheels
Wheels within wheels…
THE Matrix is a perfect square (multi-dimensionally layered) which contains the circle, Mr. Anderson.
But the circle can never be perfectly defined within that square, and it’s true core remains undefined even in the eyes of the architect.
There will ALWAYS be a residual result from the equasion, no matter HOW SMALL (size is IRRELEVANT, Mr. Anderson), which ultimately will provide a way for the ONE out of the Matrix.
PI, Mr. Anderson. The circle squared…
To make you understand even more how the big thing works, we will try to make you understand more how the little things work.
Looking at a simple 2D Matrix of just a couple numbers :
025 195 908 475 657 893 494 027 183 240 048 398 571 429
282 126 204 032 027 777 137 836 043 662 020 707 595 556
264 018 525 880 784 406 918 290 641 249 515 082 189 298
559 149 176 184 502 808 489 120 072 844 992 687 392 807
287 776 735 971 418 347 270 261 896 375 014 971 824 691
165 077 613 379 859 095 700 097 330 459 748 808 428 401
797 429 100 642 458 691 817 195 118 746 121 515 172 654
632 282 216 869 987 549 182 422 433 637 259 085 141 865
462 043 576 798 423 387 184 774 447 920 739 934 236 584
823 824 281 198 163 815 010 674 810 451 660 377 306 056
201 619 676 256 133 844 143 603 833 904 414 952 634 432
190 114 657 544 454 178 424 020 924 616 515 723 350 778
This is a 504 digit number, but without looking at what the underlying code actually means, we will use this as an example for explaining the mechanics of the Matrix.
You have to realise first that the reality being processed in your mind comprises of countless of these matrices, from 2D to 4D (=time), with even the potential to simulate beyond 4D where necessary to keep the mind confined, but their final volume and surface area’s will eventually each time reach their maximums, because of the finite nature of the Matrix. More on that in a bit, Mr. Anderson.
All these matrices are locked upon each other, intertwined, and ROTATE UPON each other constantly, like the chain on a bicycle, but in this case a LOT of chains intertwined and interconnected shifting in various directions in very rapid succession.
Temporary interlocks created during the constant rotations define the data to be processed, and define the structure of the consecutively created matrices within THE Matrix.
We will now be looking at how just one of those chains operates.
So imagine these numbers to constantly being IN ROTATION.
It is a wheel of numbers, constantly spinning and certain rows and columns continuously change direction to predefine every interlock (in 2D: left/right, up/down, in 3D also back forth, etc…).
The interlocks are predefined by rotating the wheels of numbers in such a way that certain numbers, relating to each other and the matrices around it, are alligning in certain directions. The Matrix constantly shifts to find these interlocks and calculate the data in between. A process we will try to visualise for you now, Neo…
An interlock can be the allignment of a single digit, a number, numbers in some way related to each other or related to the matrices intertwined with it.
Here we will demonstrate these mechanics by using a simple allignment of the digit 7. We are each time rotating rows and columns, so that certain predefined patterns of the digit 7 allign :
025 195 908 475 657 893 494 027 183 240 048 398 571 429
282 126 204 032 027 777 137 836 043 662 020 707 595 556
264 018 525 880 784 406 918 290 641 249 515 082 189 298
559 149 176 184 502 808 489 120 072 844 992 687 392 807
287 776 735 971 418 347 270 261 896 375 014 971 824 691
165 077 613 379 859 095 700 097 330 459 748 808 428 401
797 429 100 642 458 691 817 195 118 746 121 515 172 654
632 282 216 869 987 549 182 422 433 637 259 085 141 865
462 043 576 798 423 387 184 774 447 920 739 934 236 584
823 824 281 198 163 815 010 674 810 451 660 377 306 056
201 619 676 256 133 844 143 603 833 904 414 952 634 432
190 114 657 544 454 178 424 020 924 616 515 723 350 778
Various possible horizontal rotations :
025 195 908 475 657 893 494 027 183 240 048 398 571 429
126 204 032 027 777 137 836 043 662 020 707 595 556 282
264 018 525 880 784 406 918 290 641 249 515 082 189 298
392 807 559 149 176 184 502 808 489 120 072 844 992 687
776 735 971 418 347 270 261 896 375 014 971 824 691 287
077 613 379 859 095 700 097 330 459 748 808 428 401 165
195 118 746 121 515 172 654 797 429 100 642 458 691 817
987 549 182 422 433 637 259 085 141 865 632 282 216 869
462 043 576 798 423 387 184 774 447 920 739 934 236 584
010 674 810 451 660 377 306 056 823 824 281 198 163 815
952 634 432 201 619 676 256 133 844 143 603 833 904 414
190 114 657 544 454 178 424 020 924 616 515 723 350 778
183 240 048 398 571 429 025 195 908 475 657 893 494 027
137 836 043 662 020 707 595 556 282 126 204 032 027 777
406 918 290 641 249 515 082 189 298 264 018 525 880 784
844 992 687 392 807 559 149 176 184 502 808 489 120 072
418 347 270 261 896 375 014 971 824 691 287 776 735 971
613 379 859 095 700 097 330 459 748 808 428 401 165 077
654 797 429 100 642 458 691 817 195 118 746 121 515 172
549 182 422 433 637 259 085 141 865 632 282 216 869 987
184 774 447 920 739 934 236 584 462 043 576 798 423 387
810 451 660 377 306 056 823 824 281 198 163 815 010 674
256 133 844 143 603 833 904 414 952 634 432 201 619 676
424 020 924 616 515 723 350 778 190 114 657 544 454 178
When an additional primer is located, like for instance the 80 and 20 in blue and red, they are also used as additional anker-points to define the allignments and the final results of data in between the allignments during that rotation.
Various possible horizontal + vertical rotations combined :
This type of data recognition happens on every level in both the original and inverses of each matrix within THE Matrix, and gets as complex as it is intended to be, with all possible patterns and relationships emerging that are burried deep within the code.
By creating such an allignment or ‘interlock’, the Matrix can accumulate the data around the allignment, and determine a certain identity for this data by defining the inverse of the matrix at the moment of every allignment.
So at the moment of an allignment, like the 7 above, by looking at what the values in between the allignments are, both when the 7’s are 7’s and when they are 1/7, this matrix can identify all it’s values, and the values that connect them to the surrounding matrices, by effectively determining all other possible relationships in between during this allignment and using them as ‘primers’ or anker-points for the necessary calculations.
However, a number can be reciprocated by dividing it, but an entire matrix cannot be ‘divided’, so the identity of every seperate value is determined by multiplying them by the inverse of every total picture of relationships (A x A^1 = I, with I being the identity matrix). To keep your mind as clear as possible, Mr. Anderson, we will avoid going to deep into the mathematics…
Some matrices cannot be fully identified in this manner alone, specifically the ones that are not squared but rectangular in structure, but the architect has put additional mechanisms in place to succesfully identify as much as possible of the residual data within the structure of THE Matrix. Some of those mechanisms have allready been discussed previously, others we have not yet.
By shifting all the matrices and looking at all possible relationships within the code, the Matrix can determine the next possible outcome of most of the data in between the relationships. With every rotation, THE Matrix will always accumulate the optimal amount of allignments possible within every matrix AND amongst them, derive it’s results from them, and from these results, keep constructing the simulation within the mind.
Patterns are recognized and results incorporated into the next rotations.
The residual data after every result, however, that which constitutes the undefined wholeness of the ONE, is what the architect cannot fully control, and is what holds the key for the mind of the ONE to go beyond this control.
Quote:11 is a Master Number, also in astrology, Mr. Anderson.
The other 2 Master Numbers arrise from 11 :
11 = 2 reduced -> 22
22+11 = 3 reduced -> 33
22 = 4 reduced -> 44 (=ONE conciousness in 4D)
Or reversed :
44 -> 22+22
22 -> 11+11
cross-addition : 11+22 or 22+11 -> 33 (in between 22 and 44)
11 is the original symmetry, and can’t be split into smaller parts without loosing the symmetry. Symmetry of 44 results from the original symmetry, and is usually accompanied by 1 or symmetry of 1
444 = also 4422 is also 441111, etc…
Following the trend of our previous post :
There is a relationship between the 9 digits, which is exactly the same whether you add, subtract, divide or multiply.
We will show you how all digits are connected to the 9, and how the 9 rules everything within the Matrix. 3 and 6 are more special then the remaining digits, and have a more intricate relationship to the 9.
We first represent the 9 digits in a circle, and we will explain how decimal parity works :
It’s just the circomference of a circle divided into 9.
This is your most important tool to visualise the relationships between the numbers and their parity :
First we will attempt to explain decimal parity.
When counting from 1 to 9, we progress simply clockwise starting at one, untill we reach 9 :
After 9 comes 10, but we see in the picture that we are back at one.
10=1 reduced, so this adds up to what we see in the pic.
1, 10 and 19 have the same parity they share parity 1). So do 2, 11 and 20 (they share parity 2), and so on…
You can go as high as you want, with or without decimals, it will ALWAYS add up.
When going from 9 back to 1, a normalisation must occur by adding a 0 to the start of the next cycle.
When going from 18 to 19, it is still the same parity of 9 going to 1 again by adding a 0 (an important notion to factor in!). 27 to 28 is still 9 going to 1 by adding a zero. The 0 is of upmost importance for a new cycle to start, but yet it’s role is played out allmost completely unnoticed…in fact without this normalisation the entire system of parities would collapse.
Now for the relationships between the parities. The same parities will keep arrising whether you add, subtract, divide or multiply any digit. It even works just the same if you use decimals, but for the sake of simplicity we will work with the integers alone.
We will however show this in the most elaborate way, by summing them all up, one by one, showing the sequences of numbers formed and how they are connected with each other. After that we will show them again, but also showing the PATTERNS that arrise from the parities, and how the SAME connections between the parities can be derived from the patterns themselves.
If you read on, having understood the above, you will be amazed at the manner which in which this connects it all, Mr. Anderson…
First we add, going through the entire cycle from 1 to 9 :
We always start at the position of 9, because 9 is at the centre of the entire system :
9+7 =16=7 ______72+7= 79= 16 = 7
16+7=23=5 ______79+7= 86= 14 = 5
23+7=30=3 ______86+7= 93= 12 = 3
30+7=37=1 ______93+7= 100= 1 = 1
37+7=44=8 ______100+7= 107= 8 = 8
44+7=51=6 ______107+7= 114= 6 = 6
51+7=58=4 ______114+7= 121= 4 = 4
58+7=65=2 ______121+7= 128= 11 = 2
65+7=72=9 ______128+7= 135= 9 = 9
Lots of things are allready revealed.
First of, every sequence starts and ends with 9 (9 as starting point, and last result is also always 9).
The addition of 3 only results in 369 throughout, and the addition of 6 only results in 936 throughout, showing the special relationship between these three numbers. 3 and 6 are the left and right hand of 9, and the guardians of the various levels, or loopholes, within the Matrix.
By looking at the final results above, we see these sequences from additions of 1 through 9 :
Look CLOSER, Mr. Anderson !
The entire grid is perfectly symmetrical, ALL ENCAPSULATED by the 9’s.
If you think it is not ‘fully’ encapsulated by the 9’s, you are forgetting one thing, Neo…
Add the INVERSE symmetries and stick them to the grid, and you get this :
If you notice both the perfect symmetry and the encapsulation, Mr. Anderson, then you are paying attention…
The entire grid is in perfect symmetry, AND all occurs WITHIN the 9.
This entire grid, including the symmetry is reveiled from ONLY adding from 1 to 9, following the numeric reduced parity of the numbers.
The 3’s and 6’s are what binds and maintains the symmetry within.
If you look closely you can see how they do this :
And they ROTATE around the central 9, all the way throughout and within the structure :
They form the initial rotating Matrix, around which all other patterns are binded, and they also form the MAIN anker-points which interconnect the various matrices in multiple dimensions, connecting all matrices wihin THE Matrix, all in symmetrically inversed polarity AND parity.
In the initial calculation tables above, in BLUE, we have pointed out some parts of the underlying sequences within the calculations (and one example with the +7 how the same parity is retained even in the higher numbers) from which you can derrive the same portrayed symmetry, but by simply laying them in a grid you can instantly visualise the complete symmetry without any further calculations…
Simplicity, Mr. Anderson. Even the most complicated things are constructed from the same SIMPLICITY OF 9. Within the 9, ALL patterns within the Matrix occur, even for instance the doubling sequence that constructs cel division, DNA sequences, bits and bytes, etc…
(->1 2 4 8 16 32 64, which comes from 1 2 4 8 7 5 1 parity).
64 represents one replicative UNIT. Upon each consecutive 64 (parity 1), the complexity of replication increases 1 level.
Notice also that within this process, 63 (=parity 9 on level 7) is the FINAL word within each replicative unit, again showing the additional and special role of 3 and 6.
Let’s look at that doubling pattern (1248751) within this grid :
We can immediately notice, Neo, if you haven’t before, that it is simply the entire grid without the 3 and 6, still all revolving around the 9.
This is the doubling sequence of 1-2-4-8-16-32-64, but this little grid only shows 9 replications within a unit. To see the entire unit of 64, you’ll have to add another 54 replications outward with the same symmetry.
This pattern represents ALL life within the Matrix, held together by the forces of the 9, 3 and 6. The 1’s and 4’s you see in this grid form the conciousness of the ONE.
The constructing force within THE Matrix is not visible. The 3’s, 6’s and 9’s are also not visible within this pattern. If you are aware, however, you can derrive the force of 9 above 6 and 3 within the real thing, like it is portrayed here, the force which defines the entire construction of the Matrix and the life locked away in it.
Now for another way to see exactly what kinds of patterns are actually formed within this little matrix, we will work with the circle again :
Here are all additions from 1 through 9, showing well defined geometric patterns by simply drawing the sequence, always starting at the position of 9 :
Addition of 1 (= 123456789) :
Addition of 2 (= 246813579) :
Addition of 3 (= 369369369) :
Addition of 4 (= 483726159) :
Addition of 5 (= 516273849) :
Addition of 6 (= 639639639) :
Addition of 7 (= 753186429) :
Addition of 8 (= 876543219) :
Addition of 9 (= 999999999) :
This actually simply forms the entire circle in which all other patterns exist. AGAIN showing you that all occurs within the 9.
If you look closely at all patterns formed by the additions from 1 to 9, you will notice the following :
1 and 8 share the same pattern (1 is forward, 8 is reverse)
-> 1+8 = 9
2 and 7 share the same pattern (2 is forward, 7 is reverse)
-> 2+7 = 9
3 and 6 share the same pattern (3 is forward, 6 is reverse)
-> 3+6 = 9
4 and 5 share the same pattern (4 is forward, 5 is reverse)
-> 4+5 = 9
The parities which share the same pattern, always add up to 9 when combined, which MEANS that both polarities of the pattern sum up to the whole construction of the pattern within the Matrix.
9 rules all others, with the parities and polarities of 3 and 6 directly by it’s side, holding the entire construction together.
Polarity can be reversed, in other words 4 can be forward and 5 reverse or vice versa, as long as the symmetry is there…
Same thing as +4 and -4 in the old-fashion math for instance, but old-fashion math is WAY, and we mean WAAAAAAY to complicated for the mass conciousness of the ONE to actually understand anything explained with it. Number parities however can visualise it all to even the most dorment minds, and the most complicated calculations become as simplified as they can get, Neo…
Subtracting, multiplying and division ALL result in similar sequences and patterns, showing the exact same intricate level of symmetry, AND still with 3 and 6 holding it all together within the 9.
If needed or wanted, we will post those results aswell.